DIRTY

10/23/2005

the wolf at the door, a story by rebecca curtis; and an interview with her about it

The Wolf at the Door (published first in storyquarterly)

I had worked later than I realized and now the building was empty. I had been preparing some documents; I had a large pile of documents to prepare, a pile that seemed insurmountable, but just in the last hour I had been making some headway and in my pleasure at that I had forgotten the time. When I realized how late it was I left the main shed, which was dark, and went to the general lobby, where a green emergency light burned. In the lobby was a large, well-lit bathroom, and I went in. Another woman came inand went into a stall several down from mine, and I peed so loud that I guessed she was impressed by the sound, but when I got out she did not seem impressed. “We’re not supposed to be in this bathroom,” she said. She pointed to a large sign: THIS IS A MILITARY BATHROOM, DISCOURAGED FROM USE FOR ALL BUT THE MILITARY. When she spoke she sounded annoyed, also as if she wanted to warn me, in case I didn’t know.

“I know,” I said. “It’s annoying, isn’t it?”

But she didn’t say anything else. She washed her hands and left. She was walking quickly when she went out the door, and when I went outside a minute later, I didn’t see her anywhere. It was then that I realized how dark it was. As if blankets had been thrown over the tops of the pines and only a faint light on the grass. I ran through the grass towards my house, which was not far from the complex. I ran fast—I took the old dog path over the double stone walls, and then I took the path as it continued through the blueberry fields, now overgrown with pine seedlings, the little blueberry plant leaves glowing red at the tips. When I looked to my left, I could see a faint light above the hay that stretched toward the horizon and the road. You could run through the fields at night, and make it, but you’d be lucky. I guessed nothing had come yet because of the light that was left. Perhaps it wasn’t time. I didn’t think I’d been lucky.

I saw my house—I kept running—it was quite dark. The front of the house was gray and its tall windows were quiet. I had a choice of two doors to run to. The front one was closer, but I didn’t have the key. I would have to wait until someone from inside let me in. It crossed my mind that if I knocked they might be in another room, one far off, and wouldn’t hear me, or would walk slowly, through carelessness, and wouldn’t let me in until too late. The side door was farther off, but I had its keys; but that door had three locks, which I knew would take me a long time to open because I knew I would be clumsy. I veered and ran toward the door at the front of the house. The fields beyond the lawn were utterly grey, the sky above them grey as well. Nothing was moving in the grasses. But I knew that at the last moment of my looking, that might change; so I looked toward the house, ran across the yard diagonally, jumped up the two huge granite blocks that served as steps, and knocked. I heard steps come toward the door. The door opened. My sister let me in.

I closed the door behind me and tried to lock it but as the bolt was about to push into its hole an enormous body, like that of a wolf, slammed against the outside of the door and the door opened. Outside the door stood a wolf. I tried to push the door closed again. I pushed hard on the door; the wolf pushed hard on the door; I pushed hard on the door, and even though the wolf was bigger than me, I managed to close the door but not to lock it. Before I could, the wolf pushed hard and the bolt slipped out. My sister stood in the hall and watched. “It’s not fair,” I said.

My body was pressed against the door. By not fair I meant that I had been inside the house, and everyone knows locks are locks and keep doors closed; but this lock was worn down and its bolt was not as long as it should have been. Also, the door itself was badly made and the door was so narrow that on the side of the hinges a one-inch gap allowed you to see outside. Through the gap I could see the wolf’s car in the driveway, so I knew he had driven to the house; he had come with his wife or friend; she was standing next to him. She had long dark hair, curly, and she was strong looking, tall, perhaps 5’10’’, and dressed conservatively, in a patterned blouse and suit pants, and her arms were crossed. She would clearly have no patience with us. Meanwhile, I knew I could not hold the door closed long, and the bolt refused to lock. My sister, she was my older sister, stood there and watched me holding the door shut. My younger sister, who is the smallest and youngest of us, had come up behind her and was watching with a kind of detached, off-hand concern. This did not surprise me.

She was used to having things done for her, has been fed and coddled her whole life, and I did not expect her to take action and help; she was not able to, being so young in her mind, though in her body she was at least eighteen. Meanwhile, the door was pushing inward, and to my older sister, who was still watching the door doubtfully, I shouted, “Get a knife! Go to the kitchen and get a knife!”

She stared at the door and did nothing.

“Get a knife!” I yelled. “Get a knife!”

Finally she acknowledged me by allowing her gaze to sweep across the hallway and fall on mine.

“What kind of knife?” she said.

“A long knife!” I said. Then I changed my mind. If the directions were too specific, my sister would take forever to find the knife. “Any knife!” I said. “Get a knife! A long knife! But most of all, get any knife!”

She hesitated. She seemed to be thinking about getting a knife. I attributed her reluctance to a desire to minimize losses. She did not want anyone to be taken, but she knew that if they took anyone, it would be me. My sister was gifted with foresight. But only in the short term, and only concerning the ones she loved. She did not want me to die, but she might have steeled herself to the inevitable, because she probably knew that if they took me, they would leave and not come back. Also, she no doubt felt something for the wolves, which I felt myself; they were only doing what they must, and perhaps regretted the necessity—you could not blame them for doing what they had to do. Finally, my sister could hardly help but recognize that it was my fault they were there, through my oversight, my carelessness, through my failure to notice that everyone around me at work had left while one by one the light bulbs went out; my sister was disappointed in me, even annoyed. Thus, everyone was determined; my sister to be neutral but helpful while acknowledging circumstance, they to accomplish their mission, me to save myself.

The pressure against my hands was very great. I peered out the crack, which seemed to grow wider as I peered through it. The wolf was standing, pushing the door with one long smooth arm, and he had turned into a man. His friend was a woman; her hair was shoulder length, curly and dark as before, and she had a set, angry look on her face. The man was handsome; he was tall and thin, his face and arms almost hairless, a nice brown color. He was muscular, but not overly so, and had a bit of a baby face, chubby cheeks and a long, straight nose; nonetheless, he was pushing with great determination and was still the wolf he’d been before, hungry and much stronger than me. As I realized this the door pushed in.

“Too late,” my sister said. “Too late to get the knife.”

The wolf was pushing his way through the door. To stop him, I grabbed a broomstick and pushed back at him with the butt end, but he slipped around the broomstick and stepped into the house and just as I felt despair, my older sister pushed herself at him and the force of her leap carried them both out the door. In that instant, she seemed utterly lost.

The wolf’s friend, who was standing in the grass nearby, watched with her arms crossed. My oldest sister struggled to push the wolf off the step. My younger sister, still inside the house, covered her mouth.

I was shocked that my sister had run outside for me. She had traded her own life for mine. I vowed not to let that be. Even with my cowardliness and my selfishness, which were very great, I could not let the wolf take her life. But perhaps my sister, with her foresight, had known her life would not be lost; because to my surprise, rather than leaving with her, the wolf was still trying to get inside the house. When I realized this, I pushed him away from the door with the broom handle. I seemed to be somewhat successful in doing this. However, the broom handle was now in between my sister and the door, barring her re-entry to the house, and the wolf’s friend was beginning to look at her speculatively.

I stepped outside and with a great shove of the broom handle, pushed the wolf off the step. My sister ran inside. I ran inside and shut the door. I locked the door. The door did not lock.

“It’s locked!” I said. “It counts as locked!”

“All right,” the wolf said. “It counts as locked.”

I could see him standing outside the door with his arms crossed. He became a wolf, then a lion, then gave up and became a man. “But open the door for a second,” he said. “We just want to ask you something.”

I did not answer.

“Do it,” my older sister said. “It’s polite.”

I opened the door.

The wolf’s friend stood on the top step. Her black hair curled down over her patterned blouse. The wolf waited on the bottom step. “I just want to know,” the friend said. “Can we have your phone number so we can leave you a message?”

I hesitated. I did not want to give them my phone number. Mostly because I knew what the message would say, I want to eat you; and I did not want to receive such a message.

“We just want to leave you a message,” the wolf’s friend said.

“Just give them your number,” my sister said. “It’s just a message.”

After having jumped out the door on my behalf, she seemed utterly exhausted and ready to go to bed.

The wolf’s friend took a piece of paper and a pen from her pocket.

“Here,” she said. “Use this.”

At first, I intended to write my real phone number and even sign my name. I knew it would be courteous and honest to do so. And that moreover, if I wrote a false number, they would be angry when they found out it was false and would be more determined when they came back. I wrote a false number. I could not bear to write my own. And I did not sign my name. Even if I was out of sight, I felt, my name would focus their attention on me, would make them think of me, instead of other people.

The woman with the dark hair took the false number. She seemed satisfied. I felt a surge of victory. I felt like a person who knows how to manipulate the success of her own life.

Later that night, with the door locked and most of the shades drawn, we all went to bed. My older sister and my younger sister went to bed upstairs, where their beds were, and I slept downstairs, in the living room, where mine had been set. When this arrangement began, I can’t recall, but for some time I have slept in the living room by myself. I have the feeling this is the way my sisters want it and I understand that want; and anyway, on the first floor I can watch the windows best.

Before my sister went to bed, I told her about a dream I’d had the previous night. I was feeling lonely and hoped, by telling her about my dream, to convince her to stay downstairs with me for a while. But after she had listened to the tale of my dream—one in which I lived alone, performed a boring job and led a desolate life—she said, “Your dreams are not that interesting. In other circumstances, they might be, but here we deal every day with matters of life and death.” I knew she was right. I let her go to bed. I sat in the living room by myself. The windows were dark, the room lit by one dim lamp, and as the wind struck the house, the gray curtains blew back and forth ever so slightly.
---------------------------------------------------------------------------------------
interview

why do you think i like this story so much?
I don't know. Why do you?
why do i think i like this story so much?

because it's funny, it surprises me, and it's sad; and i like those three things

the moments that surprised me were mostly when the logic was original and odd; not when, say, kids in a high school band are required, or something, to listen to rap music with headphones and the lyrics are about fucking girls (this didn't happen in your story; it happened in a story in the new land-grant college review, and i was bored immediately by it; it made me sarcastic against it)

it wasn't nerdy or trying to be shocking; kafka wasn't nerdy or trying to be shocking either; a lot of stuff i read that is 'magic realist' is nerdy or trying to be shocking, i feel

i like kafka and i like this story

because kafka and this story, if they were people (and kafka is a person, i know), would be tactful, whimsical, fun, conscious of their surroundings, unmacho, passive, unprideful, clear-thinking; the opposite of nabokov, who i don't know much about actually

pretend that this story is really a person and not a story; kafka did this before with his stories (supposedly); can you do it, and describe the story as a person, and describe an average day—she buys a soup and drinks it in the park and cries a little and goes home and cleans—for he or she?
Okay. This story is really a person. It is a she but an androgynous she, without any girl-parts, maybe. She doesn't have a job. She wakes up, immediately eats breakfast, drinks a lot of coffee, then walks all around the town to buy items to put into an elaborate care-package for her grandmother. When she gets home, she puts little bows on the purchases, sticks them in a box, leaves again to mail box. When she gets home she bites her baby, who she's left at home the whole time, on the toe.
this story, in my mind, is in three parts, like a kind of day; and if i experienced that day, like the main character does, at the end of it i'd feel kind of sad, i think; but when i read it at the end of it i feel kind of alive and happy, and sort of even wish i could enter the world of the story, move there, as if to california, or someplace, buti don't think that if i actually entered it—moved there—i'd be happy, but lonely, or else the same; this is a common thing for me; can you answer why?
I like reading horrific stories. Where terrible things happen to characters. Like 'The Metaporphosis,' or 'The Judgment' for example, in each case the hero or protagonist dies at the end, and I have identified with them, but then after the book is done I feel better, b/c I am still alive. Maybe it allows us to live our fears out and realize they aren't so bad, or just relieve them by visiting them for a while.
if you didn't write this story, how would it make you feel after reading it?
I don't know. I might just think it was weird. Or that it didn't make any sense. It's hard for me to be objective and tell if what I wrote makes sense to anyone else, or is satisfying.
how do you think—if you didn't write this story—you would feel after reading this story if you were angry when you started reading it?
I think I would be less angry.
sad?
Possibly less sad.
unrequitedly in love?
Still in love. Which I am all the time anyway.
happy?
I don't know. Maybe it would bum me out. I hope not. How did it make you feel when you read it?
good, happy, and unbored; and like i'd like to hang out with you; and be nice to people who live alone, perform boring jobs, and lead desolate lives; and other people, too; be nice to everyone, even wolves

17 Comments:

Benny said...

Interesting story, jattainteresting interview. Thanks for the read, Reader.

7:31 AM  
The Man Who Couldn't Blog said...

This post is exactly 3000 words long. Does that mean something?

12:53 PM  
Tao Lin said...

b:

jatta?


theman:

it means you copied and pasted it into microsoft word and did a word count

5:02 PM  
The Man Who Couldn't Blog said...

Yes, but does it mean anything else?

And, yes, it also means I don't like reading a screen and wanted to print the story and interview out to read.

But does it mean anything else?

5:51 PM  
Tao Lin said...

it means you need to share with everyone what you thought about the story!

i think

6:13 PM  
Geraldine said...

wow... it's been a while since I read a really good story... nice interview too-- i like how she talked about how finishing a story is like surviving death/one's fears

7:11 PM  
Benny said...

Reader- jatta= very in Swedish. It's my cool little way of getting around a boring little word. Obnoxious and nerdy, yes. Almost like bad magical realism.

Sometimes the bad magical realism starts out good, then turns bad when the writer lost confidence. I get this vibe when I read some of Aimee Bender's stories, but then I read others that seem jattasolid.

10:50 PM  
Benny said...

Some verb confusion up above. Or is it... magical realism? (Guffaw.)

10:51 PM  
Tao Lin said...

g:

i liked how she said the person of the story make a care-package for her grandma and was unemployed and bit her baby


b:

do you like judy budnitz?

i don't really like all the famous magical realism people

you should read 'flatbed, seabed,' by tara wray in pindeldyboz three, or four, i forget

i think aimee bender... i forgot what i was going to say

1:33 PM  
The Man Who Couldn't Blog said...

Judy Budnitz. Yes. A similar vein, indeed.

Perhaps it's just the sense of fear pervading the story? There's a child's logic to this. A child's fear countered by a child's protections. "That counts as locked."

We sometimes set up elaborate, occult systems of safety. And by occult, I simply mean secret. And our childhood systems of safety tend to be a secret to all but ourselves.

I like the sisters, though. I like that they may only be partially initiated into the narrator's system.

I like the way the reality melts away when the narrator leaves the building and finds that it's night.

And the proprieties. The child's system also has rules of conduct.

5:21 PM  
The Man Who Couldn't Blog said...

I had a system when I was a little boy. I still think about it.

On really bad nights, I even use it.

I've never told anyone about it. I won't now.

Does Ms. Curtis have a system? Did she have one? Can you ask her to comment?

5:23 PM  
Tao Lin said...

i've asked her to comment

tell us your system!

i had a 'system'

on my bed, i would surround myself with stuffed animals; i mean, i'd put the stuffed animals so they created a sort of wall for the bed, a perimeter

also, if one stuffed animal was exposed and not touching another stuffed animal i would feel sorry and afraid for that stuffed animal, and bring it closer to the other stuff animals

8:14 PM  
The Man Who Couldn't Blog said...

I'm sorry. I can't tell ou the main system. If you did not know who I was, I might consider it. But, I will keep the main one a secret until I die...

Maybe...

But, I'll tell you some of the auxiliary systems:

When turning to look at something, always turn back the opposite way so as not to get "all twisted up."

I have the beginnings of a novel that uses this: when I was little, at night gigantic animals roamed outside my window. One night, a lion stepped through my roof, and his paw broke through my ceiling. In the morning, the roof/ceiling was fixed, and everyone told me I had been dreaming.

It was a lie. A lie!

11:03 PM  
Tao Lin said...

i think that 'twisted up' system is great

i used to not let the water get too high when taking a bath because if it got too high and i couldn't see the bottom everywhere then there would be sharks

tell me the main system!

if you don't tell, i'll assume it's something terrible, like wanting to rape people and trick me on the internet and destroy my life, or something

or something...

11:13 PM  
Benny said...

Reader- I have not read Budnitz, yet. Your suggestion just bumped her up a few places in the stack, though, so thanks for that.

7:02 AM  
Karin said...

Your 'occult system of safety' a great read of the story, The Man Who... I often have trouble interpreting and appreciating Magic Realism stories because I'm so unmagical in my thinking to the point of pathology.

I'm curious about the meaning of the tall, dark-haired woman who accompanied the wolf. I guess this is my issue with magic realism -- everything seems like it should be a symbol for something, but the meaning is never very clear to me.

I liked the ending, though. I like how it points out that the life of dreams is much more fantastical and thrilling than reality, but that we live in a world with rules (with life or death consequences), and that you must accomodate that reality if you want to indulge your dream life. But obviously, it was ironic because in the story, her dreams consisted of drudgery, where the 'real' life included a wolf banging at the door.

RoDB:

I, too, as a child barricaded myself with stuffed animals at night and was also afraid of sharks -- not in the bathroom, but in the swimming pool.

I also hallucinated as a child. One time I got up in the night to pee and while I sat on the bowl, I looked out into the dark corridor and the entire wall turned into an aquarium.

10:19 AM  
The Man Who Couldn't Blog said...

Other things twist a person up, too. Like walking through a room and then returning through the room by a different path.

And if you don't think about it, and accidently gp through a room a bunch of times without making sure, you can become to horribly twisted up, you won't be able to fix it.

I think I can be comforable with you thinking the worst of me, main system-wise.

5:25 PM  

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