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  • Knights in shining armor

    The sport of war

    These days we might call them mega events. Back in the Middle Ages, they were known as tournaments. They originated as an attraction for the affluent, but peasants were also allowed to watch the action. Knights tournaments were initially intended as preparation for war, but towards the end of the 15th century they began serving a ceremonial purpose in the noble courts.

  • Knights in shining armor

    Up to the challenge

    The museum in Dresden's Royal Palace has opened a new permanent exhibition showcasing all of the accessories a knight required to participate in a tournament. Even the elite took part: Augustus, the Elector of Saxony, proved his skills in 55 tournaments between 1544 and 1566.

  • Bildergalerie Riesensaal Residenzschloss Dresden Deutschland

    Knights in shining armor

    Jousting competitions

    Jousting was a particularly popular event at tournaments. The aim was to knock the opponent from his horse with a lance. Encased in armor, the inside of the knights' chest pieces was often made of lead for better balance. Wittenberg and Dresden were home to many armor makers and models of their work are pictured here.

  • Knights in shining armor

    Game changer

    By the middle of the 16th century jousting was modified to become less dangerous. The Saxons had observed versions of jousting with safer contact in Italy. To avoid serious injury, the knights would ride toward each other with the aim of breaking their lance on their opponents shield or helmet.

  • Knights in shining armor

    Sparring on foot

    Between 1606 and 1679, at least 11 fencing tournaments were held in Dresden - most of them in the courtyard of the Royal Palace. Strict rules applied: The correct distance from the opponent had to be maintained. Those who dropped their sword or spear were disqualified. The objective was to touch the opponent's head or chest with one's own weapon, which was blunt to prevent serious injury.

  • Knights in shining armor

    Heavy load

    The armor used during a fencing tournament weighed 20 to 30 kilos (44 to 66 pounds), curator Holger Schuckelt says. That didn't include the weight of the knight's normal clothing underneath or his weapon. Participants clearly had to be in good shape! "The tournaments in the movies are usually quite fake and have nothing to do with reality," Schuckelt explains.

  • Knights in shining armor

    Standing on ceremony

    The 350 items included in the new permanent exhibition are kept in the so-called Hall of the Giants in Dresden's Royal Palace. It's been 460 years since the hall has been put to use. It was here that Elector Johann Georg IV (1668-1694) was bestowed with the Order of the Garter in 1693, today Great Britain's highest order of chivalry. Painter Johann Samuel Mock captured the ceremony.

  • Knights in shining armor

    The end of an era

    The Hall of Giants was destroyed by a fire in 1701. August the Strong (1670-1733) had the palace completely rebuilt and the last real tournaments took place during his reign. His son had the palace renovated again and turned the Hall of Giants into his wife Maria Josepha's private chamber. The original hall was reconstructed in 2007.


    Author: Katrin Schlusen / kbm | Editor : Helen Whittle

  • Once upon a time

    The Brothers Grimm

    Once upon a time

    The first Brothers Grimm fairytales were published 200 years ago. They didn't include any pictures and weren't particularly successful in the beginning. But that quickly changed, thanks to attractive illustrations that were added to the stories. This picture is from a volume of fairytales from the end of the 19th century.

  • Funny and friendly

    The Brothers Grimm

    Funny and friendly

    This illustration from "Hans in Luck" was created in the 1940s, but actually looks more contemporary than that. It was drawn by Swiss artist Herbert Leupin, who is well-known for his often quite humorous advertising posters. He also illustrated a number of Brothers Grimm tales.

  • New aesthetic

    The Brothers Grimm

    New aesthetic

    The 1960s were a time for change - even in the area of illustration. Horst Lemke experimented here with "The Town Musicians of Bremen." His drawings were reminiscent of children's art, deliberately avoiding perfectionism. "That way, children are more encouraged to draw themselves," says Pauline Liesen from the Picture Book Museum in Troisdorf, Germany.

  • Sweet details

    The Brothers Grimm

    Sweet details

    Illustrations by Eva Johanna Rubin can also be found in the Grimm exhibition in Troisdorf. Her 1969 portrayal of Little Red Riding Hood resembled those from the 1920s and 30s, with its clear lines, many details and conspicuously distinct colors. Her figures are very cute - even the Big Bad Wolf doesn't quite seem so bad anymore…

  • The very beginning

    The Brothers Grimm

    The very beginning

    Ludwig Emil Grimm's wolf is anything but cute. At the request of his older brother, Wilhelm Grimm, he created various illustrations for the so-called small edition of fairytales in 1825, but remained uncredited in the volume. This picture by Ludwig Emil Grimm is one of the oldest of its kind.

  • Guess the story

    The Brothers Grimm

    Guess the story

    Now we head back to the 1960s, when Lieselotte Schwarz also experimented with her fairytale representations. This picture is from "Sleeping Beauty," but without the accompanying text, it would be difficult to identify the fairytale. Schwarz's drawings have a unique aesthetic that blurs the distinction between children and adults.

  • Harry Potter's cousin

    The Brothers Grimm

    Harry Potter's cousin

    In this case, it's easier to identify the story. In comic style, Sabine Wilharm illustrated the story of "The Fisherman and His Wife" (Aufbau publishing house, 2010) - an aspirational wife who makes are series of increasingly outrageous demands. The style may look familiar; Wilharm also illustrated the covers of the German Harry Potter books.

  • Old technique, new take

    The Brothers Grimm

    Old technique, new take

    Sibylle Schenker took an entirely different approach to the topic of fairytales. To illustrate one of the most famous Grimm stories, "Hansel and Gretel," she chose a very old silhouette technique. The result was a book with an unusual aesthetic and a new take on an old story (published by Minedition in 2011).

  • Historical view

    The Brothers Grimm

    Historical view

    This portrayal of "Hansel and Gretel" dates back to 1891. Volumes like these can be found in the Brothers Grimm House in Steinau, which is where the authors grew up. The building served as a courthouse in the 1970s, but was turned into a museum in 1998.

  • New interpretations

    The Brothers Grimm

    New interpretations

    Decades later, in 2012, Henriette Sauvant created this portrayal of "The Frog Prince." In her drawings, she opened up new worlds and interpreted the fairytale in her own way. "The Frog Prince" was the very first story in the original 1812 edition of Grimm fairytales - but back then it was published without illustrations.

  • The unknown tales

    The Brothers Grimm

    The unknown tales

    The sheer variety of illustrations over the past two centuries shows how the Grimm's stories have inspired successive generations. But not all of their fairytales are well-known. The Brothers Grimm House is currently staging an exhibition by Klaus Häring. He illustrated all of the tales in the original 1812 edition in comic-book style - including "The Godfather," pictured here.


    Author: Petra Lambeck / kbm | Editor : Helen Whittle

SECOND WORLD WAR

PROMINENT FIGURES IN GERMAN HISTORY

Prussian history

A journey in the footsteps of the great explorer and scientist Alexander von Humboldt.

FIRST WORLD WAR

German Democratic Republic

More on the German Democratic Republic

  • Artistic vein

    The new Leipzig

    Artistic vein

    Israeli artist Etty Yaniv braves her paper cuts as she installs a site-specific piece made of strips of images, drawings and plastic. She's come to Leipzig as one of 38 international artists participating in the One-Sided Story residency program.

  • Garden party

    The new Leipzig

    Garden party

    Annelinde isn't your average urban garden. While organizers encourage visitors, they don't sit around and wait for them. They reach out to the community by doing work in schools, catering events, offering exclusive dinners - and they throw a mean party.

  • Subtle aesthetic

    The new Leipzig

    Subtle aesthetic

    As you walk around Plagwitz, you will notice the natives taking every opportunity to express their creativity. Knit bombing adds color to the otherwise non-descript Köning-Albert Bridge.

  • Sidewalk surfing

    The new Leipzig

    Sidewalk surfing

    The owners of Bastl Boards came to Leipzig from lower Bavaria a year ago. They have long boards in more than 250 shops, and are currently working on a new series due out in spring. A Berlin-based analog photographer prints a shot of Plagwitz, scans it into the computer and then turns it over to a Leipzig artist, who adds his or her creative touch.

  • Unique flavor

    The new Leipzig

    Unique flavor

    Kaffee Schwarz brings together the flavors of a local New England Cafe with the diverse culture you'd expect in Europe. The owners were given the keys to empty buildings on the street. Everything, down to the tiles, is the result of house-diving. All the furniture is for sale and there is a room that serves as a flea market where you can get special one-of-a-kind items.

  • Second life

    The new Leipzig

    Second life

    What's that place on the street corner that is always packed no matter the time of day? You could be fooled into thinking it's a regular kebab shop, but look again - it's all vegan. It's just one of the many start-ups that got their chance through the Leipzig Wächterhaus concept. Rather than letting empty properties go to pot, owners work with locals who fix them up in return for low rent.

  • Opening up innovation

    The new Leipzig

    Opening up innovation

    The Spinnerei in Plagwitz continues to be a prime example of how an industrial complex can be turned into a thriving artistic community. Within the framework of the EU Creative Cities Project, the city of Leipzig held its first open innovation conference. Here we see the participants enjoying a tour of the One-Sided Story residency in Halle 14.

  • Make your space

    The new Leipzig

    Make your space

    This gallery in a residential property in Demmeringstrasse is another example of creative use of space. The exhibitions are on the second floor, where the plaster and woodwork has been removed to expose the bare bones of the building. Downstairs there are chill-out, bar and dance spaces. People come and engage directly with the art, since all shows are one night only.

  • Fog and water

    The new Leipzig

    Fog and water

    Demmeringstrasse 74 recently hosted the exhibition "Unter dem Nebel über dem Wasser" (Unter the fog over the water) in conjunction with a project between Manuel Fanzine and Leipzig-based residencies Fugitif and One-Sided Story. The intimate environment perfectly suited the Bemberg Project, a performance piece by French artists Mathias Vouters and Kaya Tasman.

  • Last stop

    The new Leipzig

    Last stop

    Anyone who knows Plagwitz will tell you that no evening is complete without a stop at the grungy bar Noch Besser Leben. You will find it buzzing all night, year round. Drinks are cheap and the people are cheerful.


    Author: Maeshelle West-Davies | Editor : Kate Müser