From the Print Edition
Rent Gets a New Lease on Life
By Michael Feingold
Rent is back, and I for one don't feel inclined to complain. Naturally, I'm obliged to say that it isn't as good as the original—how could it possibly be?—but that… More >>
The Talls Falls Short
By Michael Feingold
The distressing downward spiral of Second Stage's play selection continues with Anna Kerrigan's The Talls (McGinn-Cazale Theatre). The company's artistic goal here seems to involve renovating, or maybe just recycling,… More >>
"Summer Shorts" Exposes Its Briefs
By Alexis Soloski
A witch, a decapitated woman, some champagne-soaked revelers, and a disconsolate Jewish family walk into a theater. It sounds like the set-up to a very shaggy joke, but its merely… More >>
Best in Show: Sigmar Polke at Leo Koenig
By R. C. Baker
Whether his lens was focused on his own abstract drawings or capturing skeletons moldering away in the Capuchin Catacombs of Palermo, German painter Sigmar Polke (1941–2010) reveled in ignoring standard… More >>
Bitter Sweet: If Less Were All
By Michael Feingold
"Cowards die many times before their deaths," somebody says in Julius Caesar. But our time has changed all that. Today, at least if a Coward is a noted dramatic author,… More >>
HotelMotel: Get a Room!
By Miriam Felton-Dansky
Most people check into hotels seeking R&R;, but you wont feel rejuvenated after a stay at HotelMotel, the Amoralists disturbing double-feature. Derek Ahonens Pink Knees on Pale Skin and Adam… More >>
Whip It Good
By Harry Siegel
The modern prison era begins in 1961, the first of eight consecutive years when the incarceration rate plummeted while the crime rate spiked as the Warren Court issued a series… More >>
Henry V Tries to Be King of Uptown
By Joseph Pisano
Given the rioting in England this week, it would seem an incongruous moment for the Classical Theatre of Harlem to stage Henry V, whose famed St. Crispins Day speechbookended by… More >>