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Exchange J: Digital Print


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Theme:    The Digital Print

Can a computer-generated image, printed with a jet ink printer on archival paper be considered a real «print»? This topic has sparked a lot of lively discussion on this forum and prompted the idea for an exchange based on this theme. The Quebec printmakers' code of ethics has been pondering over these questions for many years and has come to describe it as follows:

" Digital printing creates processes and stores images as maps in the computer's memory. These maps divide each component element of  the image into a matrix called a «bitmap»."

Using software, artists manipulate each element: pixels or selected groups. They may change the color of a single pixel, select a group of pixels, adjacent or not, copy this selection and paste it into another part of the image or replace it outright with another selection from another image. Using the mouse, the stylus of a digital drawing slate, or the computer keyboard, artists can manipulate the ensemble of elements - hence the overall image - to enhance or soften colors by reducing or increasing contrast. Artists can distort images, stretching them in any direction, duplicating them at will, adding texture, fading, applying endless effects. Other tools in their arsenal include digital scanners, modems, etc."

The exchange will be via post on archival paper as usual. This allows the use of combined digital/traditional methods and also reflects the majority view. All decisions concerning how the image is created and printed are up to the discretion of the artist.


Participants List

Jim Brodie - Wymnnum Qld, Australia
Comments : Print Coucil of Australia, Qld Artworkers
Deborah Cornell - Belmont MA, USA
Comments : Boston University School for the Arts
Jo Ernsten - Windsor NSW Australia
Comments : WSI TAFE
Francoise Frigola - Idyllwild, CA, USA
Webpage: http://www.pe.net/~franou
John Hitchcock - Madison, Wisconsin USA
http://www.mrs.umn.edu/academic/art/hitchcock/index.shtml
Comments : 2001-present University of Wisconsin-Madison Department of Art, Assistant Professor of Printmaking.
1998-2001 University of Minnesota, Morris Assistant Professor of Studio Arts.

Luke Ingram - KEW, Victoria, Australia
Webpage: lukeingram.cjb.net 
Brian Kelly - lafayette, LA
Webpage: http://visualarts.louisiana.edu/faculty/brian.html
Comments : professor of printmaking university of louisiana
Mary Kuster - Lexington,KY,USA
Webpage: http://sites.netscape.net/lavoiedenis/kusterart
Akemi Ohira - Charlottesville, VA U.S.A
Comments : Associate Professor, University of Virginia, Charlottesville, member of :SAGA, SECAC, CAA
Jennifer Page - carolina Beach, NC USA
Barbara Patera
Patricia Prociv - Rosehill NSW Australia 
Member: Sydney Printmakers
Horácio Soares Neto - Copacabana Rio de Janeiro Brazil
Webpage: www.analisevital.com.br/xilograv.htm
Jan Telfer - Perth WA Australia
Comments : WA Printmakers
John Vucic-wolfpup - Mt Pleasant NSW Australia
Webpage: www.johnwolfpup.com
Member of ANAT & Canadian sister group ISEA
ANAT (Australia Network for Art & Technology)
Julia Wakefield - St. Peters, South Australia
Comments : Just moved from the UK where I co-founded Print South West.
Peter Walls - Baton Rouge, Louisiana
Webpage: http://www.firsttree.com
Louisiana State University
Sandra Williams - North Balgowlah Sydney NSW
Member: Warringah Printmakers Studio Inc.
Saumui Yung - Hong Kong
Webpage: http://www.open-printshop.org.hk
Comments : Hong Kong Open Printshop
 

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