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Inferno (Unabridged) [Audio Download]

by Dan Brown (Author), Paul Michael (Narrator)

3.9 out of 5 stars See all reviews (4,081 customer reviews)

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Product details

Audio Download
Listening Length: 17 hours and 17 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Random House Audiobooks
Audible.co.uk Release Date: 14 May 2013
Language: English
ASIN: B00CRUUKXI

Average Customer Review: 3.9 out of 5 stars See all reviews (4,081 customer reviews)

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Product Description

Dan Brown's new novel, Inferno, features renowned Harvard symbologist Robert Langdon and is set in the heart of Europe, where Langdon is drawn into a harrowing world centred around one of history's most enduring and mysterious literary masterpieces.

As Dan Brown comments: "Although I studied Dante's Inferno as a student, it wasn't until recently, while researching in Florence, that I came to appreciate the enduring influence of Dante's work on the modern world. With this new novel, I am excited to take readers on a journey deep into this mysterious realm... a landscape of codes, symbols, and more than a few secret passageways."

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3.9 out of 5 stars

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244 of 268 people found the following review helpful

3.0 out of 5 stars We've Been Here Before... 25 May 2013

By Mark F. Davies

Item Package Quantity:1

I actually wasn't going to buy Inferno given how woeful I considered The Lost Symbol to be; however, I received a copy of the book as a gift and plunged in, consuming the book in a matter of a couple of days. Whilst my earlier review of The Lost Symbol was quite positive in terms of what Brown was trying to do, large parts of my criticism of that book also apply here. The novel opens with an amnesiac Langdon waking up in a hospital room after apparently being shot in the head - we're not in Cambridge anymore Toto. I actually consider the opening of the book quite fresh; taking away Langdon's memory proves a successful literary technique for Brown, allowing him to effectively retrace Langdon's footsteps (and his own work in previous novels).

What follows is more of the same types of shenanigans we read about in Brown's previous efforts. There's a biological weapon (Angels & Demons), an assassin tracking Langdon (The Da Vinci Code), a litany of literary/art references (The Da Vinci Code) and a professor who seems far too in control. Part of what I loved about the early Langdon books was that they always showed Langdon as being out of his depth, a humble academic sucked into a situation he doesn't fully understand. He survived and saved the day through using his intellect and his instincts, making him a sort of bookish Indiana Jones. In short, he was a very good hero for the series. You'll note I'm using past tense for this; it's because he now has transformed into caricature. Everyone knows Langdon; museum curators, security guards, the Director of the World Health Organisation; basically wherever Langdon goes, he is known, accommodated, and assisted in his exploits. He isn't a man alone anymore, he's a man with a massive following and this is where the novel descends into the ring of Hell reserved for tired writers who rehash plots (Dante has a place for Brown, several actually, Circles 5, 8, and 9). Moreover, there isn't a building Langdon doesn't know in the novel; he's certainly quite the traveller, so much so that one wonders when he actually has time to write the books he's so famed for...

On the point of symbols, there aren't many. There's no deduction, there's no reasoning, there's just explanation after explanation of art, messages written in text which Langdon also knows all about. Due to the fact Langdon knows it all, and this does get rather annoying after a while, the reader is left with the distinct impression that they've read this novel before. In fact, we have. Several times. Brown's decision to give Langdon amnesia is actually very clever (or manipulative and devious) because it could be argued that the 'been here before' feeling one gets when turning the page is caused by Langdon's feeling of having been here before. However, I actually just think that Brown didn't have anything new to offer us and so he's rehashed old ideas whilst dressing them up as the déjà vu of an amnesiac.

The truly ridiculous part of the novel, however, is the WHO (World Health Organisation). I'm willing to accept that government agencies, global enforcement bodies etc. etc. are willing to consult academics from relevant fields when trying to assess threat levels. I'm willing to accept that such academics are in a privileged position to know things that others do not, thereby allowing them to play a pivotal role in helping avert disaster. What I am not willing to accept however, is that an organisation such as the WHO, or any other organisation for that matter, would entrust the mission of locating a biological weapon of mass destruction to a man who spends his life analysing symbols and obsessing about a Mickey Mouse watch he wears in order to not take himself so seriously. My hopes soared when the timepiece was lost but then, the Director of the WHO found it for him and returned it to his wrist, ready to tell time another day. I eye rolled here.

For me, the moment Langdon utters the words, as he does twice I believe, "It's a matter of life and death!" in the novel, I found myself rolling my eyes again. Langdon is an academic, not a field agent and yet the WHO were concerned when he stopped 'checking in' with them whilst in the field. Why was he in the field? Why are they trusting this man with anything beyond his area of expertise? Why did Dan Brown think this would fly? Oh the questions. Yet again Langdon is the ONLY one who can help. The ONLY one who knows. The ONLY one who can overcome a severe brain injury within hours and spend the rest of the novel running (not recommended as running increases blood pressure and could cause bleeding in the brain - not so for Langdon). In short, Robert Langdon is amazing. Too amazing. The more amazing he becomes, the more ridiculous the books become and, for me, we're really at critical mass in terms of the amazingness of Robert Langdon.

In my review of The Lost Symbol I wrote that Dan Brown has kind of exploited Langdon enough and should consider stopping writing him and move on to pastures new. With this novel, in my view, Dan Brown has made it clear that he should absolutely stop writing the character and move on. There's nothing new Langdon can do without the book either being so ridiculous it is caricature or so boring it becomes unreadable.

A quick word on Dan Brown's writing ability. Critical reviews of the book have focussed on the fact that Dan Brown isn't a tremendous writer. Let's be clear, he's not, but that doesn't matter. Just as a Michael Bay summer blockbuster will never be Citizen Kane, so too will a Dan Brown blockbuster never be able to accomplish the dizzy heights of Dumas, Bront�, Shakespeare or Proust. I don't expect Dan Brown to be an amazing writer because if he was the book would be an effort to read and that isn't what you need or want from a blockbuster. So whilst critics focus on Brown's inability to write brilliantly, I choose to largely ignore that because the book isn't intended to be a literary work of art. The skill is in the story, not the execution; it's just a shame that the story has been told before.

The book isn't bad, hence my three star rating, it's just overdone. Readers would probably get more out of reading The Da Vinci Code than reading the new novel and could actually get away with substituting The Last Supper in The Da Vinci Code and anti-matter in Angels & Demons with Dante's Inferno and still have read the new book; after all, that's essentially what Dan Brown has done in order to write it. Read more ›

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153 of 181 people found the following review helpful

3.0 out of 5 stars Could have been better 17 May 2013

By Parm TOP 500 REVIEWER

Item Package Quantity:1

Review

Writing a review for a Dan Brown book is not an easy thing, he is one of the biggest selling authors out there. His Da'Vinci code achieved almost a cult following status, to even attempt any sort of critic would bring down the wrath of the Brown followers. (but what the heck)

For me personally the book has its good points as well as its bad points. There is a good plot buried within this book, but the book inst an over all great book.

I love thrillers filled with action and quirky unknown symbolism or archeology, and Robert Langdon should be able to deliver that. At times he does, at times I feel educated and feel the pace of the plot building. Then out of the blue Dan Brown decides to take on the role of Florentine, Venetian tour guide, or Dante Historian. Its not that I mind being educated, in fact I love learning this stuff, I really want to visit Florence now. BUT: the stories pace and power and writing style changes as the author introduces this stuff. All of a sudden I feel like I'm starting again, the brakes have been slammed on to the tension and it's lost, the pace is gone, and the purpose of the thriller writer is wasted, for the role of tour guide.

If you read a book by for example Andy McDermott, you will get explosive action, highs and lows and a continual build of tension through to a dramatic conclusion. This dramatic and heart pounding conclusion gets lost with Inferno because of all the tour guide info, and because of the style of its delivery. If the same info had been delivered as part of the narrative at a higher level and with the full content in authors notes at the end....? well this may have been a reading hit as much as it will sell just fr having Dan Browns name on the cover. Read more ›

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2 of 2 people found the following review helpful

2.0 out of 5 stars Too Elaborate 2 Feb 2014

By Douglas Ginn

Format:Kindle Edition|Amazon Verified Purchase

Disappointing, reads more like a travelogue and a lecture on art than a thriller, not as good as his previous Robert Langdon books

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2 of 2 people found the following review helpful

2.0 out of 5 stars Regurgitation if ever I've seen it... 20 Nov 2013

By Miss A. Bell

Item Package Quantity:1

To put it bluntly, we've heard it all before. Throughout the whole book I felt like I'd already read it. The same pattern follows time after time after time in all of the Langdon books:
Langdon discovers an unexplainable object/piece of information-----him and his new found partner (whoever it may be that is conveniently a well connected and resourceful genius) run to an ancient city, not really knowing where they need to be in the hope of evading the various assassins/authorities that are after him (not sure how I would fare up trying to escape an armed assassin AS WELL AS an SAS team after waking up with a bullet wound and amnesia, Langdon is obviously a better person than I!).......Whilst on the run Langdon has a sudden epiphany of where he needs to be and what the clue means......They get there.....New clue.....new method of escape.....new epiphany. And so the cycle continues through every single one of the 462 pages.

Despite the repetitiveness I was enjoying the story until I reached an incredibly disappointing and not very well thought out ending. Should have stopped at Angels and Demons, and at the very least, The Lost Symbol.

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2 of 2 people found the following review helpful

2.0 out of 5 stars Everything you wanted to know about Florence....... 14 July 2013

By Andrew White

Item Package Quantity:1

As a tourist guide, Dan Brown's Inferno surpasses Fromers any day. Anything you ever wanted to know about Florence and Venice is described in brilliant detail, leaving nothing to the imagination. As a gripping yarn, however, Inferno is miles off course. It's riddled with repetition, leaving readers with the distinct impression that Mr. Brown was struggling to find content for the publisher. Without wishing to ruin the story for fans of Dan Brown, the plot follows Robert Langden's efforts to thwart a mad scientist hell bent on infesting the human race with an ingenious pandemic virus. The plot twists here, vaults there and re-writes itself more than once. Inferno is a far cry from Dan Brown's earlier efforts, making me wonder if his writing career has peaked early.

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