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Lydia works in a museum, dragging kids round the Long Before Man tour. Felix has never worked anywhere and spends his days dragging on cigarettes and writing songs for Moja, his beloved rock group. When they meet, they realise that all you need in common is to be following the same dream and its even better to be following it in a 1969 Jaguar 240
When Lydia offers to manage Moja, she finds four very different people: Justin, the bass player, is as aloof and stoned as the drummer Nicky is sweet and impish. Gorgeous, temperamental lead singer Amber is determined to make Lydias life as hard as possible. And then theres Felix who, for all his beauty and charm, is as paranoid and insecure as every struggling musician before him.
Standing Room Only is a wild journey from the beginning of a dream to making it happen. Who said show business wasnt glamorous...?
Eva Rice is 25 and lives in London. This is her first novel.
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Eva Rice's story revolves around the lives of these struggling musicians and their very different backgrounds: the glamorous potential femme fatale Amber, the down-to-earth Nicky, the dangerously talented Felix and the ambitious Lydia who breaks into the inner sanctum of the band in order to help them find fame and fortune.
Eva delicately balances the gritty reality of the local band treadmill and endless gigs watched from a distance by an unsympathetic music business, with a daring love story and romantic entanglements that can either strengthen or weaken the precarious disposition of a group of performers.
I found this book surprisingly accurate in its portrayal of the often unseen music business - the belligerent band admirably fighting against unresponsive attitude of those with their hands on the cheque book. In addition, the intense and passionate interludes into the personal lives of the band and their friends give the story depth and believability to those readers unsure about the industry.
A treat for bright young things everywhere.
The author displays an uncanny insight into the minds of not just 'Moja', but every single organic band who have ever set their sights on pop stardom. Initially full of veracity and idealism, then beset with scepticism and uncertainty, the young four-piece have to navigate their way through the drudgery and toil of small, cramped venues, as well as the apparent indifference of apathetic A&R men and their mordant secretaries.
When success looms on the horizon they then face the problems of not only keeping the group intact, but their friends and their sanity too.
Eva illustrates all this with startling authenticity, as Moja try to organise a record deal, and she depicts the trials and tribulations of a young act desperate to succeed in a way far more accurately than past TV shows and novels could ever do.
This is not a 'Wayne's World' tale of Mr Big, resplendent in pony tail, leather sofa, limousine and a million dollar album contract.
This is reality.
And it bites...
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