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Crouching Tiger, Hidden Dragon
 
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Crouching Tiger, Hidden Dragon (2000)
Starring: Chang Chen, Chow Yun-Fat Director: Ang Lee Rating PG-13
   1,022 customer reviews (1,022 customer reviews)  

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Editorial Reviews
Amazon.com essential video
Hong Kong wuxia films, or martial arts fantasies, traditionally squeeze poor acting, slapstick humor, and silly story lines between elaborate fight scenes in which characters can literally fly. Crouching Tiger, Hidden Dragon has no shortage of breathtaking battles, but it also has the dramatic soul of a Greek tragedy and the sweep of an epic romance. This is the work of director Ang Lee, who fell in love with movies while watching wuxia films as a youngster and made Crouching Tiger as a tribute to the form. To elevate the genre above its B-movie roots and broaden its appeal, Lee did two important things. First, he assembled an all-star lineup of talent, joining the famous Asian actors Chow Yun-fat and Michelle Yeoh with the striking, charismatic newcomer Zhang Ziyi. Behind the scenes, Lee called upon cinematographer Peter Pau (The Killer, The Bride with White Hair) and legendary fight choreographer Yuen Wo-ping, best known outside Asia for his work on The Matrix. Second, in adapting the story from a Chinese pulp-fiction novel written by Wang Du Lu, Lee focused not on the pursuit of a legendary sword known as "The Green Destiny," but instead on the struggles of his female leads against social obligation. In his hands, the requisite fight scenes become another means of expressing the individual spirits of his characters and their conflicts with society and each other.

The filming required an immense effort from all involved. Chow and Yeoh had to learn to speak Mandarin, which Lee insisted on using instead of Cantonese to achieve a more classic, lyrical feel. The astonishing battles between Jen (Zhang) and Yu Shu Lien (Yeoh) on the rooftops and Jen and Li Mu Bai (Chow) atop the branches of bamboo trees required weeks of excruciating wire and harness work (which in turn required meticulous "digital wire removal"). But the result is a seamless blend of action, romance, and social commentary in a populist film that, like its young star Zhang, soars with balletic grace and dignity. --Eugene Wei

Product Description
An epic set against the breathtaking landscapes of ancient China, Crouching Tiger, Hidden Dragon, combines the exhilarating martial arts choreography by Yuen Wo-Pind (The Matrix) with the sensitivity and classical storytelling of an Ang Lee film. The result is something truly unexpected: romantic, emotionally powerful entertainment.

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Customer Reviews
1,022 Reviews
5 star: 56%  (573)
4 star: 15%  (162)
3 star: 9%  (94)
2 star: 6%  (71)
1 star: 11%  (122)
 
 
 
 
 
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224 of 263 people found the following review helpful:
A Masterpiece, February 13, 2001
By Allen D Sabio (Jacksonville, Florida United States) - See all my reviews
Crouching Tiger, Hidden Dragon is simply a masterpiece. A brilliant film with great performances by its stars, Michelle Yeoh, Chow yun fat, and especially Zhang Ziyi. Director Ang Lee along with his choreographer tell this epic story in a stunning and creative visual way that makes this film one of the greatest ever made. The action scenes in this film are jaw dropping, and are unmatched by any action film ever made. Along with the action, is a great story and great characters that reflect influences from Lord of the Rings, and parallel the Jedi of the Star Wars trilogy, but remain consistent with the eastern culture and philosophy which permeates throughout the story. In fact, the main characters, especially Jen, portrayed by the talented Zhang Ziyi , seem to question that philosophy and culture throughout the film, almost rebelling against it. This is foreshadowed in the beginning of the film when Yun-fat's character describes how his meditation leads him to a place of sorrow instead of enlightenment. In a later scene, Yeoh 's character questions the buddhist teaching of Fat's character in relation to their suppressed love, pointing out the touch of her hand is real,not an illusion, even though it is of this world. However it is also the discipline of this eastern spirituality that gives these knights their power. the main character Jen, abuses this power, along with the power given to her when she posesses the Green Destiny, a magical and powerful sword, owned by the wizard -like, or jedi- like, character portrayed by Chow Yun-Fat. The Green Destiny, much like the ring of power in lord of the rings, or the force in Star Wars, becomes a power that threatens to consume Jen. Throughout the film , Jen rebels against the traditions of the easten culture and philosophy. Even during the action scenes, as Chow Yun-Fat's character scolds her, she responds by telling him to stop talking like a monk and fight. Her rebellion is also reflected in her love for a barbarian that lives in the desert. Jen's rebellion is an extreme one, however, that leads to such deep despair, that it leaves the viewer to question if even the true love she found in the desert can save her. This movie has everything one wants in an epic, great story, acting, cinematography, directing, score. This film should win an Oscar for Best Picture... Crouching Tiger Hidden Dragon is truly a great film.


 
86 of 102 people found the following review helpful:
Crouching Tiger, Hidden Treasure, February 22, 2001
By Daniel McInnis (Toledo, OH United States) - See all my reviews
Being as I'm Irish and extremely stubborn, I hate to admit when I'm wrong but in two prior reviews I referred to American Psycho as "the best movie of the early 21st century," and of Gladiator's Oscar hopes I proclaimed it would be "a more than worthy recipient." As it turns out I must recant both of these statements because as of the date they were written I had yet to see the Ang Lee masterpiece Crouching Tiger, Hidden Dragon. It's a film so exquisite that to compare it to even the best of our American movies would be downright insulting.

Chow Yun-Fat stars as a legendary warrior preparing for retirement, presumably to settle down and start a family with the sister of his slain master Shu Lien (Michelle Yoeh). And though their love for eachother is obvious from on the onset, they can't quite summon the courage to speak of their hidden passion. So Lu Mu Bai (Yun-Fat), unalbe to express himself to Lien, entrusts her with a sacred sword that's to be passed on to a friend, symbolic of his retirement from rouge life. She willingly obliges only to have the sword stolen that very night by a masked intruder. It's then that we're treated to our first of many fight sequences, so breathtakingly fluent in their beauty that they are literally awe inspiring.

Our masked intruder is later revealed to us as being the daughter to the governor, Jen, whose martial arts training has been repressed by her family because of her sex. Despite this she finds training from Jade Fox, a corrupt disciple of Bai's master whose death he's sworn to avenge, as is customary in their culture. So the battle lines are drawn, from which the story unfolds, but Lee doesn't bother labeling his characters as "good guys" and "bad guys." It's almost insulting to even suggest, given how multifaceted they all are.

Even Jade Fox has her reasons for being as she is. The daughter of a sexist society, she was denied training, as was Jen. So she in turn taught herself, secretly observing until her skills were such that she enabled herself to take the life of Bai's master. To her it seemed a fitting demise to a man who saw women as inferior to himself, and all men for that matter.

As the story continues to unfold we come to discover that Jen had an affair with a theif whom she'd met while he and his gang were robbing her. Being as she's such a great warrior, she gives chase to the gang but their leader, Lo, wants her to himself. He leads her out into the desert to spar, and it's through their fighting that they're able to express themselves. As they trade blows their relationship materializes into love, their quarreling an unspoken courtship.

Romance, honor, self-respect, female empowerment. These are universal themes, the power of which can be felt even without subtitles. The actors faces, which are so expressive, combined with the movies score tells the story as well as any of it's dialogue. This is important because the rhythmic flow of their exchanges are so absorbing that I'd catch myself getting lost in the moment and forgetting to read the subtext. But that doesn't diminish my appreciation for a film so engrossing that it seemingly transports you to a time and a place the likes of which you've likely never experienced before.

What I find most amazing about this movie is the fact that it's adapted from an obscure Chinese novel. To think that their heritage is so rich that one of the greatest love stories in the history of literature can nearly be lost forever is simply mind boggling.

It's been a humbling task for me to attempt and write a review to a movie which there are no words to describe, at least none that would do it proper justice. All I can say is that I consider myself lucky to have seen a movie as intensely satisfying as Crouching Tiger come along in my lifetime. Go see this movie!



 
76 of 84 people found the following review helpful:
Enjoy the art, beauty, and spirituality of China., April 15, 2001
It is rare when a foreign language film has the ability to grab the attention of my fifteen-year-old nephew and me, but this movie is extraordinary. We read the subtitles and did not feel like we were missing any details -- only that a world had suddenly been opened for us to view.

Since we saw this film, we have discussed it and persuaded others to experience this enchantment. Every so often we talk about this movie and plan to see it many more times. This DVD should be shown in wide-angle format in order to see all of the majesty captured on cellulose.

The script creates a perfectly logical connection between fantasy and reality, logic and irrationality, and mythology and truth. This flow makes it easy to suspend disbelief and be completely entrapped within the breathtaking beauty and fierce fights of the movie.

Yun-Fat Chow is Li Mu Bai, and he displays a spiritual countenance that is the center of a true martial arts master. His life has been in service and honor toward the sword *The Green Destiny.* The complexities of his life and his choices are only a background for the intricacies of romance, tragedy, heroism, and philosophy that are woven with precise skill and art throughout this astonishing movie.

Michelle Yeoh (Yu Shu Lien) and Zhang Ziy (Jen) become acquaintances, then friends, then sisters, and finally enemies. The transitions are created by the strong will of the young princess (Zhang) who ultimately learns the value of friendship, but at great cost. She is well trained in the ninja arts by Li Mu Bai's ancient arch nemesis. This training is significant because rivals do tend to reveal the inadequacies of their opponents while assuring their young students with victory.

The action scenes are stimulating and plausible though the stunts are physically impossible -- or so it seems. What is most amazing is that these impossible stunts were real! The actors did the scenes, perhaps stunt doubles for some, though I doubt it because of Ang Lee's determination for accuracy. When the warriors fly through the air, fight on the sides of building, chase across the rooftops, or fight high in the bamboo trees they did exactly that. These were not created through simulation and the magic of technology.

After the scenes were filmed then the digital artists worked to remove the equipment that helped the actors complete the feats. The visions of China and the exciting ninja action captured my imagination.

Ang Lee required the actors to learning to speak Mandarin Chinese. The language accuracy may not seem important to those of us who do not speak Chinese, but it is the difference between cultures within China. I was left with the feeling that I had spent time in a sacred place.

Throughout the film there is the artistry of the music. Segments will take you to dreamland while other sequences will cause a rush of adrenaline. It is as if you are riding on a magic carpet -- you are there.

I purchased two DVDs -- one for me and one for my nephew -- *Crouching Tiger, Hidden Dragon* is that good.

It is better than five stars for the director (Ang Lee), cinematography, choreography, film editing, script, actors, action, philosophy, and emotions. This movie won Best Picture in the Foreign Language category at the Academy Awards; and it deserved the honor.


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Most Recent Customer Reviews

Would like to like it
But I can't really say I do. Beautiful, interesting-looking people. Fantastic scenery, scene-settings, buildings. Exquisite chinoiserie. Read more
Published 19 days ago by blockhed

beautiful and gravity-defying......
In all honesty, it is really hard for me to review the DVD version of CROUCHING TIGER, HIDDEN DRAGON because I believe this film is really one that you must see in the movie... Read more
Published 2 months ago by D. Pawl

I don't remember much
I don't remember much but I remember thanking the person who recommended that I see this film and I loved the scene with the woman jumping from house to house. It was awesome.
Published 3 months ago by Dance Dance Dance

Best Martial Arts Film Ever
Everything has already been said about this film, so I'll put only a short review here.

Why did I use the superlative in the title? Read more
Published 4 months ago by Tiberius

Disappointed...
Although I enjoyed Michelle Yeoh and Zhang Ziyi (as always), I didn't enjoy this movie hardly at all. Read more
Published 5 months ago by TNTSafari

Not The Best Martial Arts Movie
the cinemotography is pretty good i this movie, but the plot was raw. This movie was okay.
Published 6 months ago by David A. Smith

East meets West, and West comes off best.
The martial arts film traditionally has attained its own unique niche in the domain of film. Crouching Tiger, Hidden Dragon is a Chinese-language film that works within the... Read more
Published 8 months ago by Godly Gadfly

Crouching Tiger, Hidden Dragon
I watched the TV programs first. I understand it must have been difficult to make the long story to short. But the movie didn't reflect the original plot. Read more
Published 8 months ago by Kawahara, Eriko

Ang Lee has a Winner
This movie is a new concept for both the viewer from the east and west. What director Ang Lee did was to take a Chinese martial arts fantasy film and add the true dramatic... Read more
Published 9 months ago by M. A. Ramos

Great story and cinematography
This is a beautiful movie, start to finish. Watch it on as big a screen as you can find!
Published 9 months ago by KB

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