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Ethel & Ernest Paperback – 3 Sept. 1998
A marvellous, life-enhancing book for all ages.
- Print length104 pages
- LanguageEnglish
- PublisherJonathan Cape
- Publication date3 Sept. 1998
- Dimensions15.1 x 0.9 x 22.5 cm
- ISBN-109780224046626
- ISBN-13978-0224046626
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"As our memory of pre-Niketown Britain fades, we should be grateful that Raymond Briggs is so brilliantly equipped to remind us of what we used to be, and why." (Nick Hornby New York Times)
"Ethel & Ernest imparts, as the best novels do, the sense of lived lives. It’s not too much to say you come to love these people... Briggs’ book earns our tears. Ethel & Ernest is a just about perfect miniature: small in scale, not in spirit." (Charles Taylor Salon)
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About the Author
Product details
- ASIN : 0224046624
- Publisher : Jonathan Cape; 1st edition (3 Sept. 1998)
- Language : English
- Paperback : 104 pages
- ISBN-10 : 9780224046626
- ISBN-13 : 978-0224046626
- Dimensions : 15.1 x 0.9 x 22.5 cm
- Best Sellers Rank: 103,396 in Books (See Top 100 in Books)
- 121 in Animation (Books)
- 253 in Cartooning
- 311 in Cultural History of London
- Customer reviews:
About the author
Raymond Redvers Briggs (born 18 January 1934) is an English illustrator, cartoonist, graphic novelist and author who has achieved critical and popular success among adults and children. He is best known in Britain for his story The Snowman, a book without words whose cartoon adaptation is televised and whose musical adaptation is staged every Christmas.
Briggs won the 1966 and 1973 Kate Greenaway Medals from the British Library Association, recognising the year's best children's book illustration by a British subject. For the 50th anniversary of the Medal (1955–2005), a panel named Father Christmas (1973) one of the top-ten winning works, which composed the ballot for a public election of the nation's favourite.
For his contribution as a children's illustrator Briggs was a runner-up for the Hans Christian Andersen Award in 1984.
Bio from Wikipedia, the free encyclopedia.
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There is something very powerful about the simple text, mixed with a large dose of humour between the husband and wife, coupled with images that make the experience of reading this book into something very special.
This is undoubtedly a book to savour and read many times (it can be read in an hour).
This beautifully illustrated small book captures the highs and lows of lives so ordinary that they become compulsive reading. It captures vividly the ageing of loved ones, their loss and the resulting unfillable void for those left behind. Ethel and Ernest also struck a chord with my twelve year old grandson who was captivated and moved by this unfolding of mundane but unforgettable lives as opposed to his usual diet of super heroes, time lords or teenage wizards.
There's so much to relate to in the book. There's good memories, like when you played games or sang silly songs as a child, went down to the beach or moved up to "big" school. Raymond, it seems, did all those too. Read about how Ethel always fusses over him as mothers always will, while Ernest moderates as fathers always will. Even the hard times, like scolding, embarrassments and arguments, are relatable.
There's another side of the book too. Ethel and Ernest's life together began in the 1920's and ended in the 1970's (you'd have to be made of stone not to be moved by the ending). Follow that life as they (and Raymond) go through enormous changes and end up in a world that was unimaginable at the start of the book. There's WWII of course, the fear of the nuclear shadow, the appearance of television, the moon landing; changes that can be delivered either soberly or humorously. There's a page where Ernest reads in his trusty newspaper that they're going to legalise homosexuality... but he doesn't really know what that is!
So funny, so wonderful, so sad and so much like life. I can't recommend this book highly enough.
Briggs' portrait of his parents is a strange book - without real plot or narrative, it jumps from one situation to another in a disjointed and unique style, capturing small vignettes of twentieth century life but never quite expanding on them. There is no commentary or moralising, no idyllic or disasterous childhoods, no extolling of the values of family life or solidarity during the Blitz or respect for one's elders - just a series of snapshots of married life, mortgages, ancient washing machines, political disputes (Ernest is a staunch socialist, Ethel an unreconstructed Tory) and hospital endings.
Briggs is probably the best cartoonist Britain has to offer outside politics; his simple drawings have been used for everything from traditional Bogeymen to the horrors of nuclear war, and still retain the fresh innocence that made the "Snowman" so great. It's this style which allows him to make such striking statements, and which got him onto last year's Christmas stamps.
A bit like "Maus" without the backdrop of the Holocaust to focus the attention, it is Briggs' most daring work yet. In the way he has chosen to portray their lives he captures the banality of the lives of Ernests and Ethels everywhere. It's worth a look, but don't expect a simple story.
Top reviews from other countries
Reviewed in Spain on 21 March 2022
この作品の素晴らしさは、平凡について正直なところだ。平凡な人生の中にある喜びを堂々と慈しむ一方で、煩わしさや忌々しさも隠さない。単なるノスタルジアやセンチメントになることを拒絶し、何かしら教訓めいたものを示すでも共感を誘うでもなく、ありのままを淡々と描くことに潔癖であろうとしている。故に胸を打つ。その感動は、結果に向かって直線的に連なる物語がもたらすそれとは、違う類のものだ。ひとつひとつは小さな点が集まり、大きな面になって迫ってくる感覚と言えば良いだろうか。
ブリッグス先生独特の温かみのある絵柄に油断してたら、ぺしゃんこに押し潰されてしまった。
Einfache Leute, die ein Leben ohne große Sprünge und ohne tiefe Brüche in Zuneigung gelebt haben.
Ältere Leser werden sich an einzelne Phasen erinnern: wirtschaftliche Veränderungen, technischer Fortschritt. Das erste Fernsehgerät, Autos werden für viele erschwinglich.
Für Menschen, die sich für den Alltag in England im Lauf der Zeit interessieren, bietet das Buch schöne Fundstellen, die so in kaum einem Schulbuch stehen. Sehens- und lesenswert auch die Zeit des Weltkrieges.
Vielleicht gibt es besondere Momente, in denen man einen speziellen Zugang zu dem Buch findet. Die bislang letzte, der ich "Ethel & Ernest" schenkte, war eine Kollegin, deren Mutter gerade gestorben war - mit knapp achtzig Jahren. Sie hat viele Stationen des Lebens ihrer Eltern wiedererkannt und das hat sie sehr angenehm berührt und zu vielen Überlegungen über ihr eigenes Leben veranlasst.
Das Buch hat ihr auch den Zugang zu Graphic Novels etwas erleichtert. Das, was Briggs sagen und darstellen will, das hat er hier in die optimale Form gegossen. Das würde ich als Roman kaum lesen mögen, doch hier sind Worte und Bilder wunderbar zusammengeführt.
"Ethel & Ernest" ist in Großbritannien schon eine Art zeitloser Klassiker - vollkommen zu Recht.