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InDigEnt Shuts Down in January

When Independent Digital Entertainment (InDigEnt) was founded in 1999, DV filmmaking was still fairly new, although not unknown or unused. The problem was that it wasn't yet recognized and respected enough to be taken seriously in the film market. This was three years before George Lucas delivered the DV-shot Attack of the Clones and changed many minds about the capability of digital cinematography. Today, a great percentage of indie and Hollywood features are made digitally, and InDigEnt may be somewhat obsolete. It comes as no surprise, then, that co-founder Gary Winick has announced the production company will be put to rest come 2007.

Winick, who directed the upcoming Charlotte's Web, got the idea for InDigEnt from the Dogma 95 movement and started the company with John Sloss as a way for indie filmmakers to finance small, cheap projects. Many of the movies produced by InDigEnt aren't too appealing to the eye, but a few of them were great showcases for actors, such as Aaron Stanford, who broke out by appearing in Winick's Tadpole, and Patricia Clarkson, who received an Oscar nod for Pieces of April. But while the company started off well, gaining notice for decent pics like Tadpole, Pieces of April, Personal Velocity: Three Portraits and Richard Linklater's Tape, it eventually fell to near-obscurity with forgettable titles, such as Kill the Poor, Puccini for Beginners and Steve Buscemi's Lonesome Jim (which I still say is hilarious, if not substantial).

Continue reading InDigEnt Shuts Down in January

RIP: Reel Important People -- December 4, 2006

  • Henry Alper (c.1917-2006) - Talent agent and manager who worked with Jerry Lewis, Maureen O'Hara, Anna Maria Alberghetti, Gogi Grant and composers John Williams, Elmer Bernstein, Jerry Goldsmith and Henry Mancini. He died of cancer November 22, in Cathedral City, California.
  • Seth Arnett (c.1969-2006) - Stunt man who worked on The Lost World: Jurassic Park, Jurassic Park III, The Rocketeer, Ladder 51, Deep Impact and Basic Instinct. He also appeared as an actor in Alive. He died November 25, in Westlake Village, California.
  • George Brenholtz (c.1930-2006) - Former executive film producer for the U.S. Naval Media Center. His work includes a documentary on the Challenger disaster called The Salvage of the Challenger, a widely viewed training film called Trial By Fire: A Carrier Fights for Life and a monthly film series on the life of President Johnson, which are now archived at the Johnson Library in Austin. He died from injuries sustained after a car accident November 20, in Virginia.
  • Phyllis Cerf (1911 or 1916-2006) - Writer, actress and socialite who appeared in Winds of the Wasteland. She died of complications from a fall November 24, in New York.
  • Jan Hartman (c.1940-2006) - Playwright and screenwriter, mostly for television, who co-wrote the story for Mother Teresa: In the Name of God's Poor. He died November 9, in Wareside, Hertfordshire, England.
  • Beverly Hecht (c.1925-2006) - Hollywood agent, and cousin of screenwriter Ben Hecht, who represented Sammy Davis, Jr., Janet Leigh, Cicely Tyson, Drew Barrymore, Brad Garrett and Debra Winger. She died of cardiac arrest November 19, in Los Angeles.

Continue reading RIP: Reel Important People -- December 4, 2006

The Harder They Come Director Perry Henzell Dies

As a fan of film and of reggae music, I say goodbye to an important figure. Perry Henzell, who directed The Harder They Come, died of cancer Thursday at the age of 70. Henzell wasn't a prolific filmmaker, but his 1972 classic helped popularize reggae music throughout the world. It is one of those films where the soundtrack is just as important as the actual picture.

Henzell shot a second film thirty years ago, but it wasn't finished until just recently. No Place Like Home premiered in September at the Toronto International Film Festival and is opening in Jamaica this weekend, screening at the Flashpoint Film Festival.

Having grown up listening to Jamaican music and performing in a ska/reggae band, I have to wonder if my life would have been different had The Harder They Come never been made. Sure, reggae would have likely been exposed to the world without the film, but that isn't important. What is important is that Henzell was able to showcase the music and its locale with such a raw, realistic portrayal. Outsiders were able to not only grab hold of the sound, but also its roots and its environment, as they were introduced to a music in its context, something rarely displayed so definitively.

RIP: Reel Important People -- November 27,2006

  • Robert Altman (1925-2006) - Read my post on the great director of M*A*S*H and The Player.
  • John Blackburn (1913/14-2006) - Songwriter ("Moonlight in Vermont") and author who wrote the novel of Nothing But the Night. He died November 15.
  • Orin Borsten (1912-2006) - Screenwriter of Angel Baby who also worked as a publicist for Porky's, Texas Across the River, The War Wagon and Topaz. He died of natural causes November 18, in Studio City, California.
  • James Bostwick (1916-2006) - Film producer for General Motors. He died November 22, in Royal Oak, Michigan.
  • Dave Cockrum (1943-2006) - Comic book artist who co-created the characters Storm, Colossus and Nightcrawler, who appear in the X-Men films. He died of complications from diabetes on November 26.
  • Betty Comden (1915-2006) - Oscar-nominated writer and lyricist of musicals, including Singin' in the Rain, On the Town, The Band Wagon It's Always Fair Weather and Auntie Mame, with partner Adolph Green. She also appeared in the film Slaves of New York. She passed away, from heart failure, November 23, in New York City. Check out Jette's tribute to Comden in her Vintage Image of the Day column.
  • William Diehl (1924-2006) - Author who wrote the novels that were adapted into Sharky's Machine and Primal Fear. He also appeared in Sharky's Machine and Baby of the Family. He died of an aortal aneurysm November 24, in Atlanta.
  • Colin Forbes (1923-2006) - Author whose same-titled novel was adapted into Avalance Express. He died of a heart attack August 23, in London.
  • Phyllis Fraser (1911-2006) - Actress who appeared in Little Men, Winds of the Wasteland and Lucky Devils. She died of complications from a fall on November 24, in New York City.

Continue reading RIP: Reel Important People -- November 27,2006

Cinematical Seven: Robert Altman Movies

We lost a giant this week when we lost Robert Altman, who was surely one of the greatest of all American film directors. In choosing seven representative works, I'm going to skip over M*A*S*H (1970) and Nashville (1975), given that everyone knows them. They're both fine films, but I've just never really been drawn to them. (I've also opted, painfully, to leave out the well-known classics The Player and Gosford Park.) Rather, I like his maverick works, the ones that people seemed to ignore or misunderstand. That's how I see Altman, anyhow -- always punching away at the envelope.

1. McCabe & Mrs. Miller (1971)
This revisionist Western is unquestionably Altman's masterpiece. Warren Beatty plays an entrepreneur in the Old West who tries to organize and build a brothel, but finds he can't do it without the help of a whorehouse madam (Julie Christie). It sounds like a silly, modern-day romantic comedy about the clashing of two opposing personalities, but Altman does it correctly, getting to the root of these psychologically flawed characters and using the chilly, grungy atmosphere as part of the plan. The climactic shootout is the textbook definitions of "anti-climactic," with Beatty's character stumbling around in the snow.


Continue reading Cinematical Seven: Robert Altman Movies

Should Altman's Last Project Go On?

When Robert Altman died Monday night he left behind a good deal of pre-production work on what was to be his next film, a fictionalized remake of the 1997 documentary Hands on a Hard Body. Scheduled to begin shooting next year, the new film has a screenplay, co-written by Stephen Harrigan, and a distributor, Picturehouse, but now is without a director.

Those familiar with the story presented in Hands on a Hard Body -- twenty-four contestants try to win a new truck in a contest that has each attempting to be the last to remain holding onto said vehicle -- should be in agreement that it would have been perfectly dramatized by Altman. And possibly by nobody else. Picturehouse head Bob Berney is now debating whether to go ahead with the production with a new director at the helm or to let the project die with the late, great filmmaker, knowing that it just won't be as good without him.

The first idea that comes to mind for the substitution option is to have Paul Thomas Anderson take over. He is nearing completion on his latest, the oil-tycoon-family drama, There Will Be Blood, so he may be able to fit this into his schedule, and also he recently worked alongside Altman on A Prairie Home Companion, so he is likely the most qualified to continue the project relatively close to Altman's vision. A second choice, and less appealing one, would be to have Richard Linklater have a shot, since he seems to have no new film in the works, he has done a fair job of handling the multiple-character, multiple-storyline style, he just adapted a non-fiction book as a fictional narrative, and he should feel at home working with the Texas-set film. A final idea would be to have S.R. Bindler, who directed the original doc and has since moved into shooting fiction films, redo his own film.

Continue reading Should Altman's Last Project Go On?

BREAKING -- Robert Altman Has Died

The great master filmmaker Robert Altman died last night at a Los Angeles hospital. The writer-director pretty much pioneered a new style of movies using multiple characters and storylines with overlapping dialogue and plots, and he continued making movies well through a time when those he influenced were attempting to copy him. Last year, while shooting A Prairie Home Companion, Altman was assisted by Paul Thomas Anderson, whose Magnolia was almost like a remake of Altman's Short Cuts, just in case the elder filmmaker was to pass on. He didn't.

I guess I took it for granted that he might just continue making movies forever, but at 81, Altman had given us so many classic films, that I can't be too selfishly upset to see him go. I'm going to spend the rest of the day celebrating his life and work rather than sulking in mourning. Many of my favorite films were directed by Altman. He made my favorite western (McCabe & Mrs. Miller), my favorite movie about Hollywood (The Player), my favorite movie about the Korean War (MASH), my favorite wedding movie (A Wedding) and my favorite movie about country music (Nashville). I'm even a big fan of Popeye.

Altman was nominated for five directing Oscars, but never won an Academy Award until he was given an honorary award at this year's ceremony.

RIP: Reel Important People -- November 20, 2006

  • Bettye Ackerman (1928-2006) - Actress who appeared in Ted and Venus, Rascal and the straight-to-DVD sequel Prehysteria! 2. She died of Alzheimer's disease November 1, in Columbia, South Carolina.
  • Timothea Beckerman (1951-2006) - New Orleans-based R&B singer who appeared in Jim Jarmusch's Down by Law. She died of complications from hepatitis C November 14, in New York.
  • Ruth Brown (1928-2006) - R&B singer who played "Motormouth Maybelle" in John Waters' Hairspray and also appeared in Under the Rainbow, True Identity and the recent documentary Lightning in a Bottle. She had just recorded music for John Sayles' next film, Honeydripper, and was set to play a part in the film, as well. Tragically, she became ill and could not show up to the Alabama film set. She had surgery last month, but suffered a heart attack and a stroke afterward, keeping her on life support from October 29 until her passing on November 18. She died in Las Vegas.
  • Daryl Duke (1929-2006) - Director of Tai-Pan, The Silent Partner and Payday (1975). He died of pulmonary fibrosis October 21, in West Vancouver, British Columbia.
  • Francis Girod (1944-2006) - French filmmaker (pictured) who made La Banquière (The Woman Banker), Le Bon Plaisir and The Elegant Criminal. He died Sunday morning of a heart attack, in Bordeaux, France.

Continue reading RIP: Reel Important People -- November 20, 2006

Gary Graver, Orson Welles' Cinematographer, Dies

Gary Graver, an ambitious young cinematographer who cold-called Orson Welles one day in 1970 and began a long working collaboration between the two, has passed away from cancer at age 68, according to the LA Times. Graver worked on many of Welles' vanity projects from his frozen peas era, including the documentaries F for Fake, Filming Othello and It's All True, as well as the unfinished project The Other Side of the Wind, which to my knowledge is nothing more than a lot of incoherent rambling between John Huston, Peter Bogdanovich and Orson's Yoko, Oja Kodar. In between conspiring with Welles on these experimental films, Graver briefly made some headway towards a mainstream career as a Hollywood cinematographer. He became the lenser on a number of down and dirty films like Deathsport, Grand Theft Auto, The Attic, and a remake of Stagecoach with country stars Kris Kristofferson and Waylon Jennings.

Graver also amassed a portfolio of directorial credits so long that the law of probability suggests some of them are actually good films. In the lean years, he also helmed titles like Oral Majority 9 and Double Penetration 5 under the nom de guerre Robert McCallum. By all accounts, Graver seems to have known his way around a camera and demonstrated enough natural talent to catch the eye of many cinema veterans. And through it all, his devotion to Welles never wavered. In his later years, Graver reportedly kept with him a portfolio of film clips he called "The Unseen Welles" and was negotiating with Showtime to prepare The Other Side of the Wind for a screening on that network.

You can read more about Graver's life and work on his personal website, which is today carrying news of his death.


DVD Killed the VHS Tape

For the longest time, VHS was the best friend of the dedicated movie freak -- but after millions of rentals and a good deal of sales, the Vertical Helical Scan cassette is officially ... dead. As you enjoy your year-end shopping season, be sure to scan around the stores and count how many VHS movies you can find on sale. Aside from the blank varieties and the bargain bins, you simply won't see 'em around anymore. VHS has gone off to join vinyl records and audio cassettes; if this were the end of a Star Wars trilogy you'd see a little glowing E.T. box right next to the glowing Beatles records and a glowing cassette tape of The Eagles Greatest Hits. (They'd all be sitting around playing an Atari 2600.) Alas, such is life in the world of home entertainment; VHS is now just another kitschy relic for young kids to look at and wonder "how'd they get the movie in there?"

For those who share my pain at the passing of an old friend, check out this clever little Variety article in which the details of VHS' 30-year-run are wittily disseminated. (Snif, I promised myself I wouldn't cry!) Let's all think back and hum "Memories" for a sec: the battles with Beta, the curious reason that a lost/damaged Smokey and the Bandit 2 VHS tape cost so much money, the way the little flippy panel in the back would break off if you happened to drop the cassette, thereby rendering your Friday night screening of Sister Act completely worthless. Key Video, Vestron, Media... Those ridiculous clamshell boxes that looked like plastic pillows... Ah yes, VHS. Already it feels antiquated and silly, something Mr. Burns would refer to in a fit of anger.

I just can't believe I'll never have to fiddle with that damn "tracking" button ever again -- not that I truly believe it actually fixed anything. But what I'll really miss is that digital clock that's been blinking "12:00" non-stop since 1991. :(

1930s Starlet Marian Marsh Dies

Often described as "doll-faced," actress Marian Marsh broke into movies at the dawn of the sound era and retired only a decade later, having appeared opposite some of the screen greats. As Christopher already reported, she died of respiratory arrest Nov. 9 at her home in Palm Desert, California. She was 93.

She briefly appeared in Howard Hughes' infamous Hells Angels (1930), but her big break came with the role of Trilby in Archie Mayo's Svengali (1931), opposite John Barrymore. Barrymore apparently approved of his leading lady because they worked together again in Michael Curtiz's The Mad Genius (1931). Other co-stars included Edward G. Robinson in Five Star Final (1931), William Powell in The Road to Singapore (1931) and Boris Karloff in The Black Room (1935).

Ms. Marsh was often cast as a victim, menaced by others. This was the case in A Girl of the Limberlost (1934), in which Louise Dresser played Marsh's domineering mother; Marsh often cited it as her personal favorite of her films.

Continue reading 1930s Starlet Marian Marsh Dies

RIP: Reel Important People -- November 13, 2006

  • Edward L. Alperson (1925-2006) - Composer of Mohawk and I Mobster and an associate producer on Invaders from Mars (1986) and Fort Algiers. He passed away October 31, in Encino, California.
  • Claudia Bobsin (c.1944-2006) - German costume designer who worked on The Downfall, The Experiment, The Glass Cell and Bandits. She died of cancer October 23, in Munich.
  • Ed Bradley (1941-2006) - Correspondent for TV's 60 Minutes; according to the IMDb, he appeared in Russkies. He died of leukemia Thursday, in New York City.
  • Diana Coupland (1932-2006) - British comedic actress who appeared in The Millionairess, The Family Way, Charlie Bubbles, Another Life and a ton of television series. She also provided the singing voice of Lana Turner in Betrayed and of Ursula Andress in Dr. No. She died after heart surgery Friday, in Coventry, England.

Continue reading RIP: Reel Important People -- November 13, 2006

BREAKING: Rest in Peace, Jack Palance - Push-up Hero and a Very Reel Important Person

Vladimir Palaniuk, better known as Jack Palance, passed away from natural causes today, as the Monterey Herald reports. The AP sites his age at 85, although his family has said his age was 87. Regardless, Palance had an air of immortality. Everyone loved when he dropped down and did one-armed pushups at the Academy Awards. And it wasn't the last time he did them. Well into his 80s, Palance showed everyone his health and strength behind the worn skin and warm smile.

Palance was born February 18, 1919 to a Ukranian family in Pennsylvania. In the 1930's he started his journey into the spotlight as a professional boxer with the name Jack Brazzo, however his successful career was cut short to enter World War II. After an injury took him out of service, Palance got an AB in Drama from Stanford University and made his Broadway debut in 1947. From there, he quickly acheived two Oscar nominations for his work in Sudden Fear and Shane. Over the years, Palance racked up a number of professional successes, which culminated in his Academy Award win for City Slickers.

He was a great man, and his talents and strength will never be forgotten.

Adrienne Shelly Update: Police Say It's Murder, Not Suicide

Just a few days ago, we reported on the tragic death of indie actress Adrienne Shelly, best known for her roles in Hal Hartley's films The Unbelievable Truth and Trust. Shelly was found hanging from a shower curtain rod in the bathroom of her New York City office, and initial reports indicated police suspected it was a suicide. Now WCBS-TV in New York City reports that police are calling Shelly's death a murder, and that they have a suspect in custody. We heard from a tipper earlier this morning that police had found sneaker prints not matching Shelly's in the bathtub, and that they were investigating angles other that suicide. No suicide note was found, and Shelly had just wrapped directing the film Waitress, which she had reportedly submitted to the Sundance Film Festival.

According to WCBS sources, police have in custody a construction worker who allegedly punched the 5'2" actress after she complained about the noise he was making, killing her. He then allegedly dragged Shelly's body back to her office and hung it from the shower rod in an attempt to make it look like a suicide. Shelly, who has a three-year-old daughter, Sophie, was found by her husband, Andy Ostoy. The medical examiner's office has yet to officiallly rule on the cause of death. We'll keep you posted.

[Thanks to Hot Tipper "NS", who pointed us to the WCBS story in the comments of our previous story about Shelly.]

RIP: Reel Important People -- November 6, 2006

  • Tina Aumont (1946-2006) - -Franco-American actress (pictured) who appeared in Torso, Lifespan, Texas Across the River and Fellini's Casanova. Her parents were actors Jean-Pierre Aumont (Day for Night) and Maria Montez (Ali Baba and the Forty Thieves). She died of a pulmonary embolism October 28, in France.
  • Stanley Brossett (c.1937-2006) -- Unit publicist who started at MGM (where he was uncredited) before working independently. His credits include Beverly Hills Cop, The Cannonball Run, The Prince of Tides, K-19: The Widowmaker and Because of Winn-Dixie. He was awarded a lifetime achievement award in 2000 by the Publicist's Guild. He died of complications relating to multiple myeloma on October 24, in Santa Monica, California.
  • Ernestine Gilbreth Carey (1908-2006) - Co-author, with brother Frank B. Gilbreth, Jr., of the autobiographical book Cheaper by the Dozen and its sequel Belles on Their Toes, both of which were made into movies in the early '50s. Cheaper was remade a few years ago but loosely, and its sequel Cheaper by the Dozen 2 is not based on Belles. She died Saturday, in Fresno, California.
  • William Franklyn (1926-2006) -- British actor who appeared in Cul-de-sac, The Satanic Rites of Dracula and Splitting Heirs. He died after a long battle with prostate cancer.
  • Florence Healey French (c.1924-2006) -- Actress who appeared in Wait Until Spring, Bandini. She died Saturday, in Denver.
  • James Glennon (1942-2006) -- Emmy-winning cinematographer of the HBO series Deadwood. He was Alexander Payne's DP for three films (ending with About Schmidt) and also shot Flight of the Navigator, El Norte, Good Boy! and he was a location DP on Return of the Jedi, a camera operator on Ordinary People and an assistant cameraman on The Conversation. He was the son of cinematographer Bert Glennon (Stagecoach). He died of cancer October 19, in Los Angeles.

Continue reading RIP: Reel Important People -- November 6, 2006

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