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Then We Came to the End: Joshua Ferris Paperback – 4 Jan. 2008

3.9 3.9 out of 5 stars 948 ratings

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A HILARIOUS SATIRE THAT SHOWS OFFICE DYNAMICS AT THEIR MOST PETTY AND PROFOUND FROM THE BOOKER PRIZE-SHORTLISTED AUTHOR, JOSHUA FERRIS

They spend their days - and too many of their nights - at work. Away from friends and family, they share a stretch of stained carpet with a group of strangers they call colleagues.

There's Chris, clinging to his ergonomic chair; Lynn, the boss, whose breast cancer everyone pretends not to talk about; Carl, secretly taking someone else's medication; Marcia, whose hair is stuck in the eighties; and Benny, who's just - well, just Benny. Amidst the boredom, redundancies, water cooler moments, meetings, flirtations and pure rage, life is happening, to their great surprise, all around them.

Then We Came to the End is about sitting all morning next to someone you cross the road to avoid at lunch. It's the story of your life and mine.

*Joshua Ferris' mind-blowing new book, A Calling for Charlie Barnes, is available to pre-order now.*

'Very funny, intense and exhilarating . . . For the first time in fiction, it has truly captured the way we work'
The Times

'As dazzling as Franzen's The Corrections and as confident as Tartt's
The Secret History . . . Exceptional, very funny' Daily Telegraph

'Slick, sophisticated and very funny, Ferris's cracking debut has modern Everyman fighting for his identity in an increasingly impersonal world'
Daily Mail

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Review

Outstanding, hugely satisfying, exceptionally well-executed . . . An incisive, urgent, funny and snappily written novel ― Sunday Times Magazine

As impressively confident as Donna Tartt's
The Secret History and as technically dazzling as Jonathan Franzen's The Corrections . . . Exceptional, funny, radical ― Telegraph

Brilliant, funny, stomach-turningly accurate ―
Observer

From the Back Cover

Joshua Ferris's Then We Came to the End is one of the most acutely observed, dazzling American debuts of recent years.

They spend their days - and too many of their nights - at work. Away from friends and family, they share a stretch of stained carpet with a group of strangers they call colleagues.

There's Chris Yop, clinging to his ergonomic chair; Lynn Mason, the boss, whose breast cancer everyone pretends not to talk about; Carl Garbedian, secretly taking someone else's medication; Marcia Dwyer, whose hair is stuck in the eighties; and Benny, who's just - well, just Benny. Amidst the boredom, redundancies, water cooler moments, meetings, flirtations and pure rage, life is happening, to their great surprise, all around them.

Then We Came to the End is about sitting all morning next to someone you cross the road to avoid at lunch. It's the story of your life and mine.

Product details

  • ASIN ‏ : ‎ 0141027630
  • Publisher ‏ : ‎ Penguin; 1st edition (4 Jan. 2008)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 400 pages
  • ISBN-10 ‏ : ‎ 9780141027630
  • ISBN-13 ‏ : ‎ 978-0141027630
  • Dimensions ‏ : ‎ 19.8 x 12.9 x 2.4 cm
  • Customer reviews:
    3.9 3.9 out of 5 stars 948 ratings

About the author

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Joshua Ferris
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Joshua Ferris's first novel, "Then We Came to the End," won the PEN/Hemingway Award, the Barnes and Noble Discover Award, and was a National Book Award finalist. It has been translated into 24 languages. His fiction has appeared in The New Yorker, Granta, Best New American Voices, New Stories from the South, Prairie Schooner, and The Iowa Review. He lives in New York.

Customer reviews

3.9 out of 5 stars
3.9 out of 5
948 global ratings

Top reviews from United Kingdom

Reviewed in the United Kingdom on 28 September 2017
The thing about writing a book in the first-person plural is that it’s well-nigh impossible to get everything happening in ‘immediate scene.’ Which is why most of the narrative in Joshua Ferris' Then We Came to the End, relies on its fulsome cast of characters to relate it in the third person singular. The cast - or chorus as you might call them (except strictly speaking they’re not a chorus because they're all named) - are as follows; Amber, Andy, Benny, Brizz, Carl, Chris, Dan, Don, Doug, Ernie, Genevieve, Hank, Janine, Jim, Joe, Karen, Larry, Lynn, Marcia, Mike, Paulette, Reiser, Roland, Sandy, and Tom; those are the staff at the advertising agency. There’re also Carter, Heidi, Michael, and Seth, who put in an appearance at the end when most of the characters enjoy a reunion in a wine bar ‘five years later’. There are also ‘The Building Guy’, Becky the baby, Brizz’s brother Frank (aka Bizarro Brizz) Martin, Marylin, and the mysterious Brian Bayer. I say ‘most’ of the characters assemble for a reunion – that is all except one, plus the three who have died, and to find out who these are and how and why, you will have to come right to the end.
There are more characters than in Romeo & Juliet – which is quite possibly why the families in that play get a mention. There are more characters than in a Wagner opera, and in some ways the narrative is is both Shakespeare and Wagner. I almost forgot Ralph - that’s Ralph Waldo Emerson, poet and transcendentalist. He’s not one of the cast, but his philosophy - that you don’t need to search for the truth because it will reveal itself intuitively through nature - is ever present.
‘Funny,’ ‘hilarious’, ‘entertaining,’ the epithets from the usual suspects are misleading and they should examine their motives for saying so. The beauty of being an amateur reviewer on Amazon is that one has no axe to grind.. I can almost guarantee you will laugh, but the novel is sad, painful, wistful. There is cancer, the abduction and murder of a child, the celebration of dullness and uniformity, physical and mental breakdowns, eccentricity and despair. There are multiple lay-offs (described as 'being made to walk Spanish down the hall'). There are multiple swivel chairs with concealed serial numbers, multiple floors with highly static carpets, and 'a circuitous blueprint of cubicle clusters'. It’s Wagnerian, it’s Shakespearian, and it’s experienced by ‘you and me.’
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Reviewed in the United Kingdom on 3 July 2013
There seem to be a lot of reviewers here who did not appreciate this book. It would not do for us all to like the same things, but I for one really enjoyed it.

I worked in an office for quite a few years, and found that this story captured the atmosphere of office life quite brilliantly. It is funny in places, not always laugh out loud but often in a subtle manner, and it is also quite poignant and sad. It is a brilliant piece on how lots of different personalites cope when lumped in to working together. I can recognise some of the characters (maybe not so extreme) from my own former workplace!

Maybe you have to have worked in an office environment to fully "get" this story, but for me it really hit the spot, and I have returned to read it again on more than one occasion. In fact I miss working in an office and reading this makes me nostalgic! (Yes, there are worse jobs out there, be grateful for your ergonomic chair, desk and "buck cases" - read it and you'll understand the reference!)
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Reviewed in the United Kingdom on 25 November 2008
Well I finished this book this morning and I really cannot decide whether I liked it or not. The book is set in a failing Chicago advertising agency which is what mainly drew me to the book as up until six months ago I was working in a failing advertising department for a newspaper so I suppose I may have been looking for a little bit of nostalgia.
The characters are the driving force of Ferris' work as until the end not much happens. The characters are fantastic though, you have Marcia Dwyer who has hair from the 80's; Tom Mota who does not leave when sacked; Larry and Amber having an affair; Lynn Mason dying from Cancer and Joe Pope who nobody really knows anything about.
Ferris has captured perfectly office life and the inevitable office politics that comes with it. As I was reading I could identify with so much of it; the meetings about meetings, the pointless e mails; being territorial about your stationary and working alongside people all day but not really knowing them. The events that do happen in the book are gradually built up and serve different purposes. How people behave at work is often a result of what is happening in their personal lives but often at work we do not take the time to find out what your colleague does when they leave the office at night. Ferris also explores through the character of Lynn Mason the fine line between colleague and friend. When her employees find out that she is ill they struggle to decide what to do; should they just ignore that they know or can they rally round and show their support?
I think that Joshua Ferris' book will have anyone that has ever worked in an office nodding in agreement as they read and identifying with the mundanity of work. However for anyone that has luckily not had an office job I am really not sure if they would get it but maybe that's the author's point?
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Reviewed in the United Kingdom on 7 August 2010
I thought the first person plural a little gimmicky when I opened the book, but I think it's truly justified by the subject matter - corporate life is a bit like being a worker bee and working on behalf of the corporation, dancing to some other tune than your own. (And the book perfectly captures the idiocy and boredom of that too, without itself being boring.)

I thought it was clever and different, but not only that - I thought it had plenty of heart and enough story for me too. Also, it's so hard to write about corporate life - I've seen many try and fail but Ferris pulls it off in my view. Perhaps you need to have worked in a corporation for it to chime as much as it did with me.

But I don't want to big it up so much that you don't like it.

Oh, and though there's black comedy I wouldn't choose it as a comic read - the blurb is a bit misleading.
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Top reviews from other countries

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Suj
5.0 out of 5 stars Experimental fiction that works
Reviewed in India on 13 October 2022
Yes, the writing is a literary gimmick. And yes, the last line ends up subverting nearly the entire setup. And oh yes, it's pages and pages of a collective internal monologue interspersed with disjointed snatches of conversations that happen in the past, present and future simultaneously. And the best part is- none of these detract from the sheer joy of reading this book.

The premise is solid, entirely relatable, grounded and funny. An interlude in the middle breaks up the story, it is extremely poignantly written and as much as it feels out of place in a simple story of an office workforce, it is the glue that ties the whole story together. Just like working at a new office, you slowly learn the individual characters and their quirks and personas.

Unless you turn your nose up at stylistic choices like a first person plural narrator, then you should give this a try.
Kindle Customer
5.0 out of 5 stars A wonderful book
Reviewed in Australia on 28 July 2017
This is a very funny but moving account of a group of people working in an ad agency in Chicago during the downturn in the early 2000s. Its written in great style and anyone familiar with working in an office will recognise the characters.
dantes22
5.0 out of 5 stars Brillant, drôle : un livre exceptionnel
Reviewed in France on 10 December 2012
Il s'agit du premier roman de J.Ferris, et c'est un coup de maître. Classé dans les dix meilleurs livres de la décennie par Time Magazine, bourré d'humour, de finesse, c'est carrément une révélation. Décrivant le quotidien d'une agence de pub au début des années 2000, il raconte les rivalités, les amitiés, les mesquineries que l'on connaît tous au boulot : difficile de ne pas s'identifier aux quotidiens de ces héros. Le tout est raconté à la première personne du pluriel (nous), ce qui donne une dimension esupplémentaire au récit.
Un des meilleurs livres que j'ai lu depuis longtemps (traduit en français sous le titre "Open Space") mais dans un anglais relativement accessible (même si le vocabulaire est parfois assez riche).
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Cai Yixin Jeremy
5.0 out of 5 stars Then We Came To The End
Reviewed in the United States on 17 January 2010
Joshua Ferris, relatively unknown in the world of Literature, comes up with one of the most audacious first novels in quite awhile. In my estimation, Then We Came To The End is the best literary novel of 2007, surpassing even Tree of Smoke, national book award winner of the same year. While the former doesn't even begin to touch the latter in terms of pure, literary ambition, it stands higher for me because of its immoderate amount of humor.

Like most books (or other forms of mass media for that matter) focusing on the nuances of the working world, this one goes the comedic route. Reading through the first chapter, you get a vivid sense of where Joshua is going. The main characters were introduced and the overall tone was established. It is then that the humor kicks in.

But it isn't the kind of humor that hits you as screwball or outrageous, the origin of the humor stems from the fact that every single one of these characters are caricatures of ourselves and of people we have perhaps met in our very own work spaces. That, to me, was what made the book funny. Work life, especially in commercial companies like the anonymous advertising firm described in this book, is funny in its very nature. The embarrassment of having your personal quirks on display for your fellow professionals to see, as is the urge to laugh at exhibitions of the same, constitutes much of the material in this book.

Compounded with a good sense of structure, a wondrously modern prose voice and a deep feel for the characters, the story captivates you and brings you to a place of identification with both the characters and the situations they find themselves in. It is this sympathy that provokes us to turn the pages, even though at times we wonder where the plot may be taking us. But it does payoff in the end with no small measure of satisfaction.

The satisfaction I get from this book cannot be understated, or overstated. It has given me glimpses of myriad memories from my own working life. Sometimes, in life, we get caught up in our career and overlook the relationships of the colleagues we see day in, day out within the cul-de-sacs. This book does have that déjà-vu magic. And above all, it succeeds as an enjoyable piece of literature. Few books nowadays can claim to do that.
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竹仙
5.0 out of 5 stars 会社で働く楽しさがいっぱい。
Reviewed in Japan on 23 January 2010
舞台はアメリカの広告会社。

リストラが進行中で、次々に社員がクビになっていく。

全編を通してリストラの模様が語られているにもかかわらず、
読んでいて楽しいのは、会社で働く楽しみを追体験できるからだろう。

その楽しみは専ら、同僚のあれこれをゴシップするところから来る。
同僚のオフィスに入り込んで、ぺちゃくちゃぺちゃくちゃ、おしゃべり。
(この広告会社の生産性はかなり低そう。)

亡くなって、同僚にトーテムポールを遺す社員がいたり、
鬱病であることを認めたくなくて、
同僚の部屋から抗鬱剤を盗んで服用している社員がいたり。
どの社員も個性的で、楽しいエピソードを提供している。
(これ以上紹介すると、ネタバレが過ぎるので、2人だけに留める)

よくペーパーバックの裏表紙に書評の引用が掲げられていて、
hilariousと書かれているが、納得できたことはなかった。
しかし、本書は初めて確かにhilariousだ!と得心できた。
いままで読んできたペーパーバックの中で、最高に楽しかった。

活字が小さくて、ページ数も多かったせいか
(語彙もなかなか難しかったような気がする)、
読むのにけっこう時間がかかったが、毎日読むのが楽しみで仕方なかった。

登場人物の数が多いので、誰が誰なのかメモしながら読んだ方がよいかも知れない。
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