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: Skeptical Inquirer magazine
: November/December 1995 : Buy this back issue
Media Watch
"Alien Autopsy" Show-and-Tell:
Long on Tell, Short on Show
C. Eugene Emery, Jr.
There's nothing more maddening than having someone invite you to make
up your own mind about a controversy, only to have them refuse to give
you the tools to do it.
That's precisely what the Fox television network did August 28 and September 4,
1995, when it presented a one-hour special "Alien
Autopsy: Fact or Fiction?" that was billed as the network premiere of a
17-minute film purporting to be the autopsy of a space creature found near
Roswell, New Mexico, in 1947. [See also the SI Special Report on
Roswell by Philip J. Klass in this issue, and Joe Nickell's column.]
Instead of simply showing the 17 minutes, viewers got to see maybe
three, four, or five minutes of footage chopped up into MTV-sized
snippets that were repeated throughout the hour.
Instead of a tough skeptical analysis of a film that has been kept
tightly under wraps by its owner, executive producer Robert Kiviat --
whose resume includes being a coordinating producer on Fox's
pseudoscience newsmagazine program "Encounters" -- "Alien Autopsy"
tended to showcase interviews from people who seemed convinced that
the footage was either real, or a complicated hoax that would have
been extremely difficult to pull off.
"Alien Autopsy" was far from one-sided. Kiviat repeatedly had the
host, "Star Trek" actor Jonathan Frakes, note that the movie could be
a hoax, and Kiviat addressed some key criticisms. But other important
criticisms were muted, ignored, taken out of context, or simply
brushed aside.
It's understandable that some people would be impressed by the
film. The snippets the producers chose to air looked convincing in
many ways. Scalpels seemed to cut flesh. A skin flap from the skull
seemed to be pulled over the face. Dark innards were removed from the
brain area and the body cavity, and placed into pans. The tools and
equipment seemed to be from the right era.
Yet when it comes to exposing a clever fraud, the devil is in the
details.
By failing to show the entire film, one was left to wonder whether Fox
was leaving out the portions that might have flagged the movie as
bogus.
"Alien Autopsy" comes at a difficult time for UFO enthusiasts. Today's
cutting-edge UFO tales have become so extraordinary, they're often met
with derision, even by people in the increasingly sensationalist
media.
That's why the focus seems to have shifted to Roswell, where the
details are still intriguing enough to fire the imagination, and the
facts and recollections have been polished bright by the passage of
time. With its simple tale of a crashed saucer, a few space aliens,
and a government cover-up, the Roswell story seems far more plausible
(relatively speaking) than today's tales of aliens passing through
walls, millions of Americans being abducted by sex-obsessed space
creatures, and extra- terrestrials who create alien-human babies.
UFO believers thought they had the Roswell affair pretty well figured
out. "Alien Autopsy" has shaken things up because the images in the
film don't always conform to the picture the believers have
painstakingly constructed over the years. The creature on the autopsy
table is tall, its eyes are too small, it has too many fingers and
toes, and it looks too humanlike, complete with humanlike ears and
toenails.
Some enthusiasts had expressed the fear that "Alien Autopsy" would
discredit some of the work that has gone into uncovering the truth at
Roswell. Such fears may be justified. In the media, it's the images,
not facts, that shape public attitudes and debates these days. Long
after people have forgotten the details of a Roswell book or article,
they're going to remember the video of this six-fingered "alien"
undergoing an "autopsy."
The film snippets that were shown raised all kinds of questions, and
provided few answers. Some examples:
- One small part of the film shows someone making a cut in the
skin along the neck. Did the full-length film include the showing of
any dissection of the cut area? Was this cutting of skin simply
done for effect, possibly with a trick knife that makes a glistening
mark on the body that appears to be the blood from an incision?
- One section of the film shows an intact body (except for a
large leg wound). Another shows the thorax and abdomen cut open. Were
there any steps in between, or did possible hoaxers making the film
simply cut open a latex dummy, dump animal guts inside, and pretend to
take them out?
- There were film clips of organs, such as the brain, being
removed. But organs can't be pulled from a body like pieces in
a jigsaw puzzle. They're held in position by sometimes-tough
connective tissue that must first be cut away. The film snippets on
"Alien Autopsy" showed no evidence of that type of
dissection. That flaw -- if it is a flaw -- was most obvious
when the doctor plucked the dark covering off the eye. Unless
these were simply extraterrestrial contact lenses, a piece of
the eye isn't going to come away that easily without some
connective tissue being sliced first.
- Where was everybody? How many people would turn down the chance
to watch the historic autopsy of a creature from another world?
Yet there were only two people in this room, in addition to the
cameraman.
- Why did the person watching from behind the glass partition,
and not in the room, need to be suited up?
- For such an extraordinary autopsy, why did there seem to be so
little effort to document it? There was no attempt to weigh or
label the specimens, and there were just a few shots of someone
putting data on a single sheet of paper.
- Why was the supposedly experienced cameraman -- who also claims
to have been present when three alien creatures were found --
trying to take close-ups that invariably made the film go out of
focus? Good photographers know when they're getting too close
to their subject and need to switch to a lens with a more
appropriate focal length.
The fact is, an autopsy on a creature this extraordinary wouldn't be
done the way this one was. The being would have been turned over so
the back could be examined (in fact, the "doctors" seemed reluctant to
move the body much at all). The skin would have been carefully
stripped away to examine the pattern of the musculature. The origin
and insertion of individual muscles would have been
documented. Samples would have been taken, weighed, recorded and
photographed. Only then would the people behind the protective hoods
have gone deeper into the gut, repeating the documentation process.
When critics have questioned the quick removal of the black sheath on
the eyes, the argument has been made that this was the third or fourth
alien autopsied, so the procedure was becoming easier. The argument
doesn't wash. Unless this was one of scores of alien bodies,
researchers would want to handle each case with excruciating care so
they could compare and contrast the individuals.
Unfortunately, the people who were skeptical of the film --
ironically, including people prominent in the UFO movement -- were
given little time and almost no opportunity to explain their
skepticism, making them appear to be little more than debunkers. Kent
Jeffrey, who argued months earlier that the film is a hoax, only got
to predict that it will probably eventually be exposed as a fraud. The
criticisms of one Hollywood filmmaker, who thought the movie was
bogus, were quickly countered by a cameraman from the era who said it
wasn't surprising that this autopsy cameraman would allow his view to
be blocked or parts of the movie to be out of focus.
Then there were things the show didn't tell viewers.
"Alien Autopsy" quoted Laurence Cate of Kodak, who said the markings
on the film indicate it was manufactured in 1927, 1947 or 1967. The
program didn't make it clear that Cate is not an expert in
authentication, according to the Sunday Times of London.
Paolo Cherchi Usai, senior curator at George Eastman House, a
photography museum, based his observation that the film would be
difficult to fabricate on seeing the 17 minutes of film and about five
frames of leader film that carried no date coding and was supposedly
clipped from the beginning of one of the rolls of film. Conclusive
tests on the film had yet to be done.
The Hollywood special effects team led by Stan Winston gave the most
impressive testimonial. But I got the impression they were being asked
to gauge the difficulty of staging a bogus alien autopsy back in
1947. Winston and his associates said the special effects were good,
even by today's standards, but from the clips shown on "Alien
Autopsy," this television program didn't seem to come close to
rivaling the quality of films you could rent in any video store.
The bottom line is that if the film is legitimate and this is the
first solid evidence of life on other planets, it deserves real
authentication, not the casual checking the program provided.
Independent experts need to pinpoint the date of the frames, then
examine all the reels to be sure the entire film has the same date
code. For all we know, most of the film is from contemporary
stock. Checking the whole film would dramatically narrow the range of
possibilities for a hoax.
The cameraman needs to be identified and questioned to confirm that he
exists, that he was in the military, and that he really was the
cameraman. There's been talk that he wants to avoid being prosecuted
by the government for keeping a copy of the film all these
years. That's claptrap. If the film is a hoax, why would the
government bother him? If the film is real, dragging a
more-than-80-year-old military veteran into court would be an
admission by the government that the footage is real, and that would
spark some tough questions about who or what was on that examining
table. The government, not the photographer, would be on the hot seat.
But instead of insisting on authentication first, Fox seemed intent on
milking the movie for every penny possible. The network repeated the
program one week after its original showing and tried to drum up
renewed interest for the rerun by promising more footage from the
17-minute film. Those who turned in saw about three additional minutes
of footage, but Fox still didn't show the whole 17-minute film. In
all, the autopsy sequences were only on the screen for 13-1/2 minutes
and, once again, that total included clips that were shown repeatedly.
It was not what you would expect from a major network that thought it
was broadcasting a history-making film.
It was, however, what you would expect from a network trying very hard
not to spoil an illusion.
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