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185 of 226 people found the following review helpful:
Apocalyptic Weapon of Choice: The Cricket Paddle, October 11, 2004
For some horror fans, satirizing the zombie genre (and let's face it, zombie films are practically a genre unto themselves) could seem like sacrilege. With the serious films that have come before - 28 Days Later, Dawn of the Dead, and, of course, Night of the Living Dead - SHAUN OF THE DEAD leads us down a path few have dared tread (Evil Dead fans should check out this film to see how a REAL spoof is pulled off). Leave it to the British to give us some gritty dialogue and bloody comedy all rolled into one. I, for one, say "thank you."
So what's this film all about ...
Shaun (Simon Pegg) leads a dull and mundane lifestyle; he works at an electronics store as a salesman, lives with a flatulently impaired and obese roommate named Ed (Nick Frost) and a second roommate, Pete (Peter Serafinowicz), who can't stand Ed. Shaun also has a girlfriend, Liz (Kate Ashfield), who is suffering with him over his complete lack of motivation to accomplish anything in his life. And she's right. Shaun doesn't seem to notice the zombie-esque lifestyle he leads, the terrible routine of drinking at `The Winchester' pub (named after the rifle that gleams over the bar), the protecting of Ed's horrific behavior (ripping farts and calling women the "C" word while never maintaining a job of any kind), and, of course, his forgetfulness that she, Liz, is actually a part of his life. So naturally she calls off their relationship, causing Shaun and Ed to go on a drinking spree and video game holiday. And when they awaken from the alcoholic stupor, some things have changed. Only Shaun and Ed don't notice right away. They're so used to life being slow, boring, and ...er ...well, shuffling, that they don't take notice of the cars burning on the street, blood on the grocery store floor, or the vacant gaze of their neighbors. This is where the comedy really starts to take wing for the film.
When a "true" zombie wanders into their backyard, Shaun and Ed just think she's drunk. But they quickly discover that this ...thing ...can't be killed. And she is soon joined by another, much larger zombie. Shaun and Ed have entered the apocalypse. But what do you use to defend yourself in a country (let's remember, we're in England here) where guns are not readily available? Initially, they throw everything they can find at these shuffling monstrosities, but nothing seems to work (even Shaun's old record collection, which is hilariously pulled off as they try to decide which records to throw at the undead and which to save: "Stone Roses?" "No!" "Second Coming?" "I liked it." "Dire Straits?" "Chuck it."). Shaun finally picks up a cricket paddle and uses it to bash in the brains of the undead, thus ending their life-after-life existence.
A race to save everyone that Shaun loves soon ensues, and this includes his roommates, Ed and Pete, his girlfriend, Liz, and his mom and stepdad. But where to hide out until this has "blown over". Ah! Of course! The Winchester pub!
What follows is truly hysterical. Shaun must deal with the fact that Pete, his other roommate, has been bitten by a zombie. He also soon discovers that his stepfather (who he never really cared for anyway) was bitten, too. "All right, dude! We can drive his Jaguar!" Ed exclaims happily.
Once all of Shaun's loved one's have been gathered together, they have to make their way to the pub; but first they have to pass through a shuffling maze of zombies. They do this through some wonderful trial and error (from bashing in the head of every zombie in sight with the cricket paddle, to shuffling and moaning like zombies to fake them out. I mean, they're zombies for cryin' out loud! They ain't that smart.). Is the pub the place to go? Can Shaun, who's life has been pretty much meaningless up to this point, actually give meaning to it by saving all those whom he cares for?
The thing that helps this film stand out above other spoofs is that it doesn't dismiss the zombie-genre, but instead respects it and utilizes it to great comedic advantage. It's not slapstick, nor bathroom humor (although there is a touch of this thanks to Ed's bowels), but a set of coarse narratives and script that pulls the viewer into these characters lives and forces us to live with them. Most of us have seen, or have family members who are, in some way, these stereotypical losers. You can't help but cheer them on and hope that they survive their own failings. And that's where SHAUN OF THE DEAD gives you the emotional umpf! that you need to enjoy the movie. You care about them and laugh at their ridiculous inadequacies, both at the same time.
This is truly a great film. A+ ...especially for creativity.
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86 of 108 people found the following review helpful:
Everything you would expect in a zombie comedy and more, December 25, 2004
Hearing that "Shaun of the Dead" is the most popular British zombie comedy of all time does give one pause, simply because you have to stop for a second and wonder as to whether you have simply missed other British zombie comedies or if you maybe took "28 Day Later" way too seriously. The thing is that when you hear "British zombie comedy" you are thinking "Monty Python's Flying Circus" or "Benny Hill" or "Black Adder" or "Asbolutely Fabulous" or "Coupling." You are not thinking something that is as restrained as what Simon Pegg and Edgar Wright have put together (the pair co-wrote the film, Pegg stars as Shaun and Wright directs), which is probably the biggest surprise of all.
"Shaun of the Dead" is only four star funny, so we are not even close to "Airplane!" territory, which is still the funniest film of all time (measured in number of laughs generated) but there is another dimension to the film beyond the humor. The tagline tries to tells us that this movie is: "A romantic comedy. With zombies." The really funny thing is that, underneath it all, it really is a romantic comedy. You know: boy meets girl, girl dumps boy, zombies try to kill boy and girl and mom and flat mates, boy tries to rescue girl and mom and flat mates, so on and so forth.
Actually the movie that that came to mind the most, despite the references to the great zombie movies of the past ("We're coming to get you, Barbara!"), was "Young Frankenstein," specifically in terms of the scenes that are played totally straight. There are scenes when Shaun deals with his girl, Liz (Kate Ashfield), his mom, Barbara (Penelope Wilton), and his best bud, Ed (Nick Frost) that are done like they were in a romantic comedy, and not an Adam Sandler "Water Boy" type romantic comedy, but an Adam Sandler "50 First Dates" type romantic comedy. Stripped of the zombies this is a rather pedestrian romantic comedy, but what makes it inspired lunacy is that it IS being done in the middle of a zombie movie.
There are two prime moments that reflect this rather amazing tightrope walking act. One is when Shaun almost breaks and notes that there may be a limit as to how many people he loves that he can shoot in one day. The other is when we have one of those "goodbye" scenes usually found in war movies; it is not just the silliness of the particular bit of business returning from the start of the movie, but that it is brought back at that particular moment, and that both actors honestly treat it as the most serious thing in the world. Tragedy is hard, but comedy is harder, and then there is treating tragedy as comedy in the middle of a zombie movie. Watching this movie is like watching somebody take a stupid shot in a basketball game and you start saying, "No, no, no, no, no..." until the ball rips through the nets and then you smile and say "Great shot!"
The other great bit of fun is how "Shaun of the Dead" plays with the genre movies. The opening of the film throws every cliché moment of being suddenly surprised by zombies in the history of the cinema at Shaun, only to have everything be normal. So you know they will take a totally different tack when it comes to Shaun realizing he has missed the dawn of the dead. The bit you have seen in the preview about arguing over which LPs to use as weapons to fight the living dead is cute, but the comic masterpiece in this film is Shaun channel surfing. Every single channel is talking about what is happening, but Shaun is clicking so rapidly that he misses getting a complete picture. Note: always listen to what is on the telly in the background: that is where the best "28 Days Later" joke in the film comes (All of the talking heads are actually British television news talking heads, so translate that into Brokaw, Jennings, and Rather doing the same thing for an American movie; see the "TV BITS" in the DVD extras).
The more you know about zombie movies the more you will enjoy "Shaun of the Dead," because you will be able to pick up on all the specific references. But then I have never seen "Spaced," so all of the homages to that British situation comedy involving Pegg, Frost and Wright are lost on me and I am doing okay at the moment. Either way, I think the humor of the film is accessible to even zombie movie neophytes, although the only way you might be able to talk them into seeing this one is to tell them their other choice is "Dawn of the Dead" (I do not have to tell anyone that is a rather obvious double bill).
Of the DVD extras the extended bits and outtakes in "MISSING BITS" are okay, but by favorite are the trio of "Plot Holes," where we get some insights into what we did not see in the movie from three of the principle characters. These are presented in comic book form as opposed to having actual footage, but that simply adds to their charm. There are better bits in "RAW MEAT," the highlight of which is the "pitch" by Pegg and Wright to sell the studio their movie idea. I already talked about the "TV BITS," and no one will be surprised that I the Zombie Trivia available via the ZOMB-O-METER. Overall, the DVD extras are well above average but not knock down dead, get up as a reanimated corpse and try to eat human flesh great.
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17 of 20 people found the following review helpful:
Best Rom-Com-Zom Movie Ever?, October 6, 2004
"Shaun of the Dead" (SotD) has been hyped by the AICN pundits for some time before its actual release. Although I don't always buy into their raves, this was an exception. I can't resist apocalyptic movies, especially when zombies are involved (and I don't care if they are Slow or Fast, if you get my drift. Each type has their respective merits). Of course, three things must occur to prevent disappointment with any zombie movie: 1) good story, 2) cool characters, and 3) mayhem - lots of mayhem. SotD has all three, and done well enough so I'd pay to see the movie again.
The plot of SotD is somewhat typical - ordinary people are caught up in extraordinary events, and they must rise to the occasion or die. Nothing original about that, but this time the execution is superb. As other critics have noted, this movie works on many levels, and all of them combine to more than satisfy my three requirements listed above. A couple things in particular stand out:
First, the humor is superlative, and I can't rave enough about it. There's plenty of in-joke references to past zombie movies, from the original Romero "Dead" trilogy to last year's "28 Days Later." In addition, the humorous aspects of horror conventions are explored without insulting them. For example, the whole "kill a zombie by killing the brain" staple is exploited for laughs in a country where personal gun ownership is almost non-existent. Thankfully, us Yanks will never have to rely on cricket bats and vinyl Sade albums to rid our backyards of zombies. The number of laugh-out-loud moments alone are enough to recommend this flick.
Second, the horror aspect is well done. As any genre fan knows, gore is a zombie-movie staple (normally gore is not my thing, but hey - you can't have a self-respecting zombie movie without it, for heaven's sake). What do you expect, with cannibalistic reanimated corpses that can only be stopped by extreme methods? SotD delivers plenty of gruesome human-zombie interactions, particularly during the climactic last stand at Shaun's beloved Winchester pub. And more importantly, Slow Zombie purists the world over will finally get their due, after being ignored by recent films that favored the quicker and more agile zombie variant.
Finally, the relationships between the characters and their personal struggles ring true, and will appeal to any self-respecting Gen-Xer. Shaun is the prototypical "male struggling against manhood" character, trying to hold off the twin devils of responsibility and purpose for as long as possible. His crisis transformation from slacker to savior is nicely done. The chemistry between the main characters is spot-on, and it didn't take long for me to identify with them and care about their fates. A good portion of the comedy results from their interactions, especially between Shaun and his slovenly roommate/best friend Ed. However, there are also moments of genuine feeling, as when Shaun and his long-despised stepfather have their final exchange. Indeed, the actors are the real reason this movie works, and without exception they do a commendable job.
The last two years have seen a welcome resurgence of the zombie genre, with "28 Days Later", the "Dawn of the Dead" remake, and now the excellent "Shaun of the Dead." Get all three for your horror library, and prepare for the day when there's no more room in hell (or pub).
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