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58 of 63 people found the following review helpful:
Dark dreams are made of this..., May 25, 2004
If good films are like waking dreams, then good horror films are like waking nightmares. Few can match the power of Phantasm in this regard. Masquerading as a B-shocker, it gradually develops a kind psychological depth shared only by the best in the genre - films like The Exorcist and Silence of the Lambs.To begin with, the story is frankly outrageous: after the death of a close friend, two brothers (Mike and Jody, played by Michael Baldwin and Bill Thornbury) discover some strange things about the Morningside Funeral Home where their friend - and their parents, who died two years earlier - are interred. It seems the dour funeral director (a character known only as The Tall Man, indelibly rendered by Angus Scrimm) is not quite human. He's able to lift fully occupied coffins by himself, as the younger Mike secretly observes; he bleeds yellow blood; he has a strange reaction to cold; and he is aided by small silver spheres that roam the halls of the mausoleum, doing unspeakably gruesome things to intruders. It seems his main activity, though, involves a novel use of the corpses of the dearly departed - a use we learn in the striking left-turn the film takes in the third act. Somehow, what could have been a very silly film takes on an unnerving, Lynchian kind of surreality, thanks in large measure to a well-developed subtext about abandonment, isolation, despair, and guilt. These are the anxieties that drive nightmares, and - despite the frequent humor throughout - writer/director Don Coscerelli infuses the proceedings with a poignant sense of sadness and dread. Like Herzog's Nosferatu: Phantom der Nacht, or Lynch's Mulholland Drive, Phantasm isn't just a scary film; it has the authentic texture of a dark, disturbing dream. And this, in a film where a major sequence involves a large, obviously rubber insect flown around on a fishing line! It could have been a real Ed Wood moment, but instead, we buy into it somehow. Amazing. In The Tall Man, Angus Scrimm has created a classic horror film villain, in the Frankenstein's monster/Dracula/Wolfman/Mummy sense, rather in than the Freddy/Jason tradition. There is no sense of irony in his conception or performance. No camp. No winking, wisecracking, or self-aware irony. Just a powerful, implacable, evil presence. Reggie Bannister rounds out the cast as a musician/ice cream vendor (!) who assists the brothers in their quest to rid the world (or at least their town) of the evil that has descended. The performances (a couple of minor characters notwithstanding) are remarkably skilled, walking that fine line between believability and exaggeration virtually demanded by the genre. The DVD is crisp and well produced. There is a delightful introduction by The Tall Man himself, Angus Scrimm, to get things rolling. There is a good deal of supplemental material to be found on the disc, and a thorough commentary track by Coscarelli, Scrimm, Baldwin, and Thornbury. All told, an excellent addition to any horror fan's collection.
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31 of 35 people found the following review helpful:
Beware the Tall Man, Booooyyyy!, April 14, 2004
"If this one doesn't scare you, you're already dead." Or so goes one of the taglines used in the promotions for PHANTASM, the 1979 low-budget film from auteur Don Coscarelli that has become a much-loved horror classic. By today's standards, the film doesn't quite reach the level of fright promised by that slogan. But PHANTASM is nonetheless a well-made indie flick that has always been a real crowd-pleaser due to its enigmatic, unpredictable script; the ingenious and effective low-budget special FX; excellent directing and cinematography by Coscarelli; good acting, especially from the four principals; and a very memorable, haunting score.PHANTASM follows precocious 13-year-old Michael (Michael Baldwin), his older brother Jody (Bill Thornbury), and friend Reggie (Reggie Bannister) as they investigate the enigmatic goings-on at the creepy nearby funeral parlor. Just who or what is that terrifying Tall Man (Angus Scrimm) that seems to have the run of the place? What is his part in the recent disappearance of corpses at the mortuary, and what is his relationship to the elfish eidolons lurking in the graveyard shadows? PHANTASM's script is loosely structured and rather weak in spots, but this actually heightens the unpredictability of the plot and thereby gives the film an unnerving surrealistic quality. And when combined with bizarre imagery (e.g., an airborne chromed sphere drilling into a human head); gloomy, atmospheric sets and on-location sites; and a genuinely creepy, inscrutable antagonist like the Tall Man, the movie transcends the script and evolves into a 90-minute spine-tingling nightmare-on-film. The excellent musical score also adds much to the nightmarish quality of PHANTASM. Composed by Fred Myrow and Malcolm Seagrave, it is stylistically reminiscent of John Carpenter's score for his groundbreaking film HALLOWEEN, released a year earlier. But unlike Carpenter's one-man synthesizer score, Myrow and Seagrave's music is performed on multiple instruments, delivering a rich, three-dimensional sound that makes PHANTASM's aural atmosphere seem much more ominous than that of HALLOWEEN. Though it has been over 20 years since its initial release, PHANTASM has aged surprisingly well. As with its aforementioned predecessor HALLOWEEN, the gore is minimal, especially when compared to the wave of bloody horror films that splashed up on the cinematic shore in the 1980s and beyond. But the eerie, surreal ambiance of PHANTASM can still make a viewer's skin crawl, and the malignant Tall Man, with all his accursed accoutrements and paranormal paraphernalia, is still pretty damned creepy. Yes, PHANTASM has a certain ineffable 1970s drive-in quality that identifies it as a product of its era, but rather than being an annoyance, this seems to add yet another layer of "otherworldliness"--at least from a contemporary standpoint. MGM's DVD release of PHANTASM offers the film in a non-anamorphic letterbox format in the film's original aspect ratio of 1.85:1. The digital transfer is pretty clean, with only moderate filmic and digital artifacts sometimes apparent. Colors are bright and vivid, though darks are a bit on the muddy side. Soundtrack audio options include a new Dolby 5.1 Surround Sound remix, which sounds good, or the film's original 2.0 mono. The supplements on MGM's DVD release of PHANTASM are outstanding. First off, the disc comes packaged with a very nice booklet that contains a note from writer/director Don Coscarelli, as well as a myriad of interesting tidbits about the film and its stars. On the disc itself, a really cool alternate audio track offers a feature commentary with Coscarelli and the film's principal actors. Also included are outtakes, deleted scenes, trailers and TV spots, TV interviews with Coscarelli and Angus Scrimm, and much more! These extras alone are worth the very reasonable retail price, but buyers get the cool film, too! To recap, PHANTASM is a minor cult classic that both ardent horror fans and casual viewers alike will find genuinely enjoyable, and the loaded-with-extras DVD from MGM is nothing short of Phantastic!
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6 of 9 people found the following review helpful:
Classic, original, cerebral horror, April 29, 2007
It goes without saying that Don Coscarelli's original Phantasm still has that cerebral effect on the viewer that few horror films can have. Watching it now only solidifies the fact that Phantasm is undoubtedly one of the best horror films to come out of the late 70's. Michael Baldwin and Bill Thornbury star as brothers who inadvertantly come across the demonic practices of a mysterious mortician dubbed the Tall Man (Angus Scrimm), and the terrifying happenings that begin to follow them after their discovery. For those who haven't seen any of the four Phantasm films, I won't divulge any more storywise, but I will say that this movie manages to pack in enough surprises, shocks, and metaphor that you'll marvel at how this film isn't always mentioned in the same breath as many other iconic horror features. Despite the three sequels that would follow, all of which crafted by Coscarelli (Bubba Ho-Tep) as well, the original Phantasm still remains the very best. Thanks to Anchor Bay, Phantasm lives on DVD once again as the celebrated DVD publisher of classic and cult horror films packs this single disc with an assortment of extras. There is a great commentary track from Coscarelli, Baldwin, Thornbury, and Scrimm; as well as a half hour long documentary, and a bombardment of deleted scenes, as well as trailers for this film and Phantasm III (which was released on DVD by Anchor Bay at the same time as this edition), which only begs to question when Phantasm II will see the light of day on DVD again. All in all, saying that the original Phantasm is a must own for horror buffs is saying it lightly.
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