Product Description
Previously published as Hard Rain and Blood from Blood
All John Rain wants is to get out of the killing business. But with his discretion, his reliability, and his unique talent for death by "natural causes," no one is willing to let him just retire. So when an old nemesis from the Japanese national police force comes to him with a new job--eliminate Murakami, a killer even more fearsome than Rain himself--Rain knows he can't refuse.
Aided by an achingly desirable half Brazilian, half Japanese exotic dancer he knows he shouldn't trust, Rain pursues his quarry through underground no-holds-barred fight clubs, mobbed-up hostess bars, and finally into the heart of a shadow war between the CIA and the yakuza. It's a war Rain can't win, but also one he can't afford to lose--a war where the distinctions between friend and foe and truth and deceit are as murky as the rain-slicked streets of Tokyo.
"... a superlative job... entertaining and suspenseful enough to keep you turning the pages as fast as your eyes can follow."
--Chicago Sun Times
Includes a note from the author introducing the new edition. This is book #2 in the John Rain assassin series, though each entry is written as a standalone and you can read them in any order you like.
All John Rain wants is to get out of the killing business. But with his discretion, his reliability, and his unique talent for death by "natural causes," no one is willing to let him just retire. So when an old nemesis from the Japanese national police force comes to him with a new job--eliminate Murakami, a killer even more fearsome than Rain himself--Rain knows he can't refuse.
Aided by an achingly desirable half Brazilian, half Japanese exotic dancer he knows he shouldn't trust, Rain pursues his quarry through underground no-holds-barred fight clubs, mobbed-up hostess bars, and finally into the heart of a shadow war between the CIA and the yakuza. It's a war Rain can't win, but also one he can't afford to lose--a war where the distinctions between friend and foe and truth and deceit are as murky as the rain-slicked streets of Tokyo.
"... a superlative job... entertaining and suspenseful enough to keep you turning the pages as fast as your eyes can follow."
--Chicago Sun Times
Includes a note from the author introducing the new edition. This is book #2 in the John Rain assassin series, though each entry is written as a standalone and you can read them in any order you like.
From the Author
A Note On The New Titles
Why have I changed the titles of the Rain books? Simply because I've never thought the titles were right for the stories. The right title matters--if only because the wrong one has the same effect as an inappropriate frame around an otherwise beautiful painting. Not only does the painting not look good in the wrong frame; it will sell for less, as well. And if you're the artist behind the painting, having to see it in the wrong frame, and having to live with the suboptimal commercial results, is aggravating.
The sad story of the original Rain titles began with the moniker Rain Fall for the first in the series. It was a silly play on the protagonist's name, and led to an unfortunate and unimaginative sequence of similar such meaningless, interchangeable titles: Hard Rain, Rain Storm, Killing Rain (the British titles were better, but still not right: Blood from Blood for #2; Choke Point for #3; One Last Kill for #4). By the fifth book, I was desperate for something different, and persuaded my publisher to go with The Last Assassin, instead. In general, I think The Last Assassin is a good title, but in fairness it really has nothing to do with the story in the fifth book beyond the fact that there's an assassin in it. But it was better than more of Rain This and Rain That. The good news is, the fifth book did very well indeed; the bad news is, the book's success persuaded my publisher that assassin was a magic word and that what we needed now was to use the word assassin in every title. And so my publisher told me that although they didn't care for my proposed title for the sixth book--The Killer Ascendant--they were pleased to have come up with something far better. The sixth book, they told me proudly, would be known as The Quiet Assassin.
I tried to explain that while not quite as redundant as, say, The Deadly Assassin or The Lethal Assassin, a title suggesting an assassin might be notable for his quietness was at best uninteresting (as opposed to, say, Margret Atwood's The Blind Assassin, which immediately engages the mind because of the connection of two seemingly contradictory qualities). The publisher was adamant. I told them that if they really were hell-bent on using assassin in a title that otherwise had nothing to do with the book, couldn't we at least call the book The Da Vinci Assassin, or The Sudoku Assassin? In the end, we compromised on Requiem for an Assassin, a title I think would be good for some other book but is unrelated to the one I wrote--beyond, again, the bare fact of the presence of an assassin in the story.
Now that I have my rights back and no longer have to make ridiculous compromises about these matters, I've given the books the titles I always wanted them to have--titles that actually have something to do with the stories, that capture some essential aspect of the stories, and that act as both vessel and amplifier for what's most meaningful in the stories. For me, it's like seeing these books for the first time in the frames they always deserved. It's exciting, satisfying, and even liberating. Have a look yourself and I hope you'll enjoy them.
Why have I changed the titles of the Rain books? Simply because I've never thought the titles were right for the stories. The right title matters--if only because the wrong one has the same effect as an inappropriate frame around an otherwise beautiful painting. Not only does the painting not look good in the wrong frame; it will sell for less, as well. And if you're the artist behind the painting, having to see it in the wrong frame, and having to live with the suboptimal commercial results, is aggravating.
The sad story of the original Rain titles began with the moniker Rain Fall for the first in the series. It was a silly play on the protagonist's name, and led to an unfortunate and unimaginative sequence of similar such meaningless, interchangeable titles: Hard Rain, Rain Storm, Killing Rain (the British titles were better, but still not right: Blood from Blood for #2; Choke Point for #3; One Last Kill for #4). By the fifth book, I was desperate for something different, and persuaded my publisher to go with The Last Assassin, instead. In general, I think The Last Assassin is a good title, but in fairness it really has nothing to do with the story in the fifth book beyond the fact that there's an assassin in it. But it was better than more of Rain This and Rain That. The good news is, the fifth book did very well indeed; the bad news is, the book's success persuaded my publisher that assassin was a magic word and that what we needed now was to use the word assassin in every title. And so my publisher told me that although they didn't care for my proposed title for the sixth book--The Killer Ascendant--they were pleased to have come up with something far better. The sixth book, they told me proudly, would be known as The Quiet Assassin.
I tried to explain that while not quite as redundant as, say, The Deadly Assassin or The Lethal Assassin, a title suggesting an assassin might be notable for his quietness was at best uninteresting (as opposed to, say, Margret Atwood's The Blind Assassin, which immediately engages the mind because of the connection of two seemingly contradictory qualities). The publisher was adamant. I told them that if they really were hell-bent on using assassin in a title that otherwise had nothing to do with the book, couldn't we at least call the book The Da Vinci Assassin, or The Sudoku Assassin? In the end, we compromised on Requiem for an Assassin, a title I think would be good for some other book but is unrelated to the one I wrote--beyond, again, the bare fact of the presence of an assassin in the story.
Now that I have my rights back and no longer have to make ridiculous compromises about these matters, I've given the books the titles I always wanted them to have--titles that actually have something to do with the stories, that capture some essential aspect of the stories, and that act as both vessel and amplifier for what's most meaningful in the stories. For me, it's like seeing these books for the first time in the frames they always deserved. It's exciting, satisfying, and even liberating. Have a look yourself and I hope you'll enjoy them.
