Rock 'n' Roll High School is one of Soles' few star turns -- she mostly appeared in supporting roles, usually as a "screamer" in horror films or as a bubbly girlfriend. One of her first memorable films was the 1976 movie Carrie, where she played one of the mean teen girls -- the one in the red baseball cap, which became a trademark look for her. Many people remember her as the chick whose every other word was "totally" in Halloween. She also has a small role as a sorority girl in the 1980 film Breaking Away. (I didn't realize until writing this article that Soles was married at that time to Dennis Quaid, who had a lead role in the film.) She was one of Goldie Hawn's fellow recruits in Private Benjamin, and then played Bill Murray's love interest in Stripes.
Scene Stealers: P.J. Soles
Rock 'n' Roll High School is one of Soles' few star turns -- she mostly appeared in supporting roles, usually as a "screamer" in horror films or as a bubbly girlfriend. One of her first memorable films was the 1976 movie Carrie, where she played one of the mean teen girls -- the one in the red baseball cap, which became a trademark look for her. Many people remember her as the chick whose every other word was "totally" in Halloween. She also has a small role as a sorority girl in the 1980 film Breaking Away. (I didn't realize until writing this article that Soles was married at that time to Dennis Quaid, who had a lead role in the film.) She was one of Goldie Hawn's fellow recruits in Private Benjamin, and then played Bill Murray's love interest in Stripes.
Scene Stealers: Bill Paxton in Aliens
Fresh off of The Terminator, James Cameron employed a powerful new weapon for his first big-budget* flick, and that weapon was The Ensemble. After only a few short scenes you could identify the players: By-the-book Lt. Gorman, oily company man Carter Burke, quietly creepy "synthetic" Bishop, tough-as-nails Vasquez, cigar-chompin' Sgt. Apone, and the quietly noble Corporal Hicks. Toss this crew behind Sigourney Weaver's Ripley and a little girl called Newt, and you've got yourself one helluva platoon. Having read the Alan Dean Foster Aliens novelization, I even know the difference between Ferro, Dietrich, Crowe, Spunkmeyer and Wierzbowski! (* Produced in 1985, Aliens cost less than $20 million to create. Think about that.)
Ah yes, I did forget someone. Good ol' Private Hudson. He starts out as your typical alpha male, a swaggering braggart with more guts than brains ... but when the mayhem gets underway, Bill Paxton's Pvt. Hudson becomes a stand-in for you, the viewer. He whines and blusters and cries and complains as the endless waves of aliens come storming in; he basically does what you or I would do in the exact same situation: Misery, denial, plain old panic. But Paxton, a damn solid actor even twenty years ago, knew how dangerously close this character came to being plain old obnoxious, so he brings an eye-rolling, quick-tempered bravado to the role -- and almost manages to steal the whole damn movie.
Scene Stealers: Charles Napier
Napier was in four Meyer films: Cherry, Harry & Raquel (in which he displays full frontal nudity, I'm told), Beyond the Valley of the Dolls, The Seven Minutes, and the aforementioned Supervixens. But you've surely seen Napier even if you're not a fan of Meyer's movies. He's played cops, judges and terrifying bad guys on a number of TV shows -- he even had one-episode roles both on the original Star Trek series and Deep Space Nine. Or perhaps you saw him as Marshall Murdock in Rambo: First Blood Part II. Napier's also had small roles in nearly all Jonathan Demme's films: A doomed guard in Silence of the Lambs, the judge in Philadelphia, and a hairdresser in Married to the Mob. And let's not forget he's the leader of the real Good Ole Boys band in The Blues Brothers. He's got a square jaw that rivals Bruce Campbell's.
It doesn't matter how old Charles Napier is or how harmless his character is supposed to be. When he grins in that lazy, slow-yet-homicidal way, all eyes turn his way and the scene is his. And a chill runs down your spine, while at the same time you feel slightly titillated. Did I say that last bit out loud? Well, watch him and judge for yourself.
Scene Stealers: Carol Kane
Everyone is familiar with Carol Kane. But from where or from what do they remember her best? The actress has stolen scenes in so many films that you could have a room of twenty people and each person might choose a different title she's most memorable in. She's played so many types -- quiet and loud; cute and sexy and plain and creepy; young and very, very old -- it is amazing that she can sustain such easy recognition. Perhaps it is her tired, Bette Davis eyes. In a non-physical way, it is her distinct voice, of course, which people recall.
She held her own in early, small parts opposite Al Pacino, Woody Allen and Jack Nicholson before landing one of her few leading roles in the original When a Stranger Calls, where her ageless face allowed her to play her character as a teenager and an adult. She spent a season on the TV-show Taxi, though her presence was so huge it feels like she appeared throughout its five years. In My Blue Heaven, she had little to do, but she still left a mark with her swooning reception of one of the greatest pick up lines ever. She beat up Bill Murray with a toaster in Scrooged, called Billy Crystal a LIAR!!!! in The Princess Bride and most recently went AWOL on Vin Diesel in The Pacifier, leaving him alone to care for the film's children and deliver its comedy (he succeeds only in the former).
One film, a guilty pleasure of mine, for which Kane is not usually remembered, is License to Drive. Personally I think of her most fondly in that film, playing Corey Haim's pregnant mother. In fact, take out all those scenes with Corey and Corey, and you've got a great little maternity short starring her and Richard Masur. The role has a beautiful build-up, and it displays nearly all of Kane's traits and trademarks, allowing her to start out simple and finish with a tremendous bang.
Scene Stealers: Charles Durning
Durning can steal a movie away from Muppets, for heaven's sake. He can even steal scenes from Robert Downey Jr. in Home for the Holidays, and Downey is arguably one of the top scene-stealers of the past 20 years. One reason is that Durning can sing and dance -- he danced professionally in his younger days. Suddenly, in the middle of a movie like Home for the Holidays, he'll start waltzing around the room with surprising grace. Or he'll just start singing, as in Tootsie or The Hudsucker Proxy, and all attention turns to him.
Scene Stealers: William Atherton
Of these three characters, Jerry Hathaway from Real Genius is the one that might be considered too large a role to really be scene-stealing, but the film's protagonist, played by Gabe Jarret, is so dull that its biggest supporting actors, Val Kilmer, who chews so much scenery that it is easy to forget he isn't the lead, and Atherton, become very memorable parts in a movie that would otherwise be forgotten. A million actors could have played Hathaway as written, but it is Atherton's prominent face and voice combined with his unique manner of speech that make the character really stand out.
Scene Stealers: Thelma Ritter
Ritter was nominated for six best supporting actress awards, including nominations four years in a row between 1950 (All About Eve) and 1953 (Pickup on South Street). The fact that she never won is somehow fitting for an actress whose career was built on of unappreciated characters, but if you watch Sam Fuller's Pickup on South Street, you'll realize that it's also a crime. In the film, Ritter plays a small-time crook named Moe. She looks and acts like she's about 400-years-old, worn down by the street, and the daily tedium of survival. One of her friends, Skip (played by an unusually subdued Richard Widmark), has gotten them both into big trouble, and the two grab a safe moment together in an all-night diner. The scene is a wonder to behold, and Ritter is glorious. Every day of Moe's life is etched on her face, and the resignation in her voice somehow lets us see every single day of her grinding, hard-scrabble life. There's no weeping or gnashing of teeth here, simply an adult letting her guard down for a second, in quiet a moment of shared regret. Ritter lost that year to Donna Reed in From Here to Eternity; I like to think that, knowing the truth, she just laughed.
Scene Stealers: Animal House's Tim Matheson
One of the undeniable classics of modern Hollywood comedy, Animal House packs a lot of familiar faces and memorable characters into the mix. Peter Riegert's "Boon" is a silver-tongued nice-guy; James Widdoes' "Hoover" strikes a great balance between maturity and childishness; Stephen Furst's "Flounder" is a lovably chubby dork; Tom Hulce's "Pinto" makes for a solid 'reference point' for an audience member ... I could go on an on: John Vernon's hilariously evil dean, Mark Metcalf's absurdly obnoxious jerk, Bruce McGill's profanely inscrutible troublemaker, and (of course) John Belushi's maniacally entertaining party animal. (And that's not even including names like Karen Allen, Donald Sutherland, Verna Bloom, and young Kevin Bacon!)
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Scene Stealers: Will Hare, Silent Night, Deadly Night
It's Christmas Eve, and little Billy is accompanying his parents to visit Grandpa (Hare), who is in a nursing home and never speaks or seems to move. Grandpa is so harmless that the parents leave Billy alone in the room with him while they discuss matters with the doctor. Suddenly Grandpa springs to life. He warns the boy that Santa Claus doesn't just bring presents to good children -- he punishes the naughty ones. "You see Santa Claus tonight, you better run for your life, boy!" Little Billy is terrified ... and by the time the parents return, Grandpa has reverted to his catatonic state.
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Scene Stealers: Gene Hackman, The Quick and the Dead
For our inaugural Scene Stealers feature, I chose to celebrate Mr. Gene Hackman, mainly because he's my very favorite actor, but also because ... well, have you guys ever actually seen Sam Raimi's The Quick and the Dead?
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OK ... How About The Walken Award?
Unfortunately, a bunch of smart movie geeks had beaten me to the punch ... by a few years, at least.
After publishing our piece "The J.T. Walsh Awards: An Introduction," I got an email from a reader informing me that a very popular website called Fametracker has long been running a feature column called "The J.T. Walsh Memorial: Hey! It's That Guy!" -- which means that A) they got there first so the name obviously belongs to Fametracker, and B) brilliant minds really do think alike. Rest assured that this was not an attempt to shanghai or piggy-back another website's concept -- apparently the 'net's just full of people who really dig character actors -- especially J.T. Walsh.
So we ask you, the Cinematical reader, to help us come up with a new name for this award. I'm still partial to "The Walken Award," but I'm even more partial to getting some help from our loyal readers. So think hard about those wonderfully familiar faces that seem to pop up in every single movie, and then leave your suggestions in the comments bin.
The J.T. Walsh Awards: An Introduction
C'mon, who would you rather sit down and have dinner with: Tom Cruise or ... William H. Macy? I rest my case.
So since the recognition and appreciation of modern-day character actors is something the hardcore movie nuts enjoy, we thought it might be fun to throw some love at a few different performers each week. (And yes, the phrase "character actor" includes women too!) We'll call this column "The J.T. Walsh Award," simply because J.T. Walsh was one of the very coolest character players ever to hold a SAG card, and (despite never earning one measly Oscar nomination) we think J.T. Walsh deserves to have an award named after him.