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The Wild Places Hardcover – 3 Sept. 2007

4.5 4.5 out of 5 stars 1,250 ratings

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The Wild Places is both an intellectual and a physical journey, and Macfarlane travels in time as well as space. Guided by monks, questers, scientists, philosophers, poets and artists, both living and dead, he explores our changing ideas of the wild. From the cliffs of Cape Wrath, to the holloways of Dorset, the storm-beaches of Norfolk, the saltmarshes and estuaries of Essex, and the moors of Rannoch and the Pennines, his journeys become the conductors of people and cultures, past and present, who have had intense relationships with these places. Certain birds, animals, trees and objects snow-hares, falcons, beeches, crows, suns, white stones recur, and as it progresses this densely patterned book begins to bind tighter and tighter. At once a wonder voyage, an adventure story, an exercise in visionary cartography, and a work of natural history, it is written in a style and a form as unusual as the places with which it is concerned. It also tells the story of a friendship, and of a loss. It mixes history, memory and landscape in a strange and beautiful evocation of wildness and its vital importance.

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Review

"... a descriptive writer of breathtaking power" -- The Sunday Times

"Beautiful and inspiring ... a deeply stirring book" --
Independent

"Nature is a passion that Robert Macfarlane puts beautifully into words ... one of the finest nature writers in Britain" --
Scotsman

"The Wild Places is a book that inhales the zeitgeist, as well as the fresh air of open country" --
Guardian

`Macfarlane's style, spare and elegant, combines with an acute eye to produce some wonderful writing'
--
TLS, Patrick Curry

`Such lovely honeyed prose. Macfarlane is delightful literary company, polite, earnest, erudite and wide-ranging in his interests.'
--
LRB, Kathleen Jamie

About the Author

Robert Macfarlane s Mountains of the Mind: A History of a Fascination (2003), won the Guardian First Book Award, The Somerset Maugham Award, and The Sunday Times Young Writer of the Year Award, and was filmed by the BBC. It was also short-listed for the Ondaatje Prize for the Literature of Place, the John Llewellyn Rhys Prize, the Boardman-Tasker Prize for Mountaineering Literature, the Banff Mountain Literature Award, and long-listed for the Samuel Johnson Prize for Non-Fiction. It was acclaimed as one of the two most important books written around the experience of mountains in the past fifty years . Robert Macfarlane is a Fellow of Emmanuel College, Cambridge. He lives in Cambridge with his family.

Product details

  • Publisher ‏ : ‎ Granta Books; Third Impression edition (3 Sept. 2007)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 352 pages
  • ISBN-10 ‏ : ‎ 1862079412
  • ISBN-13 ‏ : ‎ 978-1862079410
  • Dimensions ‏ : ‎ 16.2 x 20.8 x 4 cm
  • Customer reviews:
    4.5 4.5 out of 5 stars 1,250 ratings

About the author

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Robert Macfarlane
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Robert Macfarlane is the author of prize-winning and bestselling books about landscape, nature, people and place, including Mountains of the Mind: A History of a Fascination (2003), The Wild Places (2007), The Old Ways (2012), Holloway (2013, with Stanley Donwood and Dan Richards), Landmarks (2015), The Lost Words: A Spell Book (with the artist Jackie Morris, 2017) and Underland: A Deep Time Journey (2019). His work has been translated into many languages, won prizes around the world, and his books have been widely adapted for film, television, stage and radio. He has collaborated with artists, film-makers, actors, photographers and musicians, including Hauschka, Willem Dafoe, Karine Polwart and Stanley Donwood. In 2017 he was awarded the EM Forster Prize for Literature by the American Academy of Arts and Letters.

Customer reviews

4.5 out of 5 stars
4.5 out of 5
1,250 global ratings

Top reviews from United Kingdom

Reviewed in the United Kingdom on 2 September 2013
A beautiful book, recounting the author’s journeys through some of Britain’s wild places, sometimes alone, and sometimes accompanied by one or two close friends who share his love of the wild. The language of the book is spell-binding, taking the reader on a parallel journey, weaving science and literature, knowledge and wonder. .

“From the bottom of the hill, I could hear the noise of the trees with the wind; a marine roar that grew in volume as I approached. Looking up at the swaying wood, I remembered something that I had read: when you see a wood or a forest, you must imagine the ground almost as a mirror line, because a tree’s subterranean root system can spread nearly as widely as its aerial crown. For the visible canopy of each tree you have to imagine an inverted hidden one, yearning for water just as its twin yearns for light.”

“Once, emerging from a high-hedged lane, I put up a flock of white doves from a brown field, and watched as they rose applauding into the sky.”

“Lines of spider’s silk criss-crossed the air in their scores, and light ran like drops of bright liquid down them when we moved. In the windless warm air, groups of black flies bobbed and weaved, each dancing around a set point, like vibrating atoms held in a matrix. I had the sense of being in the nave of a church: the joined vaulting of the trees above, the stone sides of the cutting which were cold when I laid a hand against them, the spindles of sunlight, the incantations of the flies.”

“Coleridge once compared walking at night in his part of the Lake District to a newly blind man feeling the face of a child: the same loving attention, the same deduction by form and shape, the same familiar unfamiliarity. At night, new orders of connection assert themselves: sonic, olfactory, tactile. The sensorium is transformed. Associations swarm out of the darkness. You become even more aware of landscape as a medley of effects, a mingling of geology, memory, movement, life. The landforms remain, but they exist as presences: inferred, less substantial, more powerful. You inhabit a new topology. Out at night, you not only understand that wildness is not only a permanent property of land – it is also a quality which can settle on a place, with a snowfall, or with the close of day.”

Read, and find yourself wanting to begin your own journey.
15 people found this helpful
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Reviewed in the United Kingdom on 1 June 2016
MacFarlane's prose has the same intricacy as the landscapes he describes. He is as focused on the detail written into the grain of a pebble as he is on the form of a mountain peak. MacFarlane travels far and while over Britain and Ireland to bring us a series of landscape essays and frequently refers back to previous chapters to highlight subtle connections which link places together. He explores how wild places can be found in less obvious locations; often close to home in towns or cities or on the smallest of scales. My only criticism of MacFarlane is he sometimes over-writes. A narrative of a walk will be flowing in beautiful prose and you're there with him. But suddenly, he will take a divergent path onto some other topic. It's not just for a sentence or three to add context, but page after page until you've forgotten the narrative of his walk. Usually this is to add context or reference but for me it gives a staccato feel to his writting and can (for me at least) be a little frustrating. Often too he uses words which he knows are not in common parlance. Perhaps he thinks these provide more accurate vocabulary but I sense there's a small part of him which wants to sound clever. Clever he is though, and the way he weaves his words sets him apart from many writers within this genre. Above all, he writes about what I care about and I feel he's inside my head reading my thoughts. I want to sit aloft in the beech tree with him and share with him that sense of wonderment of this island we call home and gaze out and wonder.
18 people found this helpful
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Reviewed in the United Kingdom on 18 May 2020
So it turns out Britain does have parts that aren't tarmaced over and within 1km of a Greggs! Robert does an excellent job of finding and describing the mountains and valleys of this land that are seldom accessed. Despite reading in the sun, his vivid stories of peaks climbed in bitter winter and utter darkness gives the reader the sense they're walking along side him and sent me looking for a blanket.

Ultimately, nature is best seen and experienced for yourself rather than read in a book which is a hurdle outdoor writing will always find hard to overcome. Nevertheless, Robert does a fantastic job and you will spend the whole time reading it and long after aching to visit these places.
4 people found this helpful
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Reviewed in the United Kingdom on 19 January 2024
Kindred spirits of the world unite
Reviewed in the United Kingdom on 27 March 2015
I originally purchased The Wild Places a year and a half ago as a Kindle Daily Deal. I started reading it during my commute on a whim after I'd finished another book and was looking for something else to read. It quickly became clear that this was a book I'd need to read as a physical book.

Robert Macfarlane is an extraordinary writer. He manages to write very lyrical prose without going over the top. He writes take-your-breath-away sentences that enhance, rather than detract from, his more straightforward prose.

The Wild Places chronicles his search for wild places in the British Isles, where some believe there are no wild places left. As Macfarlane seeks out and visits these wild places, he examines our relationship with the places. Almost everywhere he goes, there is evidence or stores of the people who have been there before him. At the same time, he starts to see the wild in the most unlikely of places, appearing in the cracks, crevices and forgotten spaces of our built environment.

In the end, his journey fundamentally changes his idea of what a "wild place" is.

I can't recommend this book highly enough. I'll certainly be reading Macfarlane's other books.
8 people found this helpful
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Top reviews from other countries

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Stephen Hobbs, EdD
5.0 out of 5 stars Oh the word descriptions of his landscapes ))smiles
Reviewed in Canada on 28 July 2022
So enjoying this book - did I mention that "I'm so enjoying this book." ... while I'm not in the author's landscape, my imagination is. And the additional commentary gets me thinking about how to interact with the landscape about me. Words matter - and his selection of words are oh so enjoyable! I think I mentioned I'm so enjoying this book.
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Stephen Hobbs, EdD
5.0 out of 5 stars Oh the word descriptions of his landscapes ))smiles
Reviewed in Canada on 28 July 2022
So enjoying this book - did I mention that "I'm so enjoying this book." ... while I'm not in the author's landscape, my imagination is. And the additional commentary gets me thinking about how to interact with the landscape about me. Words matter - and his selection of words are oh so enjoyable! I think I mentioned I'm so enjoying this book.
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Cliente Amazonclt
2.0 out of 5 stars Wild places, and their history.
Reviewed in Italy on 6 December 2019
I was expecting far more nature and less history. No doubt more interesting for male readers, written from a male point of view.
MR JOHN H D FRITH
5.0 out of 5 stars One of the best books I have ever read, and I have read thousands.
Reviewed in France on 19 August 2019
I hadn't expected much from a 'wildlife and landscape' book, set mostly in Brtain and Ireland, but this is simply magnificent. [As are his 'Mountains of the Mind' and 'The Old Ways' both now avidly devoured]
The descriptions are flawless, the prose crafted like a jewelled watch, and the vocabulary, oh the vocabulary - what a joy to read such a well-educated writer who really knows his stuff.
I will restrain myself a while and then re-read it and the others. Then next year again for sure.
Don't miss this if you love fine writing.
Srikumar M Menon
3.0 out of 5 stars Disappointed with the writing overall
Reviewed in India on 25 October 2016
Over written; with contrived and high-sounding reporting of fairly commonplace events at the locations travelled to by the author. Some gems, however, hidden among pages of very average writing. Disappointed with the writing overall.
2 people found this helpful
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illiterate
2.0 out of 5 stars Leider mehr eine Ansammlung von Aufsätzen für Wissenschaftszeitschriften
Reviewed in Germany on 27 April 2016
als ein Bericht über persönliche Erfahrungen in Englands wilder Natur. Der Autor vertraut seinen eigenen Empfindungen so wenig, daß er dauernd durch Einschübe aus Sekundärliteratur und Zitaten den Erzählfluß unterbricht. Wertvoll ist allerdings der Hinweis auf Roger Deakins Bücher, die ihm ein Vorbild sein sollten!
3 people found this helpful
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