Previous children's exhibitions

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The Children's Gallery is dedicated to exhibitions drawn from the national collection, aimed at maximising the enjoyment and enrichment of a visiting child's experience. These exhibitions encourage and challenge children to be engaged and stimulated by art, and are supported by a range of interactive activities. Entry to the Children's Gallery is free.

 

 

(detail) Patrick Collins Curtain call 2003 Ceramic, earthenware, tin-glazedTreescape

12 April – 30 August 2008 | Children's Gallery

 

An exhibition designed especially for children 3-8 years old in conjunction with Turner to Monet: the triumph of landscape.

Discover art works which are made from trees, are about trees or even things that live in trees. Treescape’s aim is to stimulate an appreciation of trees as a subject for interesting and exciting artworks.

See paintings, photographs, drawings, prints, sculpture, installations, furniture and more.

Children can trace a tree to take home and have fun with a magnetic tree.

 

nga.gov.au/Treescape


Patrick Collins Curtain call 2003 (detail) ceramic, earthenware, tin-glazed
National Gallery of Australia, Canberra

 

 

 

John Brack 'Study for the painting and the lithograph 'Junior Latin American' [Sketch for 'Junior Latin American']' 1969conte crayon, pencil image Collection of the National Gallery of Australia © Helen BrackDrawn in

14 July 2007 – 30 March 2008 | Children's Gallery

By looking closely at drawings we can get a powerful insight into the thoughts, ideas and processes that artists explore in their works.

Beginning with the drawings of George Lambert, Drawn in explores some of the ways in which artists use drawing. George Lambert was a master draughtsman, who captured the changing world around him through his pencil impressions and explored new artistic ideas. This exhibition aims to show the way drawing can make thinking visible.

nga.gov.au/DrawnIn

John Brack 'Study for the painting and the lithograph 'Junior Latin American' [Sketch for 'Junior Latin American']' 1969 conte crayon, pencil image Collection of the National Gallery of Australia © Helen Brack


John Brack 'Third daughter' 1954 print, intaglio Collection of the National Gallery of Australia © Helen BrackTools and techniques of printmaking

14 April – 1 July 2007 | Children's Gallery

Designed to support The story of Australian printmaking 1801–2005, this exhibition displays materials and tools used by artists to create a variety of prints. Etchings, relief prints, lithographs and screenprints selected from the Australian print collection are exhibited with relevant tools and materials. Informative wall texts, extended labels and videos describe the processes explored by printmakers today and in the past.

nga.gov.au/AustralianPrintmaking

 

 

John Brack 'Third daughter' 1954 print, intaglio Collection of the National Gallery of Australia © Helen Brack

 

detail: SINU culture Pre-Columbian Finial, in the form of a bird, once part of a ceremonial staff (c.600-1200AD) Sinu River Basin / Colombia

Creeping through the jungle

9 December 2006 – 1 April 2007  | Children’s Gallery free exhibition


Journey back in time to explore the jungles of Australia, the Pacific, Southeast Asia, and the Americas. From a modern Australian artist’s views of the Queensland rainforest to an ancient Mayan ceramic jaguar, the Children’s Gallery comes alive with the flora and fauna of the tropics. Tropical rainforests contain between 50 and 90 percent of the world’s plant and animal species, yet many of these are under grave threat of extinction as a direct result of human activity. Children are encouraged to learn about the animal, bird, insect and plant life of tropical rainforest habitats and to think about their own place in the world and the environment.

nga.gov.au/Jungle

 

detail: Sinu culture, Columbia ‘Finial in the form of a bird’ (c. 600-1200) gold. Collection of the National Gallery of Australia

 

Abracadabra Conservation reveals the magic in art

Abracadabra
the magic in conservation

28 July – 26 November 2006  | Children’s Gallery free exhibition

 

The crafted object will draw from the Gallery’s Abracadabra will be an overview of conservation techniques that reveal the mysteries hidden in works of art.

Children will be able to use ultra violet light, magnification, X-ray games and computer technology to see invisible drawing in paintings, discover hidden repairs in ceramics and to see the internal structures of costumes and puppets.

nga.gov.au/Abracadabra
Conservation

image detail: X-ray of Sandwich man highlighting areas held together with tacks. Alexandra Exter  Sandwich man [L’homme sandwich]  1926 watercolour and collage on cardboard with wood, cotton, string, book cloth, copper, sequins, steel tacks, bridge nails, steel wire and eyelets Collection of the National Gallery of Australia

 

detail: James Fardoulys 'The Channel Country no.3' 1965, Collection of the National Gallery of Australia

Come rain or shine

24 March – 12 June 2006 | Children's gallery


Working from the familiar idea of weather, which we all experience everyday, to the unexpected and dramatic, Come rain or shine will feature works of art from Pre-Columbian ceramic figures to Video Art.

The exhibition will include many references to the paintings of weather conditions, from storms to sun, that children can observe when viewing the Constable: impressions of land, sea and sky exhibition.

 

nga.gov.au/Shine

image detail: James Fardoulys 'The Channel Country no.3' 1965, Collection of the National Gallery of Australia

 

Timothy Akis 'not titled [bird]' 1974 screenprint, Collection of the National Gallery of Australia, Ulli and Georgina Beier Collection

Imagining
Papua New Guinea

8 October 2005 – 12 March 2006

After generations of colonial rule, the free nation of Papua New Guinea was established in 1975. This exhibition celebrates 30 years of independence. Stories and images, both traditional and imaginary, are recorded in pen, pencil, woodcuts and screenprints – all new forms of expression to artists from the region. These prints and drawings, produced in the years around independence, show three ways in which Papua Nuginian artists responded to their contemporary world.

nga.gov.au/Imagining

 

Timothy Akis 'not titled [bird]' 1974 screenprint, Collection of the National Gallery of Australia, Ulli and Georgina Beier Collection

 

image: Loudon Sainthill, Costume design for an attendant from 'The Man Who Loved Redheads' c.1954 pencil and gouache on paper Collection of the National Gallery of Australia

Stage fright
the art of theatre

3 March – 12 June 2006 | Children's gallery

Stage fright showcases works on paper and costumes from the National Gallery of Australia’s collection of Australian Theatre Arts. Stage fright will lead young children and their families on a voyage of discovery through mythology, fairytales, visionary worlds and fantasy characters through designs destined for the ballet, opera and the theatre stage.

nga.gov.au/StageFright

 

 

detail: Loudon Sainthill 'Costume design for an attendant from The Man Who Loved Redheads' c.1954 pencil and gouache on paper Collection of the National Gallery of Australia

 

 

Craig Walsh, David Thomasson, Steven Thomasson [GODLAB]

futurePlay
from the House of Tomorrow

19 March – 29 May 2005 | Children’s Gallery

futurePlay transforms the Children’s Gallery into an ultramodern playroom of the future.

 

nga.gov.au/futurePlay

 

Craig Walsh, David Thomasson, Steven Thomasson [GODLAB] Keith [RP11-345A12] 2003

 

Big spooks
2 October 2004 – 6 March 2005

Image detail: Richard Bosman Drowning man 1983 Collection of the National Gallery of Australia







This exhibition exploits the dramatic qualities of big, bold – and scary – paintings. Drawn from the collection of Australian and International art, Big spooks features large neo-expressionist and surrealist-inspired paintings that will thrill and engage young viewers. Dare to enter the Children’s Gallery and see Big spooks!

nga.gov.au/BigSpooks

Detail: Richard Bosman 'Drowning man' 1983 Collection of the National Gallery of Australia

From little things big things grow
Gather round people I’ll tell you a story
12 June – 19 September  2004

Image detail: Joan Nancy Stokes The Black and White Ringers 2002 Collection of the National Gallery of Australia







This Children's Gallery exhibition features colourful, engaging works by Aboriginal and Torres Strait Island artists. The title is from Paul Kelly and Kev Carmody’s song about Indigenous Land Rights, and many of the works are imbued with a strong sense of story drawn from the artists’ own experiences of living and working on the land.

nga.gov.au/BigThings

Detail: Joan Nancy Stokes 'The Black and White Ringers' 2002  Collection of the National Gallery of Australia

Making pictures
13 March – 30 May 2004

Image detail: George W Lambert Portrait Group 1908 oil on canvas Collection of the National Gallery of Australia Purchased 1967 Visit a recreated artist’s studio from the turn of the century in Making pictures, an exhibition for the Children’s Gallery. Designed to complement The Edwardians: Secrets and Desires, Making Pictures includes works by George Lambert, Hugh Ramsay, Thea Proctor and Rupert Bunny who were working in Europe during the Edwardian era. The exhibition also includes the original easel and paintbox belonging to Hugh Ramsay and facsimile editions of the artists’ sketch books. Children are invited to create their own self portrait and explore the display through other interactive activities.

nga.gov.au/makingpictures

Detail: George W Lambert 'Portrait Group' 1908 oil on canvas Collection of the National Gallery of Australia Purchased 1967

Hard edge
Geometry in design

15 November 2003 – 11 January 2004

'Hard edge' logo abstract graphic derived from National Gallery of Australia architecture

Hard edge: geometry in design, shows how geometry has been used by designers and makers of furniture, ceramics, glass, metalwork, jewellery, textiles and costume since the advent of the Modern movement of the late 19th century to the present. It draws from the Gallery’s extensive collection of Australian and international craft and design and has been selected to stimulate younger visitors, offering insights into the ways that designers have used geometry to extend their ideas and to link their work to the wider worlds of architecture and science.

nga.gov.au/hardedge

Image: 'Hard edge' logo abstract graphic derived from National Gallery of Australia architecture

Jump!
Photographers get off the ground

23 August – 2 November 2003

Image detail: Rosemary Laing, Flight research #6 1999, Collection of the National Gallery of Australia

Bouncing on a trampoline, speeding through the air on a snowboard, jumping off the highest platform at the pool, riding the waves, diving out of a plane, bungee-jumping into a ravine: the thrill and appeal of being free from gravity and in a state far from an everyday earth-bound one is undeniable. So too have many photographers been fascinated with working out how to best capture on film the body hurtling through space. This exhibition explores this preoccupation through the work of International and Australian photographers from the 1880s to the present.

nga.gov.au/jump

Detail: Rosemary Laing 'Flight research #6' 1999 Collection of the National Gallery of Australia

 

In the box
28 March – 10 August 2003

 

Image detail: James Fardoulys Shearing the champions at Tinnemburrar 1973 Collection of the National Gallery The Estate of James N Fardoulys


In the box is an activity-based exhibition linking touch and sight – designed to engage young visitors with art by introducing them to a range of paintings from the Gallery's Australian art collection. Ten paintings about people have been selected for their strong narrative and rich detail. A chronological range of styles is displayed, conveying the idea of change in artmaking practice. An object represented in each painting is hidden inside a box. Children are asked to guess what the object is by making a connection between details in the painting and what they feel in the box. Questions and a trail provide additional clues and levels of interaction.

Detail: James Fardoulys 'Shearing the champions at Tinnemburrar' 1973 Collection of the National Gallery of Australia The Estate of James N Fardoulys

Royal Africa
Kings and Chiefs

3 August 2002 – 12 January 2003

 

Image detail: Artist unknown Yoruba people, Nigeria Ade: beaded crown early 20th century textile, glass beads


Royal Africa: Kings and Chiefs will be shown in the Children's Gallery.

It will be drawn from the Gallery's collection, evoking the splendour and diversity of royal courts in West and Central Africa over 600 years. It will highlight commercial, military and artistic connections between Europe and Africa long before the colonial period.

nga.gov.au/RoyalAfrica

Detail: Artist unknown Yoruba people, Nigeria Ade: beaded crown early 20th century Collection of the National Gallery of Australia

Life in the Emperor's Tomb
Ceramics from ancient China

23 February – 21 July 2002

Detail: Guardian Figure [lokapala] Collection of the National Gallery of Australia Gift of Dr. T.T.Tsui LLD, JP
From elegant storage vessels through to magnificent images of horses and camels, Life in the Emperor's Tomb recaptures the spirit of past worlds through one of the most traditional artistic mediums. This exhibition of ceramics date from the prehistoric period (c.2500 BC) through to the Ming dynasty (1368–1644).

nga.gov.au/TTTsui

Detail: 'Guardian Figure' [lokapala] Collection of the National Gallery of Australia Gift of Dr. T.T.Tsui LLD JP

Seeing Red
The art and science of infra-red analysis

17 November 2001 – 10 February 2002


Image detail: Infra-red image of detail from Augustus Earle A bivouac of travellers in Australia in a cabbage tree forest, daybreak oil on canvas Rex Nan Kivell collection, National Library of Australia
Have you ever wanted to look through the layers of a painting to the underdrawing first put down by the artist? The examination of works of art using infra-red light can reveal hidden features such as underdrawing and composition changes, aspects of the creation of a work of art that may not be visible in normal light. This technique is used by conservators to gather information about artists’ materials and techniques. Seeing Red provides a unique opportunity for children to get behind the scenes and envisage art in the making.

nga.gov.au//Red

Detail: Infra-red image of detail from Augustus Earle 'A bivouac of travellers in Australia in a cabbage tree forest, daybreak' oil on canvas Rex Nan Kivell collection, National Library of Australia

 

Childhoods Past
Children's art of the twentieth century
7 Apr – 15 July 2001

Detail: Unknown 'Animal, person, house' Vienna Frances Derham Collection National Gallery of Australia



Childhoods Past
features approximately 80 children’s drawings and paintings collected by Frances Derham (1894 –1987), artist and educational pioneer. The images portray personal and cultural identity, family and school life, social and political events by children from indigenous Australian communities, urban and regional Australia, Europe and former Australian territories New Britain and Papua New Guinea.

More information

detail: Unknown 'Animal, person, house' Vienna Frances Derham Collection National Gallery of Australia

Lost in Space
12 August 2000 – 25 March 2001

 

Detail: Greg Bell Every man Searching 1985 Collection of the National Gallery of AustraliaDetail: Greg Bell Every man Searching 1985 Collection of the National Gallery of AustraliaDetail: Greg Bell Every man Searching 1985 Collection of the National Gallery of Australia

The children's exhibition Lost in Space is a world of cosmic shapes, flying cars, martians, twinkling stars, astronauts, space monsters, sparkling comets, lunar landscapes and the infinite blackness of space.

Artists take up their paint, pencils, paper, prints, film, camera, metal and clay to give shape to their vision of space. Visit the interactive Lost in Space subsite and links to other related sites. Meet the challenge of the children's trail and enjoy the wonder of Space.

nga.gov.au/Lost

Detail: Greg Bell 'Every man Searching' 1985 Collection of the National Gallery of Australia

DOG
2 October 1999 – 9 April 2000

Image Detail: Frank Hurley Child and Puppy 1914 Collection of the National Gallery of Australia

DOG
creates an opportunity to reflect on "man's best friend" and offers children a means to enjoy an exhibition experience showing pet dogs in the backyard, sled dogs in the Antarctic, hunting hounds and Australia's native dog – the dingo.

nga.gov.au//Dog

Detail: Frank Hurley 'Child and Puppy' 1914 Collection of the National Gallery of Australia

Paula Dawson
There's no place like home

13 March – 9 May 1999

Detail: Paula Dawson There's No Place Like Home 1979-80 Collection of the artist

In the 1939 classic The Wizard of Oz, Dorothy returns from the illusionary world of Oz to the safety and familiarity of her home in Kansas by clicking the heels of her ruby red slippers and chanting the mantra: 'There's no place like home, there's no place like home, there's no place like home' .Paula Dawson's work of the same name, There's no place like home (1979–80), a holographic representation of a living room in an installation of a suburban house, plays with the notion of representation in a similar way. There's no place like home blurs the boundaries between illusion and reality, just as Dorothy's trip down the Yellow Brick Road happily melded the world of dreams and the people of real life into a Technicolour land of magic.

nga.gov.au/exhibitions/Dawson

Detail: Paula Dawson 'There's No Place Like Home' 1979-80 Collection of the artist

hotshots 3 October 1998 – 31 January 1998

 

Image: abstract graphic of hotshots logo

In September 1998 the National Gallery of Australia supplied school students throughout Australia with single-use Kodak cameras and asked them to capture the unique qualities of their communities.

The result is Hotshots, an exploration of Australia's diversity, its people and its land, seen through the eyes of young people.