To
No.41
JANUARY, 1935
YASHIRO Yukio, ON THE HOKKEDO KOMPON MANDALA IN THE BOSTON MUSEUM
KATORI Hozuma, ON THE BRONZE STATUE OF BHESAJAGURU IN THE RYUKAKUJI TEMPLE
EXPLANATIONS OF THE PLATES
Two fragments of the painted panelling in the Pagoda of the Daigoji Monastery, Kyoto. The Art Academy, Tokyo.
Portait of Priest Gyokuin Eiyo. Meigetsuin, Kanagawa.
Flower Feast, by Kano-Naganobu. Kunizo Hara, Tokyo.
Image of Vimalakirti,by Ogata-Korin. Junzo Yasusaka, Tokyo.
FEBRUARY, 1935
WAKIMOTO Sokuro, ASHIKAGA-YOSHIMITSU AND HIS COLLECTION OF CHINESE PAINTINGS
IRITA Seizo, THE PORTRAIT OF PRINCESS MAEDA-KIKU-HIME IN THE SAIKYOJI TEMPLE
UMEZU Jiro, ON THE SCROLL-PAINTING OF OBUSUMA-SABURO
EXPLANATIONS OF THE PLATES
A Dove on a Branch of a Peach-tree, by the Emperor Hui-tsung. Saburo Inouye, Tokyo.
An Arhan and a Serpent, by Mu-ch'i. Koyata Iwazaki, Tokyo.
The Four Seasons, by Kaisen, Chikudo, Shunkin, and Baiitsu respectively. Formerly Masauji Hachisuka collection, Tokyo.
MARCH,1935
MORISUE Gisho, ON THE BUDDHIST PAINTER GUILDS OF THE KAMAKURA AND ASHIKAGA PERIODS
WATANABE Hajime, ON THE SCROLL-PAINTING REPRESENTING THE STORY OF THE CHIGO-KWANNON IN THE IKEDO COLLECTION
SUGANUMA Teizo, WALL AND SLIDING-SCREEN PAINTINGS IN THE KANRANTEI IN MATSUSHIMA
NISHIMURA Tei, SOME OLD JAPANESE PAINTINGS IN EUROPEAN STYLE PRETENDED AS SIGNED "NOBUKATA"
EXPLANATIONS OF THE PLATES
Image of the Goddes Nakatsuhime (sculpture). Yakushiji, Nara.
Cherry-blossoms, by Yamamoto-Baiitsu. Formerly Masauji Hachisuka collection, Tokyo.
MAY 1935
YASHIRO Yukio, SCROLL-PAINTING OF "LADIES PREPARING NEWLY WOVEN SILK," COPIED BY THE EMPEROR HUI TSUNG (CHINESE 1082-1135) AFTER THE ORIGIAL BY CHANG HSUAN
TOYOOKA Masuto, STUDY ON THE PAINTINGS OF "BODHISATTVA SAMANTABAHDRA WITH THE RAKSASI"
MORISUE Gisho, STUDY OF THE GUILDS OF THE BUDDHISTIC PAINTERS AT NARA OF THE KAMAKURA AND MUROMACHI PERIOD
BUTSU BOSATSU MOKUROKU (IWASHIMIZU HACHIMANGU KIROKU) OR THE CATALOGUE OF BUDDHIST IMAGES PRESERVED IN IWASHIMIZU-HACHIMANGU SHRINE, KYOTO. (PRINTED FROM THE MSS. IN THE POSSESSION OF MR. T. TANAKA, KYOTO)
EXPLANATIONS OF THE PLATES
The Ingwa-kyo. Z. Yasuda, Tokyo.
Ladies Preparing Newly Woven Silk, copied by the Emperor Hui Tsung. Museum of Fine Arts, Boston.
Bodhisattva Samantabhadra with Ten Raksasi. Joninji, Tottori.
Portrait of Butsuo Zenji. Unganji, Tochigi.
Lin Tsi Planting a Pine-tree, by Yamada Doan. The Tokyo Imperial Art School.
The Nachi Waterfall, by Taiga. Genjiro Takata, Osaka.
Bodhisattva Samantabhadra with Ten Raksasi. The Tokyo Imperial Art School.
Bodhisattva Samantabhadra with Ten Raksasi. Daifukuji, Shizuoka.
The Ingwa-kyo. Z. Yasuda, Tokyo.
JUNE 1935
TANAKA Kisaku, STUDY ON THE IMAGES OF BODHISATTVA ON THE CLOUDS
UMEZU Jiro, STUDY ON SEKIHO
TANAKA Kisaku, HISTORICAL DATA OF BYODOIN MONASTERY
EXPLANATION OF THE PLATES
Star Mandala. Horyuji, Nara.
Bodhisattva on the Clouds (sculpture). Byodoin, Kyoto.
Landscape, by Okano Sekiho. K. Murayama, Tokyo.
Landscape, by Okano Sekiho. T. Miyano, Tokyo.
Landscape, by Okano Sekiho. B. Takeuchi, Mie.
Landscape, by Okano Sekiho. J. Hasegawa, Mie.
Seals used by Okano Sekiho.
Star Mandala. Horyuji, Nara.
Star Mandala. Hojuin, Mie.
RECORD OF CERTIFICATES OF AUTHENTICITY GIVEN BY KANO YASUNOBU
RECORD OF CERTIFICATES OF AUTHENTICITY GIVEN BY KANO TAKANOBU
JULY 1935
TANI Shin-ichi, OLD DOCUMENTS CONCERNING MU-CH'I'S PAINTINGS (On the Apprecaition of Chinese Paintings in the Kamakura and Ashikaga Periods. Part I.)
TANAKA Kisaku, BUDDHIST IMAGES HANGING ON THE WALLS OF THE HOODO TEMPLE
EXPLANATION OF THE PLATES
Assemblage of Patrons of the Kusha Sect. Todaiji, Nara.
Image of Amitabha in the Hoodo Temple (sculpture).
Tenjin in Sung, by Yogetsu. Taizoin, Kyoto.
A Sage enjoying the Moon-light Night, by Okamoto Toyohiko. Minoru Otsuka, Tokyo.
Priest Yunmen-Wenyen in Conversation.
Priest Chinliang-Weni in Conversation. Tenryuji, Kyoto.
Wooden Images Hanging on the Walls of the Hoodo Temple (sculpture).
AUGUST 1935
MOCHIZUKI Shinsei, STUDIES ON THE SCROLL-PAINTINGE "ZEGAIBO EKOTOBA"
SUGANUMA Teizo, SCREEN-PAINTINGS OF THE "CHASHITSU" IN THE KONCHIIN MONASTERY
UMEHARA Sueji, STUDIES ON THE NEWLY FOUND BELL, CHUNG, ORNAMENTED WITH PHOENIX, P'AN-CH'IH AND OTHER ANIMALS.
EXPLANATION OF THE PLATES
Dish of Kokutani painted with Birds and Flowers. Matasaku Shiobara, Tokyo.
Chrysanthemums and Pig-weed, by Yuhi. Jirobei Hasegawa, Mie.
Eleven-faced Avalokitesvara (sculpture). Sugimotodera, Kanagawa.
SEPTEMBER 1935
WAKIMOTO Sokuro, STUDIES ON THE SCROLL-PAINTING "HASEO ZOSHI"
WATANABE Hajime, SOME SIGNED CHINESE PAINTINGS OF THE SUNG AND YUAN PERIODS
HIKA Choken, BIOGRAPHIES OF OLD LUCHUAN PAINTERS
EXPLANATION OF THE PLATES
Series of Six Panels representing 22 Deities. Yakushiji, Nara.
One of a Series of Pictures representing Sixteen Arhans. Sokokuji, Kyoto.
Death of Buddha Sakyamuni. Hojuin, Aichi.
One of a Series of Pictures representing Ten Kings of Hell. The Metropolitan Museum of Art, New York.
OCTOBER 1935
TANI Shin-ichi, CRITICAL STUDIES ON CHINESE PAINTINGS IMPORTED INTO JAPAN IN THE KAMAKURA AND ASHIKAGA PERIODS (ON THE APPECIATION OF CHINESE PAINTING IN THE JAPANESE MIDDLE AGES. PART II)
TANAKA Kisaku, ON BOOKS OF SEALS OF FAMOUS CHINESE AND JAPANESE PAINTER PUBLISHED IN THE TOKUGAWA PERIOD
UMEDU Jiro, ON THE SCROLL PAINTING "ONO YUKIMI GOKO EKOTOBA" OR "THE EMPEROR SHIRAKAWA'S VISIT TO ONO TO ENJOY THE SNOWY LANDSCAPE
EXPLANATION OF THE PLATES
Sixteen Arhans, by Chao Chu. Hokkekyoji, Chiba.
A Pair of Mandarin Ducks, by Okada Kanrin. Ichihei Murai, Mie.
Image of Achala (sculpture). Shochiin, Wakayama.
Receptacle of the Nosashogyoku. Chofukuji, Nara.
NOVEMBER 1935
MOCHIZUKI Shinsei, STUDIES ON THE "JINGOJI SHODOKI" WRITTEN IN THE SEDOND YEAR OF KAROKU ERA AND THE "TAKAOZAN JINGOJI KIBO SHUSHO NO JOJO" THE LATER DOCUMENT WRITTEN IN THE OEI ERA
SUGANUMA Teizo, STUDIES ON THE "KOYO TANSHO ZU," SKETCHES MADE IN THE IZU AND SAGAMI PROVINCES BY BUNCHO
TANAKA Shimbi, ON THE TECHIQUE OF DECORATION OF THE SO-CALLED HEIKE NOKYO, THE SCROLLS OF BUDDHIST SUTRAS DEDICATED TO THE ITSUKUSHIMA SHRINE BY TAIRAS
EXPLANATION OF THE PLATES
Portrait of Taira Shigemori, attributed to Fujiwara Takanobu. Jingoji, Kyoto.
Swallow and Willow Tree. Wagtail and a Bamboo, by Saian. Shuzo Komori, Mie.
View of Mount Fuji,by Tani Buncho. Seiichiro Chujo, Tokyo.
Image of Saint Nichiren (sculpture). Hommonji, Tokyo.
DECEMBER 1935
TANAKA Kisaku, THE BEGINNING OF WALL AND SCREEN PAINTING OF THE MOMOYAMA PERIOD
TANI Shin-ichi, A BIOGTAPHICAL STUDY OF KOJO, A JAPANESE BUDDHIST-SCULPTOR OF THE FUJIWARA PERIOD
SHIRAHATA Yoshi, ON THE TECHNIQUE OF THE EMBROIDERY REPRESENTING SAKYAMUNI PREACHING, BELONGING TO THE KANSHUJI MONASTERY
EXPLANATION OF THE PLATES
Image of Sakyamuni. Zenrinji, Kyoto.
Field Work, attributed to Sesshu. Shintaro Ohashi, Tokyo.
Flowers and Birds, by Nakabayashi Chikuto. Zogein, Kyoto.
Portrait of Lady Oinu, the Wife of Hosokawa Akimoto. Ryuamiji, Kyoto.
Portrait of Uesugi Shigefusa (sculpture). Meigetsuin, Kamakura.
JANUARY 1936
TOYOOKA Masuto, STUDIES ON THE PICTURE REPRESENTING AMITABHA RISING OVER HILLS
WAKIMOTO Sokuro, ON THE ALBUMS OF "JUBEN JUGI" PAINTED BY TAIGA AND BUSON
NISHIMURA Tei, ON THE ETCHINGS BY AODO DENZEN
EXPLANATION OF THE PLATES
Plate of Kokutani painted with Floers and Birds. Matasaku Shiobara, Tokyo.
Melon and Bamboo Shoots, by Yogetsu. Hojuin, Wakayama.
FEBRUARY 1936
WATANABE Hajime, ON THE SMALL WOODEN NICE CARVED WITH BUDDHIST INAGES IN THE POSSESSION OF THE CHIMANJI MONASTERY
MORI Senzo, BIOGYAPHICAL STUDIES OF IKE TAIGA
EXPLANATION OF THE PLATES
Tengu Zoshi E. Kaichiro Nezu, Tokyo.
Landscape of Dotei and Sekiheki, by Taiga. Kokan Konishi, Tokyo.
MARCH 1936
TANAKA Kisaku, ON THE SCREENS DECORATED WITH PICTURES IN THE SHAPE OF A FAN
NISIMURA Tei, ETCHINGS BY AODO-DENZEN (II)
MORI Senzo, BIOGRAPHICAL STUDIES OF IKE TAIGA (II)
EXPLANATION OF THE PLATES
Taima Mandara Engi. Komyoji, Kamakura.
Image of Maha Vairocana. Kinta Muto, Hyogo.
APRlL 1936
TANI Shin-ichi, ON THE PICTURES DESIGNATED AS "KARA-E" IN THE MUROMACHI PERIOD
TANAKA Kisaku, SUPPLEMENT TO MY "STUDIES ON PAINTING BY KANO SANRAKU"
NAKAGAWA Sensaku, A BELL WITH FIVE POINTED VAJRA IN MR. NAGAO'S COLLECTION
EXPLANATION OF THE PLATES
Hokke Mandara. Kaijusenji, Kyoto.
Landscapes, signed Toyo. Tomitaro Hara, Yokohama.
JANUARY 1937
YASHIRO Yukio, TWO MASTERPIECES OF BUDDHISTIC PAINTING IN AMERICAN COLLECTIONS (PART I)
MARUO Shozaburo, SUPPLEMENTARY STUDY OF AVALOKITESVARA IN FUJIO-KANNON-DO HALL, NAGANO
URATSUJI Kendo, SCROLL-PAINTING, HONEN-SHONIN YEDEN, BELONGING TO ZOJO-JI TEMPLE
EXPLANATION OF THE PLATES
Honen-Shonin Yeden. Zojoji, Tokyo.
Yamantaka. Museum of Fine Arts, Boston.
Yamantaka. Kyoogokokuji, Kyoto.
Yamantaka. Toshodaiji, Nara.
Landscape with Chinese Poet, by Ryosen. The Imperial School of Art, Tokyo.
FEBRUARY 1937
MORISUE Gisho, DESTRUCTION BY FIRE AND RECONSTRUCTION OF HASE-DERA TEMPLE IN THE MIDDLE AGES (PART I)
KUMAGAI Nobuo, LANDSCAPE BY SESSHU IN THE OHARA COLLECTION
MISUMI Masahiro, BAIREI KONO AND HIS WORK
EXPLANATION OF THE PLATES
Large Nabeshima Plate with Floral Design. Matasaku Shiobara, Tokyo. Explanation by Sensaku Nakagawa.
Aizen Myoo. Sojiji, Shiga. Explanation by Kisaku Tanaka.
Landscape, by Sesshu. Magosaburo Ohara, Okayama.
Portrait of Yuki Nakado, by Chinzan. Yae Suzuki, Kanagawa. Explanation by Teizo Suganuma.
Landscape with Birds, by Goshun. Shinsuke Ueno, Shiga. Explanation by Jiro Umezu.
Eleven-Headed Avalokitesvara (sculpture). Jissho Sakamoto, Gifu. Explanation by Kisaku Tanaka.
Cakrah lndrah Testing Three Animals, by Bairei Kono. Seiko Kono, Kyoto.
Chinese Lady Picking Mulberry Leaves, by the same artist. Seiho Takeuchi, Kyoto.
Landscape with Wild-Geese, by the same artist. Sobei Suzuki, Aichi.
MARCH 1937
KUMAGAI Nobuo, ORIGIN OF THE BRUSH NAME SESSHU
YASHIRO Yukio, TWO MASTERPIECES OF BUDDHISTIC PAINTING IN AMERICAN COLLECTIONS (PART II)
MORISUE Gisho, DESTRUCTION BY FIRE AND RECONSTRUCTION OF HASE-DERA TEMPLE IN THE MIDDLE AGES (PART II)
Comments by TANAKA Kisaku, WORKS BY LITTLE KNOWN PAINTERS (PART I)
EXPLANATION OF THE PLATES
Dance. Ryuzaburo Umehara, Tokyo. Explanation by Teizo Suganuma.
Horokaku Mandala. Freer Gallery of Art, Washington.
Horokaku Mandala. Hobodaiin, Kyoto.
Portrait of Ex-Emperor Gouda Hoo. Daikakuji, Kyoto. Explanation by Kisaku Tanaka.
Landscape. Saichi Kawase, Oita. Explanation by Hajime Watanabe.
Vineyard and Fowl, by Shojo. Jirobei Hasegawa, Mie. Explanation by Jiro Umezu.
APRIL 1937
TANI Shin-ichi, APPOINTMENT OF JOCHO TO THE ECCLESIASTICAL RANK OF HOKKYO
YASHIRO Yukio, SCROLL-PAINTING "HUNDRED WILD-GEESE", BY MA FEN
YOSHINO Tomio, LACQUER-WARE TREASURED BY THE AINU
EXPLANATION OF THE PLATES
Cherry-Blossoms. Chishakuin, Kyoto. Explanation by Tokuzo Masaki.
Maple-Leaves. The same temple, Kyoto. Explanation by Tokuzo Masaki.
Vaisravana. Chion-in, Kyoto. Explanation by Jiro Umezu.
Hundred Wild-Geese, by Ma Fen. Honolulu Academy of Arts, Hawaii.
Yu Constructing a Gate, by Kazan Watanabe. Chutaro Nakano, Niigata. Explanation by Teizo Sugamura.
MAY 1937
YASHIRO Yukio, MARBLE STATUE OF MAITREYA IN MARQUIS HOSOKAWA'S COLLECTION
MORIYA Kenji, PORTRAIT OF THE BLOMHOFF FAMILY BY KEIGA KAWAHARA
Comments by ODAKANE Taro, AUTOGRAPHIC DOCUMENTS OF THE LIFE OF TESSAI TOMIOKA REPRINTED FROM THE ORIGINAL MSS
EXPLANATION OF THE PLATES
Portrait of Aigai Takaku, by Chinzan. Kitaro Otani, Shizuoka. Explanation by Teizo Suganuma.
Maitreya (sculpture). Moritatsu Hosokawa, Tokyo.
Maitreya (sculpture). Yachuji, Osaka. Explanation by Teizo Suganuma.
Landscape. Kongobuji, Wakayama. Explanation by Kisaku Tanaka.
Fishermen, by Ch'en Hsing. The Imperial School of Art, Tokyo. Explanation by Tokuzo Masaki.
The Blomhoff Family, by Keiga Kawahara. Chuko Ito, Tokyo.
Avalokitesvara (sculpture). Seiji Yamada, Kyoto. Explanation by Tokuzo Masaki.
Dutch Captain and His Family, by Keiga Kawahara. Library of the Imperial University of Tokyo.
The Blomhoff Family, by the same artist. Mo Ikenaga, Hyogo.
JUNE 1937
SHIMOMISE Seiichi, PROBLEMS OF THE TEXT OF THE SCROLL-PAINTING "SHIGISAN ENGI"
YASHIRO Yukio, A BRONZE STATUETTE OF THE SUIKO PERIOD
SHIRAHATA Yoshi, PORTRAITS OF POET-SAINT HITOMARO, A HISTORICAL STUDY
WATANABE Hajime, WORKS BY LITTLE KNOWN PAINTERS (PART II)
EXPLANATION OF THE PLATES
Shigisan Engi. Chogosonji, Nara.
Portrait of Daimin-kokushi. Nanzenji, Kyoto. Explanation by Kisaku Tanaka.
Eagle, by Nichokuan. Chuzaburo Ogino, Tokyo. Explanation by Hajime Watanabe.
Azalea, by Korin. Ino Dan, Tokyo. Explanation by Tokuzo Masaki.
Statuette of Buddha. Ayske Kabayama, Tokyo.
Portrait of Hitomaro. Risuke Saito, Tokyo.
Fan-Shaped Paintings. Nanzenji, Kyoto.
JULY 1937
TANI Shin-ichi, STUDIES ON THE SUBJECT OF THE MOUNTED WARRIOR IN JAPANESE PORTRAIT PAINTING (PART I)
SUGANUMA Teizo, SEIGAI SAKURAMA AND HIS WORK
EXPLANATION OF THE PLATES
Mahapratisarah. Kanshinji, Osaka. Explanation by Hajime Watanabe.
Mounted Warrior, Yoshihisa Ashikaga. Jizoin, Aichi.
Landscape, by Seigai Sakurama. Sho Miyamoto, Tokyo.
Flowers and Birds, by the same artist. Tadaaki Honda, Tokyo.
Maitreya (sculpture). Horyuji, Nara. Explanation by Kisaku Tanaka.
Viewing of Maple-Leaves, by Seigai Sakurama. Tai Kizu, Aichi.
Landscape, by the same artist. Kenkichi Yamashita, Tokyo.
Fisherman and Child, by the same artist. Jukichi Hoshida, Aichi.
Forbearance of Ham Hsin, by the same artist. Seki Ogisu, Aichi.
Flower and Bird, by the same artist.
Collection of Seals used by the same artist.
AUGUST 1937
YASHIRO Yukio, A BRONZE STATUETTE OF BODHISATTVA
KUMAMOTO Kenjiro, VINCENZO RAGUSA AND HIS WORK
TANI Shin-ichi, STUDIES ON THE SUBJECT OF THE MOUNTED WARRIOR IN JAPANESE PAINTING (Part II)
EXPLANATION OF THE PLATBS
Wall-Painting. Emman-in, Shiga.
Bodhisattva (sculpture). The Imperial Art School of Tokyo.
Sages Among Mountains, by Chokuan. Henjokoin, Wakayama. Explanation by Hajime Watanabe.
Mounted warrior. Kozo Moriya, Kyoto.
Horse. Kozo Moriya, Kyoto.
Portrait of Nagahiro Kuroda, by Vincenzo Ragusa. The Imperial Art School of Tokyo.
Portrait of Yozo Yamao, by the same artist. Saburo Yamao, Tokyo.
Portrait of Keisuke Otori, by the same artist. Toyohiko Ootri, Tokyo.
Japanese Carpenter, by the same artist. The Imperial Art School of Tokyo.
Japanese Actor, by the same artist. The Imperial Art School of Tokyo.
Girl, by the same artist. The Imperial Art School of Tokyo.
Portrait of Japanese Lady, by the same artist. The Imperial Art School of Tokyo.Portrait of Miss Tama Kiyohara, by the same artist. The Imperial Art School of Tokyo.
Portrait of Sumimoto Hosokawa. Toshitame Maeda, Tokyo.
SEPTEMBER 1937
UMEZU Jiro, STUDIES ON THE "ARYACALANATHA WITH TWO BOY ATTENDANTS" BY CHUAN BONSHI
NISHIMURA Tei, THE "MOTHER AND CHILD" ISSUED BY THE SOCIETY OF JESUS OF JAPAN
WITH COMMENTS by MORISUE Gisho, OLD RECORDS OF UCHIYAMA EIKYUJI TEMPLE
EXPLANATION OF THE PLATES
Tosotsuten Mandara. Enmyoji, Osaka. Explanation by Masuto Toyooka.
Bhaisajyaguru (sculpture). Kozanji, Kyoto. Explanation by Tokuzo Masaki.
Nikko Bodhisattva (sculpture). The Imperial Household Museum of Tokyo.
Gakko Bodhisattva (sculpture). The Imperial School of Art, Tokyo.
Aryacalanatha with Two Boy Attendants, by Chuan Bonshi. Rokuoin, Kyoto.
Aryacalanatha with Two Boy Attendants. Henjokoin, Wakayama.
Mother and Child. Oura Catholic Church, Nagasaki.
Holy Family. Oura Catholic Church, Nagasaki.
OCTOBER 1937
YASHIRO Yukio, ON THE COMPILATION OF "CORPUS OF EASTERN ARTS"
WATANABE Hajime, MOKUAN REIEN--An ltem in the "Corpus of Eastern Arts"--
KATORI Hozuma, STUDY ON THE VOTIVE PLAQUE
WITH COMMENTS by ODAKANE Taro, ANTHOLOGY OF POEMS BY TESSAI TOMIOKA. REPRINTED FROM THE ORIGINAL MSS. (PART 1)
EXPLANATION OF THE PLATES
Beauty under the Cherry-Blossoms, by Toyonobu. Shigekichi Mihara, Tokyo.
Pu-tai, by Mokuan. Kichizaemon Sumitomo, Osaka.
Pu-tai, by the same artist. Shoji Kato, Tokyo.
Votive plaque. The Imperial School of Art, Tokyo.
Votive plaque. Takejiro Tanji, Tokyo.
Landscape, by Tessai Tomioka. Kenkichi Naito, Kyoto.
Votive plaque. Hasedera, Kanagawa.
Votive plaque. Hozuma Katori, Tokyo.
Votive plaque. Kyujiro Tamai, Tokyo.
NOVEMBER 1937
YASHIRO Yukio, A STONE STATUE OF ARYACALANATHA OF THE T'ANG PERIOD
TOYOOKA Masuto, THE YOSHINO MANDARA OF REIUNJI TEMPLE
MORI Senzo, STUDIES ON THE BIOGRAPHY OF KAISEKI NORO (PART I)
WITH COMMENTS BY ODAKANE Taro, ANTHOLOGY OF POEMS BY TESSAI TOMIOKA. REPRINTED FROM THE ORIGINAL MSS. (PART II)
EXPLANATTON OF THE PLATES
Yoshino Mandala. Reiunji, Tokyo.
Nachi Mountains, by Kaiseki Noro. Yasoo Sakata, Tokyo.
Aryacalanatha (sculpture). Field Museum of Natural History, Chicago.
Bronze Bell with Handle in the Form of Five-Pronged-Vajara. The Imperial Household Museum of Tokyo.
DECEMBER 1937
UMEHARA Sueji AND MIZUNO Seiichi, WOODEN CRANES AND SNAKES DECORATED WITH LACQUER
MORI Senzo, STUDIES ON THE BIOGRAPHY OF KAISEKI NORO (PART II)
NAKANE Katsu, SCIENTIFIC METHODS IN THE CONNOISSEURSHIP OF FAR EASTERN ARTS
EXPLANATION OF THE PLATES
Pine Trees and Hawks. The Imperial School of Art, Tokyo.
Lacquer Painting on Four Doors (Two Sides) of a Buddhistic Shrine. Museum of Fine Arts, Boston.
Lacquer Painting on Two Doors (One Side) of the Same Shrine. Kozo Uchida, Tokyo.
Lacquer Painting on Two Other Doors (One Side) of the Same Shrine. The Imperial School of Art, Tokyo.
Wooden Cranes and Snakes Decorated with Lacquer. Yamanaka & Co., New York.
Cintamanicakra. The Imperial School of Art, Tokyo.
Bhaisajyaguru (sculpture). Kin-ya Nagao, Tokyo.
Eleven-Headed Avalokitesvara (sculpture). Gumyoji, Kanagawa.
Mirror with Design in Color. Kozo Moriya, Kyoto.
Clay Figure. Sen Shimomura, Yokohama.
Knob of a Bridge-Post (pottery). The Imperial School of Art, Tokyo.
Bodhisattva (sculpture). Anonymous Collection, Tokyo.
Clay Figure. Anonymous Collection, Tokyo.
Fragments of Old Silk.
JANUARY 1938
YASHIRO Yukio, SCREEN PAINTING OF MATSUSHIMA BY SOTATSU
SUGANUMA Teizo, TAIGA'S JOURNAL OF THE TRIP TO THE THREE MOUNTAINS
SUGA Toshio, EQUESTRIAN STATUE OF KUSUNOKI MASASHIGE
EXPLANATION OF THE PLATES
Aryacalanatha with Two Boy Attendants. Saburo lnoue, Tokyo.
Matsushima, by Sotatsu. Freer Gallery of Art, Washington.
Landscape, by Taiga. Formerly Minoru Otsuka collection, Tokyo.
Matsushima, by Korin. Museum of Fine arts, Boston.
Journal of the Trip to the Three Mountains, by Taiga and two others. Shingo Tsuda, Hyogo.
The Equestrian Statue of Kusunoki Masashige. The Imperial Household.
FEBRUARY 1938
UMEZU Jiro, SCROLL PAINTING TENGU SOSHI
MORI Senzo, STUDIES ON THE BIOGRAPHY OF KAISEKI NORO (PART III)
EXPLANATION OF THE PLATES
Nabeshima Bottle with Floral Design. John Gadsby, Tokyo.
Scroll Painting Tengu Soshi. Maeda, Tokyo.
Scroll Painting Tengu Soshi. Hisamatsu, Ehime.
Wild Geese and Reed, by Niten. Hosokawa, Tokyo.
MARCH 1938
TOYOOKA Masuto, PANEL WALL PAINTINGS OF FUKIJI TEMPLE
ODAKANE Taro, KOGYO TERAZAKI AS A WAR ART-CORRESPONDENT
WATANABE Hajime, MUTO SHUl--Corpus of Eastern Arts. Series II--
EXPLANATION OF THE PLATES
Panel Wall Paintings. Fukiji, Oita.
Portrait of Muso Kokushi, by Muto Shui. Myochiin, Kyoto.
Four landscapes (Cloud and Mountains, Autumn Fog, After Rain, Summer Moon), by Kogyo Terazaki. The Department of Education.
Portrait of Hatto Kokushi, by Kakue. Kokokuji, Wakayama.
APRIL 1938
YASHIRO Yukio, SCROLL PAINTING JIZO ENGI OF THE FREER GALLERY OF ART
SUGANUMA Teizo, PORTRAIT OF FUJIWARA NOBUMITSU BY KORIN
EXPLANATION OF THE PLATES
Portrait of Fujiwara Nobumitsu, by Korin. Mizuho Aoyagi, Tokyo.
Scroll Painting Jizo Engi. Freer Gallery of Art, Washington.
MAY 1938
SHIRAHATA Yoshi, STUDIES ON THE THIRTY-SIX POETICAL GENIUSES FORMERLY OWNED BY MARQUIS SATAKE
WATANABE Hajime, JOSETSU--Corpus of Eastern Arts, Series III --
WATANABE Hajime, BUNSEl--Corpus of Eastern Arts, Series IV--
EXPLANATION OF THE PLATES
Portrait of Lady Ise, Poetess. Yasuzaemon Matsunaga, Tokyo.
Portrait of Yakamochi, Poet. Kenzo Iwahara, Tokyo.
Landscape of Sumiyoshi. Yasuzaemon Matsunaga, Tokyo.
Catfish Caught with a Gourd, by Josetsu. Taizoin, Myoshinji, Kyoto.
Sakya, Confucius and Lao-tsze. Ryosokuin, Kenninji, Kyoto.
Wang I-chin Inscribing on a Fan. Kozo Moriya, Kyoto.
Landscape, by Bunsei. Museum of Fine Arts, Boston.
Portrait of Priest Yoso, by Bunsei. Daitokuji, Kyoto.
Portrait of Priest Yuima, by Bunsei. Tomitaro Hara, Kanagawa.
Portrait of Priest Yogi, by Bunsei. Daitokuji, Kyoto.
Three Sages in the Mountain, by Bunsei. Risuke Saito, Tokyo.
JUNE 1938
YASHIRO Yukio, SOME CHINESE REPOUSSE PLAQUES WITH BUDDHIST FIGURES
UMEZU Jiro, SCROLL PAINTINGS: THE KOBO DAISHI EDEN OF THE IKEDA FAMILY AND THE KOSO DAISHI HIMITSU ENGI
TANAKA Kisaku, FURTHER NOTES ON THE WALL AND SCREEN PAINTINGS OF THE MOMOYAMA PERIOD
EXPLANATION OF THE PLATES
Plaque with Nine Buddhistic Figures. Hosokawa, Tokyo.
Plaque with Seven Buddhistic Figures. Kaichiro Nezu, Tokyo.
Scroll Painting Kobo Daishi Eden. Seihin Ikeda, Tokyo.
European Nobleman on Horseback. Takeshi Suetsugu, Kyoto.
Plaque with Nine Buddhistic Figures. C. G. Winthrop, New York.
Plaque with Seventeen Buddhistic Figures. Formerly Sadajiro Kawai collection, Kyoto.
SEPTEMBER 1938
YASHIRO Yukio, GILT BRONZE STATUETTE "SEVEN BUDDHAS"
TANI Shin-ichi, LIFE OF SESSHU, WITH PARTICULAR REFERENCE TO HIS SOJOURN IN CHINA
NISHIMURA Tei, STUDY ON THE "FIFTEEN MYSTERIES OF ST. MARY" PAINTED IN JAPAN (PART I)
TANAKA Kisaku, SUPPLEMENTARY COMMENTS ON THE ZUSHO-KORYAKU-KI (Notes on Art and Artists)
COMMENTS BY TANAKA Kisaku, RYUKAKUJI ENGI (HISTORY OF RYUKAKUJI TEMPLE)
EXPLANATION OF THE PLATES
Peony Garden. Daikakuji, Kyoto.
Kariba Myojin. Kongobuji, Wakayama.
Nibu Myojin. Kongobuji, Wakayama.
Landscape. The Imperial School of Art, Tokyo.
Seven Buddhas (sculpture). Kaichiro Nezu, Tokyo.
Fifteen Mysteries of St. Mary. Toichiro Azuma, Osaka.
Fifteen Mysteries of St. Mary. The Imperial University of Kyoto.
OCTOBER 1938
YASHIRO Yukio, NEWLY DISCOVERED FRAGMENT OF THE YAMAI ZOSHI
ODAKAKE Taro, ON THE RECORD OF TRAVELS OF TESSAI TOMIOKA
Comments by Odakane Taro, RECORD OF TESSAI TOMIOKA'S TRAVELS. REPRINTED FROM THE ORIGINAL MSS.
NISHIMURA Tei,STUDY OF THE FIFTEEN MYSTERIES OF ST. MARY PAINTED IN JAPAN (PART II)
EXPLANATION OF THE PLATES
Yamai Zoshi. Anonymous Collection.
Avalokitesvara. Masaya Okazaki, Tokyo.
Flocks of Crows, by Toeki. Konchiin, Myoshinji, Kyoto.
Female Figure (plaster). Kozo Moriya, Kyoto.
Lohan(plaster). The Imperial School of Art, Tokyo.
Fifteen Mysteries of St. Mary. The Uraguchi Catholic Church, Nagasaki.
NOVEMBER 1938
UMEZU Jiro, SCROLL PAINTINGS: THE KOYA DAISHI GYOJO ZUE OF JIZOIN
SUGANUMA Teizo, PORTRAIT OF TAKIZAWA KINREI BY KAZAN
WATANABE Hajime, SHUBUN--Corups of Eastern Arts, Series VI--
EXPLANATION OF THE PLATES
Flower Vase with Jewel Design, by Ninsei. Ninnaji, Kyoto,
Sakya (sculpture). Jindaiji, Tokyo.
Koya Daishi Gyojo Zue. Jizoin, Wakayama.
Landscape, by Shubun. Toyohiko Tomita, Gifu.
Landscape, by Shubun. Anonymous Collection.
Portrait of Takizawa Kinrei, by Kazan. Kuniyuki Takizawa, Tokyo.
Pigeons on the Dead Branch, by Shubun. Destroyed by the earthquake in 1923. Formerly lwasaki collection, Tokyo.
DECEMBER 1938
FUJIKAKE Shizuya, HARUNOBU AND HIS PAINTINGS
SHIMADA Shujiro, THE MORYO-GA STYLE OF ZEN PAINTING (PART I)
UMEZU Jiro, SCROLL PAINTING: THE KOBO DAISHI EDEN OF TOJI
EXPLANATION OF THE PLATES
Two Men under a Tree. The Yamamaka Co., Kyoto.
Mahavairocana. Okura, Tokyo.
Kobo Daishi Gyojo Emaki. Kyoogokokuji, Kyoto.
A Beauty, by Harunobu. Mitsui, Tokyo.
A Beauty, by Harunobu. Mitsui, Tokyo.
One of Four Lokapalas (sculpture). Sen Shimomura, Kanagawa.
Kobo Daishi Gyojo Emaki. Kyoogokokuji, Kyoto.
JANUARY 1939
YASHIRO Yukio, KOETSU'S SHIKISHI ALBUMS IN THE EAST ASIATIC COLLECTION, BERLIN
TANAKA Kisaku, ARTISTS' SEALS ON OLD PAINTINGS
GAKl (DESCRIPTIVE CATALOGUE OF CHINESE AND JAPANESE PAINTINGS IN KYOTO), COMPlLED BY RIN ROEN IN AN-El ERA (1772-1780). REPRINTED FROM THE ORIGINAL MSS.
EXPLANATION OF THE PLATES
Iris, by Korin. Kaichiro Nezu, Tokyo.
Poems written by Koetsu on shikishi painted by Sotatsu (attributed). The East Asiatic Collection, Berlin.
Yatsu-hashi, by Kenzan. Saburo Yamaguchi, Kyoto.
FEBRUARY 1939
SUGANUMA Teizo, INSECT AND FISH ALBUM, PAINTED BY KAZAN
SHIMADA Shujiro, THE MORYO-GA STYLE OF ZEN PAINTING (PART II)
TANAKA Kisaku, THE COMPILATION OF THE HONCHO-GA-SAN BY BUNCHO
EXPLANATION OF THE PLATES
Korean Jar of the Li Dynasty. The Nippon Mingei Kan, Tokyo.
Pu-tai and Two Others. The Tokugawa Reimei Kai, Tokyo.
Insect and Fish Album, Kazan. Junji Kosaka, Tokyo.
MARCH 1939
TANI Shin-ichi, LIFE OF FUJIWARA YUKIMITSU AND HIS WORK
OGINO Minahiko, THE INSCRIPTIONS OF THE BUDDHISTIC STATUES OF KAMPUKUJI
WATANABE Hajime, REISAI--Corpus of Eastern Arts, Series VII--
THE HONCHO-GA-SAN (ILLUSTRATED BIOGRAPHIES OF JAPANESE PAINTERS). NEWLY COMPILED AND REPRINTED FROM THE VARIOUS EDITIONS. (PART II)
EXPLANATION OF THE PLATES
A Bird on Peach-Tree. Sueko Hara, Yokohama.
Han-shan, by Reisai. Sueko Hara, Yokohama.
Manjusri, by Reisai. Fukuoka, Tokyo.
Nirvana, by Reisai. Daizokyoji, Yamanashi.
A Tiger in a Bamboo Grove, by Sesson. The Imperial School of Fine Arts, Tokyo.
Ksitigarbha (sculpture).
Halo (reverse) of the same statue. Kampukuji, Chiba.
Sakya (sculpture). Kampukuji. Chiba.
Bhaisajyaguru (sculpture). Kampukuji, Chiba.
A Tiger in a Balmboo Grove, by Hogai, after A Tiger in a Bamboo Grove, by Sesson. Kannosuke Hara, Hiroshima.
Sakya, Confucius and Lao-tze, by Reisai. Kozo Moriya, Kyoto.
APRIL 1939
UMEHARA Sueji, ON KE WITH JADE-BLADES EXCAVATED IN ANYANG
KUMAMOTO Kenjiro, SEIKI KURODA AND THE JAPAN-CHINA WAR
THE HONCHO-GA-SAN (ILLUSTRATED BIOGRAPHIES OF JAPANESE PAINTERS) NEWLY COMPILED AND REPRINTED FROM VARIOUS EDITIONS. (PART III)
EXPLANATION OF THE PLATES
Portrait of a Lady. Kinya Nagao, Tokyo.
Amitabha Appearing with Twenty-five Bodhisattvas. Jofukuji, Kyoto.
Waterfall, by Motonobu (Attributed). Sueko Hara, Yokohama.
Ke with Jade-Blades Excavated in Anyang, China. G. L. Winthrop, New York.
Chinese War-Prisoners at Tokyo Station, by Seiki Kuroda. Koichi Goda, Tokyo.
The Chinchow Castle after the Capture, by the same artist. Institute of Art Research, Tokyo.
Sketches in the time of the Japan-China War, by the same artist. Institute of Art Research, Tokyo.
MAY 1939
UMEZU Jiro, STUDY ON SCROLL-PAINTING "ASHIBIKI-YE"
MORI Senzo, STUDY ON "IKENO TAIGA KAFU" (CHRONOLOGY OF IKENO TAIGA)
THE HONCHO-GA-SAN (ILLUSTRATED BIOGRAPHIES OF JAPANESE PAINTERS).NEWLY COMPILED AND REPRINTED FROM VARIOUS EDITIONS. (PART IV)
EXPLANATION OF THE PLATES
Ink-Stone Box: Hana-no-shirakawa. Kaichiro Nezu, Tokyo.
Buddha-locani Mandala. Shinagawadera, Tokyo.
Ashibiki-ye. Ichizo Kobayashi, Tokyo.
Landscape. Koyata Iwasaki, Tokyo.
Landscape, by Mokubei. Kinya Nagao, Tokyo.
JUNE 1939
DOTANI Kenyu, STUDY OF "LI-TAl-MING-HUA-CHI"
YASHIRO Yukio, TWO UNUSUAL STATUETTES OF KOREA
"HONCHO-GA-SAN"
EXPLANATION OF THE PLATES
God of Thunder, by Sotatsu. Kenninji, Kyoto.
God of Wind, by Sotatsu. Kenninji, Kyoto.
Arhats. Kotaro Nishimura, Tokyo.
Landscape. Koyata Iwasaki, Tokyo.
Avalokitesvara (sculpture). Ziro Ichida, Korea.
Bodhisattva (sculpture). Anonymous Collection.
Buddha (sculpture). Under the charge of the Art Institute.
God of Wind, by Hoitsu. Keizo Shibusawa, Tokyo.
God of Thunder, by Hoitsu. Keizo Shibusawa, Tokyo.
JULY 1939
MORISUE Gisho, HISTORICAL STUDY ON SHOGUN-JIZO
KUMAMOTO Kenjiro, EDOARDO CHIOSSONE AND HIS WORKS IN JAPAN (PART I)
EXPLANATION OF THE PLATES
Portrait of Confucius. Yukihiko Yasuda, Kanagawa.
Landscape (The River Hozugawa), by Okyo. Sozaemon Nishimura, Kyoto.
Birds and Trees, by Shen T'ien-jang. Kimpei Takeuchi, Tokyo.
Apsara (sculpture). Inosuke Setsu, Tokyo.
Portrait of Takamori Saigo, by Chiossone. Jutoku Saigo, Tokyo.
Portrait of Toshimichi Okubo, by the same painter. Toshitake Okubo, Tokyo.
Portrait of Tsugumichi Saigo, by the same painter. Jutoku Saigo, Tokyo.
Portrait of Ryosuke Tokuno, by the same painter. Ryosuke Tokuno, Tokyo.
Toshimichi Okubo, by the same painter. Toshitake Okubo, Tokyo.
Sanetomi Sanjo, by the same painter. Hakutei Ishii, Tokyo.
Tomomi Iwakura, by the same painter. Koichi Kido, Tokyo.
Koin Kido, by the same painter. Koichi Kido, Tokyo.
AUGUST 1939
TANI Shin-ichi, STUDY ON PORTRAITS OF HIDEYOSHI TOYOTOMI
KUMAMOTO Kenjiro, EDOARDO CHIOSSONE AND HIS WORKS IN JAPAN (PART II)
EXPLANATION OF THE PLATES
Flowers, by Yun Nan-t'ien. Kojiro Abe, Hyogo.
Portrait of Hideyoshi Toyotomi. Muneaki Date, Tokyo.
Hermit Looking up at the Moon. Chosei Kuroda, Tokyo.
Amitabha (sculpture). Nenbutsuji, Mie.
Portrait of Hideyoshi Toyotomi. Hokoku Shrine, Osaka.
Portrait of Hideyoshi Toyotomi. Ichizo Kobayashi, Tokyo.
Portrait of Prince Sanetomi Sanjo, by Chiossone. Prince Kinteru Sanjo, Tokyo.
Portrait of Lieutenant-General Soroku Kawakami, by the same artist. Shin-ichiro Nishimura, Tokyo.
Portrait of General lwao Oyama, by the same artist. Prince Kashiwa Oyama, Tokyo.
Portrait of Princess Oyama, by the same artist. Prince Kashiwa Oyama, Tokyo.
SEPTEMBER 1939
YASHIRO Yukio, STUDY ON KOETSU'S SHIKISHI DATED NOVEMBER Xl, KEICHO XI
UMEZU Jiro, SCROLL "THIRTY-SIX PRIEST-POETS"
THE TEXT OF THE SCROLL "THIRTY-SIX PRIEST-POETS"
EXPLANATION OF THE PLATES
Shikishi written by Koetsu. Tamaki Makita, Tokyo.
Acala and Two Attendants. Ruriji, Hyogo.
Thirty-Six Priest-Poets. Nobutsuna Sasaki, Tokyo.
Buddha (sculpture). The Tokyo Imperial Art School.
Shikishi by Koetsu. Ino Dan, Tokyo.
Fragment of the Scroll Thirty-Six Priest-Poets. Nobutsuna Sasaki, Tokyo.
Thirty-Six Priest-Poets. Sketch from the original by Tsunenobu. The Tokyo Imperial Art School.
OCTOBER 1939
TANAKA Kisaku, STUDY ON THE TECHNIQUE OF SHITOGA
KUMAMOTO Kenjiro, ANTONIO FONTANESI AND HIS WORKS IN JAPAN
EXPLANATION OF THE PLATES
Panel paintings of Kichijoten Shrine of Joruriji Temple. The Imperial Art School of Tokyo.
Landscape, by Kao Ch'i-p'ei. Kojiro Abe, Hyogo.
Five Hundred Arhats, by Ikeno Taiga. Manpukuji, Kyoto.
Sri-maha-devi (or Kichijoten), placed in Kichijoten Shrine of Joruriji Temple. Coloured wooden statue: Joruriji, Kyoto. The shrine: The Imperial Art School of Tokyo.
The pond Shinobazu, by A. Fontanesi. The Imperial University of Tokyo.
Cattle-Breeding, by the same painter. The Imperial Art School of Tokyo.
Portrait of a Lady, by the same painter. Kotoku Watanahe, Tokyo.
Sunset, by the same painter. Prince Kinteru Sanjo, Tokyo.
Landscape, by the same painter. The Imperial University of Tokyo.
The setting Sun, by the same painter. The Imperial University of Tokyo.
NOVEMBER 1939
SUGANUMA Teizo, STUDY ON PORTRAITS OF GOTO YUJO AND HIS DESCENDANTS
MORI Senzo, STUDY ON THE BIOGRAPHY OF URAGAMI GYOKUDO (PART I)
EXPLANATION OF THE PLATES
Landscape of Four Seasons on Su Tung-p'o's Poems, by Shih-t'ao. Kojiro Abe, Hyogo.
Portrait of Goto Yujo. Sueo Goto, Tokyo.
Portrait of Myotokuni. Sueo Goto, Tokyo.
Fragment of wall-paintings of Fukiji Temple. Yasuzaemon Matsunaga, Tokyo.
Portrait of Goto Eijo. Sueo Goto, Tokyo.
Portrait of Goto Sokujo. Sueo Goto, Tokyo.
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