RIGHT LIVELIHOODS: 3 NOVELLAS
By RICK MOODY

Little, Brown, 2007
ISBN: 0316166340
240 pages; Hardcover
GENRE(S): Fiction, Science Fiction, Mystery

Reviewed by Marie Mundaca

Moody has made a career of producing stylistically unpredictable literature. Readers who love the suburban drama of The Ice Storm may have been put off by the darkly comedic Purple America. Fans of the short story collections Demonology and The Ring of Brightest Angels Around Heaven seem to universally disdain the hyper-detailed epic The Diviners.

However, there are two themes that are consistent throughout Moody's oeuvre: work and suburban life. Right Livelihoods: 3 Novellas is no different in that respect. The first two novellas "Omega Force" and "K&K;" both take place in northeastern suburbs, and, as the title suggests, all of the stories are moved along by the characters' chosen professions. But just like the others that came before, Right Livelihoods differs from what precedes it.

The concept of right livelihood originates from Buddhism's Noble Eightfold Paths. Right livelihood brings benefits to oneself and others; wrong livelihood is detrimental to all. Teachers, store clerks—anyone who aids and assists others—are pursuing right livelihoods. All the protagonists in Rick Moody's Right Livelihoods probably believe they're following the path, but their judgment may be muddled—they're all teetering on the brink of insanity.

"The Omega Force" begins with retired civil servant Dr. Jamie Van Doren asleep on a neighbor's porch, where he finds a potboiler novel called Omega Force: Code White. As Van Doren falls off the wagon and deals with a recent "neurological event," the characters and events of Omega Force: Code White begin to infiltrate Van Doren's reality. This first-person story is structured like a memo from the Federal Emergency Management Agency, with headings like "1. The Current National Security Environment" and "7. Modernism and Its Links to Contemporary Terror." Van Doren's paranoia about an impending invasion is almost Pynchonian; as the story progresses and as readers find out more about Van Doren's life, they begin to feel sad for this deluded retiree.

Ellie Knight-Cameron, in "K&K;," is trying to avoid thinking too much about her life, and focuses on everything else. As the office manager, it is her job to oversee the suggestion box at the small insurance office where she makes her living. When the suggestions start becoming odd, and eventually threatening, Ellie is propelled into a mystery that will reveal more than who is leaving these typewritten notes. In typical Moody fashion, small details convey a lot of information, such as "Ellie had ridiculously strong feelings for her vacuum cleaner… Her enthusiasm about vacuuming depressed her, though if you are going to be depressed about your enthusiasm, you should have a reliable vacuum cleaner as a consolation prize." With his skillful approach, readers never feel as if Moody is bogging them down with unnecessary details.

Ellie's discomfort with self-reflection is what prevents her from discovering the culprit sooner. There are many references to transformation and insects, like when Ellie recalls her high school boyfriend, Eric Banks, who tells her that listening to experimental music males him feel like "he was shedding his papery skin, his uncomfortable exterior," or when new hire, preppy boy Chris Grady, snickers and sounds "like a cicada." This foreshadows what we hope will happen to cocoon-wrapped Ellie, as alien forces invade the office, initiating this transformation. The story ends on a rather odd note that may leave readers feeling unsatisfied.

All the stories in Right Livelihoods examine the porous borders that exist between sanity and insanity, reality and fantasy. And no story in the collection presents this more effectively than the final story in the collection, "The Albertine Notes." A piece of genre fiction, "The Albertine Notes" begins shortly after a large chunk of Manhattan has been destroyed by a dirty bomb. Writer Kevin Lee has secured an assignment from one of the few remaining publications to trace the origins of a new drug called Albertine that allows the user to relive the best moments of his life. Equal parts Philip K. Dick, Raymond Chandler, and Charlie Kaufman, "The Albertine Notes," is a trippy, mind-blowing story where the reader ceases to know what's real and what's imagined.

As Kevin researches further, key characters morph into other people, and past events change in incremental ways. More so than in previous Moody books and stories, he uses evocative names to telegraph character traits. Cassandra is a beautiful prostitute who, like a mythological prophet, seems to know a lot about the drug, as well as about Kevin; Cortez is the name of the dealer who controls Albertine's distribution and conquers the memories of the Albertine addicts; Serena is the name of a girl with whom Kevin spent a memorable afternoon. "The history of Albertine became a history of forgetting," Kevin tells us. This story twists and slithers in an enchanting fashion, drawing the reader further into the story. It is easy to get lost in "The Albertine Notes" both figuratively and literally—portions may need to be reread in order to discern real from imagined.

All in all, Right Livelihoods is a noble addition to the Moody bibliography. With so many different genres represented, it may actually satisfy a majority of his fans.

(June, 2007)

 

 
     

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