When some studio announced its intent to turn Red Sonja into a film again, I got to thinking. We all know Red Sonja has been a film before, but the likelihood is of course very high the studio will ignore this previous (and very failed) attempt and start all over again, rather than pulling a direct sequel 20 years later. Everyone involved, especially the fans, are happy with this idea. We have no problem ignoring the first incarnation of the story on film and treating the new version as a stand alone -- something akin to a restart of the story. And this concept is not at all unusual to comic book movie fans who've survived some pretty crappy attempts through the years and patiently waited for the current age of the comic book movie.

Hi. It looks like you and I are going to be seeing a lot of each other, now that this snazzy new weekly column deal is happening. If that's the case, we've got to lay down some ground rules so we know where we stand. Here's how it is going to be:

Rule 1 - The movie business is driven by opinion, not fact; and the geek business doubly so. I'm going to say some things you disagree with - and at some point I'll probably insult something you like. I'm an opinionated guy, and I tend to think I'm right about everything. But let's be fair, you know you do the same. If it makes you feel better, feel free to hate/make fun of things that I like if you ever feel slighted. I'll even provide a list of possible topics.

Rule 2 - A good relationship is built on open conversation. See that comment option down there? Use it. Use it like Popeye uses spinach. I want to know what you are interested in, and I want to know when you disagree with me. Sure I'm a writer - but I'm only one geek among millions - and you've all got opinions as legitimate as my own.

Rule 3 - I'm allowed to make new rules at any time, and break them at will. It IS my column, after all.

Everyone's favorite homicidal computer - Arthur C. Clarke's H.A.L. 9000 from his book 2001: A Space Odyssey - turns 9 years old today. A 2003 inductee into the Robot Hall Of Fame (along with R2-D2 from Star Wars), H.A.L. murdered the crew of the spaceship Discovery in Clarke's book and Stanley Kubrick's 1968 film (where a possible flubbed line had the maniacal machine born five years earlier). H.A.L. stands for "Heuristically programmed ALgorithmic computer", with "Heuristic" and "Algorithmic" being two primary processes of intelligence, as the RHF website notes.

Everyone's second favorite homicidal computer - a network (much like Al Gore's Internet) called SkyNet from James Cameron's The Terminator - turns 9 on August 29.

You know how every now and then all the geeks in a particular area gather together, often in costume, to celebrate their geekiness with one another while paying homage to some particular element of geekdom? They call them "conventions," typically. Well the official Lord of the Rings convention is having its way with Pasadena, California this month* (the 20th-22nd); and true to convention form, its got some pretty neat features lined up for the hobbit-clad fans that attend. The convention will feature appearances by actors  Elijah Wood, Sean Astin, Billy Boyd, Miranda Otto and John Noble, and will also be screening a full lineup of outtakes from all three films. This bit, I think, sounds like a grand time. Given the cast, I imagine that a full on LotR outtakes reel could be quite amusing.

Although I do revel in my geekdom, cons aren't usually my scene. I poke gentle fun at the people who attend- but rest assured that I love you guys. Even the ones dressed as orcs. You are, after all, my people. If you are interested, you can dig the full details of the One Ring Celebration here.

 *thanks to sharp eyed-reader Lith for catching my mistake on the date.

After quietly mocking the droves of Lord of the Rings fans who turned out for the Boston Museum of Science's exhibit last year, this Star Wars fan is ready to sit down for a force-feeding of crow by any number of furry-footed, pointy-eared Middle-Earthlings who care to deride me for my own geekery. Feel free to taunt me with names like "scruffy-looking nerf-herder", "mange-ridden womprat" or "rut of a butt of a Hutt", but I just spent an entire evening dorking-out at the museum's brand-new Star Wars: Where Science Meets Imagination exhibit, and I had a great time.

"Making science fun" is the name of the game of this exhaustive and fully interactive installation. "What Star Wars cool stuff can I see there?" you ask? Man, there's so much. Here is just a sampling:

• A full-scale model of the cockpit of the Millennium Falcon (the "Jump To Lightspeed Experience" seats 6 for a Bose-tricked introduction to the exhibit)
• An extremely ornate miniature of the Falcon (which, if you look closely enough at the nose, sports a very small Champion Spark Plugs decal)
• Luke's Landspeeder (which is surprisingly small and would likely qualify as a sub-compact)
• Tantive IV, the Rebel Blockade Runner from the ever-memorable opening of A New Hope (a piece which has never before been exhibited)
• An All-Terrain Armored Transport (AT-AT) (not-so-) miniature
• Costumes galore: C-3P0, R2-D2, Darth Vader, a Stormtrooper, a Snowtrooper, a Wampa, hosts of props like blasters and pistols and lightsabers...

It's no secret that I'm cuckoo for the Cocoa Puffs that are IMAX - the large-format movie experience that kicks your home theater's ass, no matter how much you spent on it. Originally, IMAX was a bit of a novelty serving a niche market. It used to be that all you could see was educational films...but 100 feet wide. Then came Everest, the dizzying 1998 docudrama that netted $76 million domestically and another $30 million overseas, and IMAX began to shed its bastard child image. Now, the major studios are tripping over each other to get their features converted for play in IMAX-equpped theaters to enhance their regular box office. This year saw the release of Batman Begins, Charlie and the Chocolate Factory and Harry Potter and the Goblet Of Fire (all from lucky dog Warner Brothers), as well as the immersive Magnificent Desolation: Walking On The Moon in 3-D and the re-release of the 3-D version of the very creepy CGI feature, The Polar Express. Next year get ready for (the 2-D) Poseidon (May 12), Superman Returns (June 30) and The Ant Bully (August 4).

On a side note, before the two Matrix sequels hit in 2003, there was a need to keep IMAX movies under two hours, as the platters at the time would have required an intermission if the film ran longer. This resulted in a version of Ron Howard's Apollo 13 (the first theatrical feature converted for IMAX) that seemed a bit rushed, but this need for brevity actually made for a better version of Star Wars - Episode II: Attack Of The Clones. If only there was a DVD version of that leaner version of the repetitive theatrical version of Clones...

I want you kids to write an essay for me, titled, "Why I Love IMAX" or "Why IMAX Is A Big Waste Of My Allowance".

Just like the dot-com boom left an untold number of enterprising techies with more money than they knew what to do with (until the Crash, that is), so now have the latest crop of Internet pioneers cash to invest. Google founders Sergey Brin and Larry Page have invested in a low-budget indie by their friend (and DreamWorks animator), Reid Gershbein. The film, Broken Arrows, about a hitman who faces an existential crisis after the death of his wife and unborn child, is expected to start test screening within about a month. The film, which judging from the trailer, has a bit of a Crow feel to it, cost about $1 million to produce.

Some conservative investment experts would equate investing in a film with lighting the money on fire and scattering it to the wind. Kudos to Brin and Page for knowing the risks and taking a chance anyway. You can learn more about the film at its official site.

Several "Top 11" lists over at BBspot. Some of them are funny, but some of them you'd really have to be a geek to get, which I guess is the whole point.

My favorites? Netscape From New York, I Know Who You Hacked Last Summer, The House on the Hill Without Broadband, Das Reboot, and Rocky Horror Powerpoint Slide Show.

If someone could explain Mad Vax Beyond PDP-11 though, I'd appreciate it.

Boston is already a destination city for so many travelers in the Northeast, and now, there's another reason to visit, and it's called TOMB. For the last year, fans of movies like Raiders of the Lost Ark and immersive and theatrical theme park attractions have been thrilling to the fantastic interactive adventure on Boston's Brookline Avenue (which is actually right across from the AMC's Fenway multiplex). To quote Joe Pesci from JFK, "It's a mystery wrapped in a riddle inside an enigma!" Visitors, who are led by a guide, must solve various audio/visual puzzles before progressing on to the next room, and if they are smart enough, to the Pharoah's treasure. The attraction was designed by a number of theme park veterans, and features a variety of lighting, music and sound effects enhance the experience. TOMB attracts an incredible number of visitors from all over New England and beyond. Creator Matthew DuPlessie has just signed a deal with the International Spy Museum in Washington, DC for the bigger-and-even-better James Bond-esque show, Spy Adventure, opening some time during the first half of 2007.

Who has checked this out already?

All-around Renaissance guy Greg Pak, the fiercely independent writer-director who has been touring for the better part of three years with his sharp and innately human sci-fi omnibus feature, Robot Stories, is picking up where all-around Renaissance guy and MirrorMask writer Neil Gaiman left off in his lauded comic book series, 1602. Pak's 5-issue series, entitled 1602: New World, also puts Marvel's greatest superheroes in 17th century Elizabethan England, and is in stores now. Robot Stories has catalogued over 30 awards, and was released on DVD earlier this year by Kino International. MirrorMask is in select cities today, and Pak's next film, the short superhero rumination, Super Power Blues, is making the festival circuit.

You can check out our interview with Neil Gaiman here, or read a review of his MirrorMask here.

Neil Gaiman has built an empire of words over the last two decades. He has not only become one of the top writers in modern comics with series like Sandman becoming modern classics and his Hitchhiker's Guide guide Don't Panic becoming somewhat of a de facto Douglas Adams reference, but he has also penned best-selling novels like Stardust (1998) and American Gods (2001). 2004 saw the comics (and eventual graphic novel) release of the high-concept but very clever 1602, in which Gaiman transplanted Marvel Comics' staple heroes to Elizabethan England. He wrote the teleplay (with Lenny Henry) for the 1996 BBC miniseries Neverwhere, had the daunting task of writing the English language screenplay for Hayao Miyazaki's mega-anime feature, Princess Mononoke in 1999.

His unconventional children's book, Coraline (2002) is being made into a $70 million film by James and the Giant Peach animator, Henry Selick, and he and Roger Avary have been deputized to adapt the monster poem, Beowulf, which will also be released in animated form (in 2007).

Presently, he is on tour promoting his latest book, a just-published follow-up to American Gods called Anansi Boys, and getting fans and non-fans alike excited about the fantastical yarn that he and Sandman conspirator Dave McKean wrote for the Jim Henson Company called MirrorMask, which opens in theaters beginning September 30. He currently lives outside of Minneapolis, and was generous enough to take time out of his sleep schedule to talk to Cinematical.

Variety reports that Jon Heder, toothy star of the oh-so-quirky 2004 hit, Napoleon Dynamite, will play the title role in Warner Independent's Mama's Boy. The comedy is about a pseudo-intellectual whose comfortable home life is threatened by his mother's romance with a self-help guru. Heder can next be seen opposite Reese Witherspoon and Mark Ruffalo in Just Like Heaven (opening September 16th), in which he more-or-less phones it in as an occult book store employee (who says hilarious things like "Righteous!" while nodding and smiling).

Am I so uncool that I am the only one who did not cream over Napoleon Dynamite? Of course, I'm not in college and I have way-out crazy expectations when I watch a film, like at least a vague attempt at a friggin' story, so maybe I'm unqualified to discuss it.

"The V For Vendetta story was written in the late 80's and takes place in a society in an alternate world and the recent events in London does not affect this scenario. At first, we wanted to release the movie in November but the principal shooting was finished just a few weeks ago and considering all the post-production work which is to be done, especially the special effects, we decided to postpone the release until March 2006." --Producer Joel Silver [on SuperHeroHype.com]

"We have never missed a deadline ... whatever the reasons may have been to postpone the release of V For Vendetta, it has nothing to do with late delivery of VFX [visual effects]." --Colin Brown, chairman of Cinesite, the company responsible for the VFX on V For Vendetta [on CountingDown.com]

Who knows, maybe they're both pitching alternate versions of reality while their pants are on fire...

In the mean time, Alan Moore, who wrote (with David Lloyd) the graphic novel on which the film is based, has called the screenplay (by Matrix gurus Andy and Larry Wachowski) "imbecilic".

Watching a movie based on a video game has seldom been a pleasurable experience, which is why movie critics are already sharpening their pencils for pun-tastic ways in which to dress down MTV's latest attempt. With the announcement of their acquisition of the movie rights to the PS2/Xbox hit The Suffering, MTV has not only given writers a gift, but ultimately will have schooled the world in irony (though doubly so if the movie defies the laws of reality and is actually any good). The game, created by Midway Games, is about a death row prisoner who finds himself in the middle of some demonic chaos, and has spawned a sequel, The Suffering: Ties That Bind, which is due for release on September 26th and features the voices of Michael Duncan Clarke and Rachel Griffiths.

Last week Jette wrote about EW's list of the Ten Theaters Doing It Right, and how their unique amenities are what's separating them from the pack. One theatre, The Oriental, is proving to be worthy of such a title by appealing to the video game addict in all of us. Along with The Downer, both Milwaukee-based theaters are now equipped for video game play. At $125 for the first hour and $100 each additional, folks can rent the space and utilize it to enjoy some of their favorite games on the big screen. Talk about a birthday party that absolutely blows the "mini-golf extravaganza" out of the ballpark.

Sure, its "wicked cool," but an attraction like this can also help in marketing a film as well as the video game based on the film and vice versa. How sweet would it be to watch Fantastic Four on the big screen, then get to play the game on that same screen? It's a great way to not only intensify the gaming experience, but also draw people out of their homes and back into the theatre – ya know, if they like playing video games. But who doesn't?