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boy by Chad Hubbard Print E-mail
Lit Circus
Posted by David Blaine   
Wednesday, 17 October 2007

boy

well i'm sitting here
sweating like aunt lou baking biscuits
i'm enjoying some mighty fine whiskey
but i think it's time for some jaeger
---
that's 3 dashes
here's 4
----
me and my brother ate crack-barrel tonight
i didn't feel so good afterwoods (i like the way i spelled that)
but it tasted allright
it's my opinion that if you can stay away from the stupid
golf tee game for long enough, you can find at least one decent
looking waitress at a cracker barrel
and then slap yourself for thinking about cracker barrel servers
---
that reminds me
one time, about 7 or 8 yrs ago
i took a decent amount of acid
and i ended up at a waffle house
with a box of lucky charms and
the biggest fucking pupils ever
there was this skinny waitress named brandy
that always waited on me and the gang (from work)
she came up to me and she said
-i think you need some milk
she emerged with some milk and some orange juice
VITAMIN C!!!
she knew
at that moment i wanted to marry her
we talked for hours as i descended from my madness
a fond memory but not fer the kiddies


Chad Hubbard lives in Alabama
You can visit him online at MySpace.

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i was never beaten with a razor strop by Justin Hyde Print E-mail
Lit Circus
Posted by David Blaine   
Tuesday, 16 October 2007

i was never beaten with a razor strop


burned with cigarettes
or punched in the 
ribs.
 
my old man
never once
put a hand on 
me.
 
he'd be on the couch
with a bottle
staring at the wall.
 
i was just a little shit
trying to find my way
but he wouldn't so much
as acknowledge me.
 
i stopped trying
at much of anything
for a very long time.
 
now
as my marriage dissolves
the wife pleads
how can you be so cold!
don't you care?
 
i take deep breaths
stare at the wall
feeling like a 
stone.
 
all i can think
is how i wish the old man
would have 
smacked me around a bit
 
something
 
anything.

------------------------------------------------------------------------------------------------
Justin Hyde is a parole officer living in Iowa.

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round here by Bruce Hodder Print E-mail
Lit Circus
Posted by David Blaine   
Monday, 15 October 2007

round here

i just
want
to talk
to some-
body,
he said,
spitting
tooth
into
the kitchen
bin. the
phone
buzzed on
the side.
i need
to hear
a human
voice come
out of
the dark-
ness some-
times. but
not hers.
he pressed
"busy" and
put the
phone
into
the drawer.
do you
follow
me? he
said. what
i'm saying
is it
crushes
me, it
crushes
like a
goddamn
vice, the
silence,
especially
at night.


Bruce Hodder lives in a village called Earls Barton 8 miles outside Northampton in the centre of England.

Visit him online at Suffolk Punch, or at MySpace.

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Mikael Covey Print E-mail
Agit Prop 101
Posted by Victor Schwartzman   
Friday, 12 October 2007

Mikael Covey likes to make scathing political comments at The Cherry Orchard. He’s just finished his novel aimed at stopping the war, all wars.

 Now if someone will just publish it...

 

 

 

Tailgunner Joe v. the Statue

 

America you sold me an ideal

cajoled me with your spangled waving dream

but I have seen

the Negroes hanging from the midnight trees

and I have seen you

murder children in the economic wars

I can’t believe, you’d kill your children just for greed

and spacious skies so full of shit that we can’t even breathe

sometimes I feel

surrounded by the whores that you conceive

with godless books

for huddled wretches who can’t even read

I can’t believe

a land of bounty with people left behind

a statue in a harbor

with a visage that is blind

no child of mine could read those words and find them true

an uninspired lying legend

lifting for the few a light

that never shines

on reservations

where the natives have all died to make us free

sometimes

I think

they might have died for me

sacrificing rights

out on their trails of tears

I hear the wail of crying voices

while the masses still revere Tailgunner Joe

who wields our drunken sword of liberty

against a common union

of the working slavery

in factories with smoking pipes

that wage

their war upon the world

 

    

Tell the Children

 

I see the sacrificial pictures

posted on the screen

the little girl, I think she’s ten,

the mom and then

how do you tell your children

daddy won’t be coming home

again

and never see you,

hold you

teach you,

or your children

when they’re born

he died in war to save the oil

for Saudi’s

and the Carlyle Group

and maybe gasoline’s a penny less

a penny more

now – daddy’s dead

and no one cares

but hey – who won the car race

and did Barry hit one out?

the things we do

and don’t do

make us shamed

to be alive

when daddy’s dead

 

    

Genesis 19:28

 

I watched the concerned man of Georgia

agonize over Spic alien invasion

while his immigrant Korean wife

broods about their separate views

and I say to him I'm tired

of you fuck you in the ear politicos

where God made earth for you

and fuck the rest of the unchosen few

And I watched the eloquent PLO

ambassador to nowhere

assuring me solutions are as

simple as Samaritans

while Palestine gets by on less than

2 dollars a day per child

and now the funds cut off

by terror sanctimonious hypocrites

and say to them I'm tired

of you fuck you in the ear politicos

who lie and cheat and steal and

use our children as a human shield

 

And I know the earth is dying

yes I know the earth is dying

from Amazon to New York's

pav-ed streets

and the question is Gomorra

is there someone left to save

is there anyone among us

not deserve to die this way

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Adrian Potter Print E-mail
Agit Prop 101
Posted by Victor Schwartzman   
Friday, 12 October 2007
Adrian Potter likes to rant, and I like what he likes to rant about:

Adrian S. Potter works, writes, and dies a little each day in Minnesota.  Despite the silly questions that idiots ask, he is not related to Harry Potter, but he would pretend to be his cousin for a lucrative book deal or a free pitcher of beer. Additional propaganda can be found at http://adrianspotter.squarespace.com/.From: Apotter Apotter [ This e-mail address is being protected from spam bots, you need JavaScript enabled to view it ]



Just Another Poet Ranting About Revolution

 

The government wants more money for their war

evidently democracy doesn't come cheap

so we measure the cost of the passing months

in the bones of dead soldiers

laid end to end.

 

Education matters, as long as you can buy one

a message taken to heart by the girls I've known

who ended up dancing in strip clubs

to pay for tuition and books,

which is okay by society's standards

since all women have to sell themselves

in one way or another to make it.

 

This country is overrun with families

haunted by the ghosts of deadbeat fathers,

crumbling under the steady weight of unpaid bills,

surviving with one dead car in the driveway

and no means to afford another,

and then we wonder silently

what's happening to our world

as the news reporter mentions

a woman drowning her two children in a bathtub.

 

Look:  we've spent our lives

believing the world's falsehoods without question,

and we are all too fragile to have come this far unscarred,

but the knowledge that nothing will be done by our leaders

places the burden of creating change

squarely on our shoulders.

 

As others have said before me,

the revolution will not be televised;

nor will it be podcasted, documented on blogs,

downloaded and burned on a blank DVD,

or streamed and broadcasted via YouTube

for folks to sit back and view

from the comfort of their homes.

 

This poem is not an act of aggression

for each moment carries the weight of its own brutality

but we need to take the truth, sharpen it

and press it against the president's throat

until he stops pretending that lies

are the answer to every question.

 

 

Stand Up and Sing

 

Huddled like hostages during our transatlantic voyage,

we were relocated to this North American continent

where natives were displaced by manifest destiny,

where we were chained in the name of capitalism,

where we found ourselves sold and traded like cargo,

and yet we still stood up and sang.

 

When separate but unequal remained public policy,

we remained silently resilient just to survive

while prejudice spit venom in our faces,

while sipping water under Colored Only signs,

while refusing to budge from bus seats,

and we still stood up and sang.

 

As society resisted change with dogged stubbornness,

we walked proudly despite any circumstance

through racist protesters to attend better schools,

through inclement weather to boycott transit systems,

through populous penitentiaries and peaceful protests,

and yet we still stood up and sang.

 

And today, as we subscribe to the factual myth

of The Man holding us down,

we are admired and reviled in the same breath,

walking, smooth-talking contradictions

in the pigmented flesh,

the epitome of duality,

tiptoeing around categorization,

equally capable of

staging diner sit-ins or drive-by shootings,

speaking proper English or Ebonics,

standing for something or nothing at all,

and, in spite of all that, we still sing.

 

And we must continue singing,

whether it is glorious gospel music

or rebellious gangster rap,

the twang of plucked guitar

or hum of harmonica breath,

the jubilant jazz of the jumping jook joint,

the eternal boogie that funks up the night,

or old slave songs that once tempered the pain of suffering.

 

We must sing

to document our twisted path through history

we must sing

black men

stand up and sing

black women

stand up and sing

sing these blues forever, so their echo never dies.

 

 

 

 

 

 

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Robert Pomerhn: Abuse Art, not children Print E-mail
Reviews
Posted by Victor Schwartzman   
Friday, 12 October 2007

ABUSE ART. not children

By: Robert Pomerhn

HighestHurdlepress

660 Cleveland Drive, #3

Cheektowaga, New York 14225

Price: $10

52 Pages


Review By: Charles P. Ries

 

“ABUSE ART. not Children” is Robert Pomerhn’s fourth book of poetry. Pomerhn is a spoken word artist migrating toward poetry for the page. I could see him seeking a more straight-ahead, narrative focus in this collection, yet he often tripped over excessive alliteration, rhyme and list poems – hard habits to break.


His work is urgent and personal; sometimes to the point where I stopped listening because I was being admonished to “listen”. These poems also run long, and I felt lost some of their urgency because of it. Again, I feel this is the residual affect of Pomrhn’s spoken-word-past.


This book also includes some interesting collage pieces that I liked a great deal. “ABUSE ART. not children” is filled with passion. I could feel the hunger in Pomerhn’s voice. This is a poet on fire and seeking his depth within a new written form. He has all the pieces to make that happen and I am certain it will be an explosion when he finally does.

 

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t. kilgore splake: Celebration of Samantha Print E-mail
Reviews
Posted by Victor Schwartzman   
Friday, 12 October 2007


CELEBRATION OF SAMANTHA


By: t. kilgore splake

The Vertin Press

P.O. Box 508

Calumet, Michigan 49913

56 Pages

Price: $17.50

Make checks and money order payable to t.k. splake

 

Review By: Charles P. Ries

 

I am always curious to see what poets can do with long writing. I know that for many it is a journey often considered, but seldom taken. I was pleased then to see t. kilgore splake take the leap with his novella entitled, “A Celebration of Samantha”. This is love story made all the more poignant because it also looks at the end of life. I was surprised that splake, who can write sometimes painfully long poems in stream of consciousness prose style, was able to reign himself in to tell this very sweet story.


Here we find the Gray Beard Dancer has fallen in love with Elizabeth the young counter waitress at his local coffee shop. She has a young eight-year-old daughter named, Samantha who gives this story much of its depth.  Told over thirteen chapters, it also includes black and white photos that depict the various places splake shares with us on this journey. This blending of prose and photo gives the story a memoir kind of intimacy. And while splake calls his book a work of fiction, it is hard to believe there is much distance between what is on the page and his life.


Splake reflects on the end of his life, while celebrating love with Elizabeth, and becoming an endearing, wise and thoughtful friend to Samantha. As with all really good stories, I was left at the end wondering, “How did it all work out? Did they stay together?” I wanted more, but realized that fifty-six pages of prose may be all the prose we will get from a writer whose inclinations and interests seem more connected to poetry than long fiction, but I wish this weren’t so. I wanted splake to move this story forward another two hundred pages and take me in and out of the deep waters of love in his very unique fashion. 

 

 

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Todd Moore: Love and Death and Teeth and Blood Print E-mail
Reviews
Posted by Victor Schwartzman   
Friday, 12 October 2007
love&death&teeth&blood

Todd
Moore
$9
Pitchfork Press
P.O. Box 146399
Chicago, IL 60614

Reviewed By Christopher Robin

Victor also says, read his own review of Moore's new chap!


In this latest chapbook, Moore writes with his signature chop-chop-bang-bang style, channeling the has-beens, the do-nothings, the knife wielding losers of dusty towns and diners with abbreviated sucker punches neither the reader or the wounded may see coming. I usually get a chuckle, a little shiver at the end of these poems. Veteran
Moore readers may think they see the stories unraveling, but many of the lines in this book I read over and over, sometimes out loud. I’ve read several of his books, the words sticking in my mind, never going stale. Best poems: “layin’ in,” (about pretending to rob a train), “you don’t,” (about a failed fighter) and “i told,” about a fool who shoots his own foot off. Sure they’re bloody and meaty, it’s Todd Moore after all, but I find a lot of humor in these hopeless, violent characters also. There’s vision in the blood and guts, the mysticism of the outlaw. A beautifully illustrated, blood red cover with a drawing of a rose and a gun with ink coming out of it complement this chap well. A limited edition of 150 copies.
 

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Neal Wilgus: Last Train to New Zealand & Other Poems Print E-mail
Reviews
Posted by Victor Schwartzman   
Friday, 12 October 2007
Last Train to New Zealand & other Poems

$5
Neal Wilgus
Juxtopedia Press
927 Camino
Hermosa
Corrales
, NM 87048

Reviewed by Christopher Robin

Wilgus will tickle your brainflies in this latest chap. Whimsical but rarely pedantic, these are laughing, thinking poems to chew on while the earth continues to spin absurd. Leary is dead, Robert Anton Wilson is dead, Vonnegut is dead, but Wilgus is still a very vibrant messenger, steeped in the traditions of these writers. In “Rads & Rems,” he wonders how to fool the all- seeing eyes of Big Brother. In “Homeland Security,” a mailing error creates a ripple effect of chaos and bureaucratic indifference. Sometimes Wilgus’s old timey wit misses the mark, as in “Class Warfare,” where his buffoonish language overwhelms the political message. At other times his best poems are memorable. “The Income Tax,” is repetitive and cathartic, and even cute while being angry. “Which Religion is this Again?” has moxie. “What’s the Diff?” questions violence. Many of these poems deal with war, terrorism, false patriotism and the surveillance state. He writes poems with candied wit and a surrealist twist. Good stuff.

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Oren Wagner: My Life in the Former Colonies Print E-mail
Reviews
Posted by Victor Schwartzman   
Friday, 12 October 2007
My Life in the Former Colonies
$5
Oren Wagner
Ego Creek
P.O. Box 397
Zionsville, IN 46077

Reviewed by Christopher Robin

Wagner crafts his prose-poems and haiku with the innocence of a small town bard and the dry sarcasm of a young person who can see bigger worlds and humorous circumstances in his less than cosmopolitan environment. With only a few lines he says a lot: “when light floods/into the window/on your lovely face/I realize why God/illuminated the universe/as his first order of business,” (From ‘Genesis 1:3’). Much like Don Winter’s poetry, Wagner chronicles the lives of wage earners and small town folk, but he is at his best when he is being completely satirical. In ‘How to Disappear Completely (A Guide to Faking Your Own Death),’ he advises: “make personal connections to known felons. People who can do things. People who will raise unwavering suspicion.”

Also good are the very short pieces, such as: “Weekend at my Guru’s” and “Asshole Neighbour.” And when he is self effacing there is much hilarity in his writing: “I received recognition from literally tens of people,” (‘Poet Laureate’). I got to hear this one read aloud and it’s stuck in my mind as one of his best poems. This book consists of three parts: Poems, Problems, & 19 Slender Poems. Wagner is a very talented, inventive writer. I had a good time reading this book and I highly recommend it.

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Christopher Cunningham: Flowers in the Shadow of the Storm Print E-mail
Reviews
Posted by Victor Schwartzman   
Friday, 12 October 2007
Flowers in the Shadow of the Storm

Christopher Cunningham/$18
1st edition/limited 100 copies
Sunnyoutside
P.O. Box 911
Buffalo, NY14207
www.sunnyoutside.com

REVIEWED by Eugenia Hepworth Petty

It is always amusing for me to read from authors that they are “old as fuck” when they are at least a decade younger than me, but I find in Christopher Cunningham’s latest body of work Flowers in the Shadow of the Storm a wisdom that belies his age. As a writer of similar method to Mr. Cunningham, I prefer what my friend Christopher Robin dubs “first click best click” writing: a new take on the older Ginsberg adage of “first thought best thought.”

When words pour forth without a need for an inordinate amount of editing, wringing of hands, thesaurus referencing, or slam contest second guessing, and those words express something you may not be able to put your finger on, but which nevertheless bring an  “aha” to your lips, then you know you have found something worthy of the label poetry. Mr. Cunningham’s eighth chapbook is no mere wisp of a stapled chap (as my own first chap was), but a formally bound book. The review copy sports a plain gray cover, but I was intrigued by the professional feel.

The poems inside Flowers… do justice to the presentation. Succinct and imagistic, Cunningham’s poems brought me into nameless towns, bedsides strewn with cold sheets, grayness through windows, and the feeling one gets awakening yet again to “a bleeding morning”, “waiting on the sun.” There are only 100 copies in this first run, and I’m buying mine now, so hurry! This is a rare find.
 
 

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Michael Lites: Poetry and Loathing in Las Vegas Print E-mail
Reviews
Posted by Victor Schwartzman   
Friday, 12 October 2007
Poetry&Loathing in Las Vegas by Michael Lites

Mean Streets Press http://www.myspace.com/talesfromthetweakside or: http://www.lulu.com/content/1023926  104 pages/$7.77

Reviewed by Christopher Robin

I probably shouldn’t review this book since it is full of pictures of me and my friends from our trip to Vegas last September (Misti Rainwater-Lites, Michael Lites, Joe Pachinko, Brian Morrisey) and a reading we did at the Freakin’ Frog Bar & Grill. So if you want to read a book about a bunch of clueless, broke-ass poets, most of them drunk, and an overworked and under paid novelist (the author himself) having to sell his car just to get there; if you think that could be in any way hilarious, and then by all means order this book!  Color cover. Many black and white photos and embarrassing moments chronicled. I laughed. I cried.

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Eugenia Hepworth Petty: Pamyat Selo (Memory Village) Print E-mail
Reviews
Posted by Victor Schwartzman   
Friday, 12 October 2007
Pamyat Selo (Memory Village)

Reviewed by Christopher Robin

$3+60cents postage
Premier Poets Chapbook Series #33
Premier Poets 55 Twelfth St, Providence, RI 02906


This is an excellent collection of short prose pieces and poems from the author’s trip to the
Ukraine in 1995-1997. Petty is no casual traveler, her years with the Peace Corp inform her writing in a very intimate way. Without delving into heavy metaphor she constructs vivid, thought provoking scenarios exploding with color and despair in a very concrete way.

The stories and poems are somber, sometimes resigned and even mystical. In ‘Earth Day’, she illustrates the North, South, East, West and Center of her environment. South: “raw sewage dumped from the
Port of Odessa: needles, condoms, the solid waste of old Soviet reactors.” And in the East: “lights flicker across the steppes/eternal flames of heavy industry/train windows darken with every mile/like the lungs of miners.” Her writing is similar to her photography, as stark and vivid as can be, with not too much overcrowding of detail.

Through her writing, I can visit the people and places she knows and loves; the soldiers, the mothers, children and animals, with all senses engaged, taste, smells and sounds. Beautifully done.

http://www.flickr.com/photos/veggiepoet/

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About OW!
Outsider Writers have been distributing chapbooks in dark subterranean caverns for too long. The corporate presses and literary institutions have no vision. The media is irrelevant. It's time to rise into the sun!

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