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Special Sections
volume 7, issue 9; Jan. 18-Jan. 24, 2001
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01-24-2001: Park City, Utah -- Selling out is now a good thing. Thank you Misters GAP, Skyy Vodka, Subway and Hugo Boss.

By Steve Ramos

Photo By Steve Ramos
In Utah, no one can hear you park.

WEATHER: Same old snow. Same cynical attitude.

THE GOOD: Startup.com

Documentary filmmakers Chris Hegedus and Jehane Noujaim capture the roller-coaster chaos of the Internet start-up world with a riveting drama. In the wake of all the new media bankruptcies, Startup.com arrives with perfect timing.

Long-time friends Tom Herman and Kaleil Isaza Tuzman team up to create GovWork.com, a new-media company helping people transact with government agencies through the Internet.

Business world details like proposals to venture capitalist groups and the dream of an IPO help drive Startup.com's story at a quick pace. But the key to the film's riveting drama is its emphasis on GovWork.com's two founders and their straining friendship. Hegedus and Noujaim push Startup.com to a new level by capturing the human side of its Internet story. Startup.com confirms that real people and their daily dramas will outshine Hollywood make-believe every time.

THE BAD: Wet Hot American Summer.

Funny lady Janeane Garofalo leads a comic ensemble (Frasier's David Hyde Pierce and Saturday Night Live's Molly Shannon) in a stumbling homage to past summer camp comedies like Meatballs and Little Darlings. Director David Wain's slapstick comedy Wet Hot American Summer boasts plenty of sloppy, wet kisses and young girls in bikinis. It's what one expects from a summer camp comedy. Still, a couple of more laughs would have been nice. Wet Hot American Summer isn't a bad film because it's so goofy. A slapstick story about a falling piece of Skylab heading towards a Maine summer camp on its final day requires goofiness. Wet Hot American Summer is bad because it doesn't play goofy well.

Deadpan performances from Garofalo and Pierce can't overcome the comic mediocrity (Wain co-wrote the script with Michael Showalter). But the best scenes belong to a can of mixed vegetables that talks with the camp's Vietnam vet cook. Paired with Wilson the soccer ball from Cast Away, I see the beginning of an awful new trend.

Director David Wain holds tight to the film's 1981 setting. It's the one thing that the film does well. Against its retro Rock soundtrack, Wet Hot American Summer is a sex-obsessed parade of glossy make-up, tube tops and butt-hugging gym shorts.

At first glance, Wet Hot American Summer appears to be a cinematic companion to the 1970s porn drama Boogie Nights, well, except that Wet Hot American Summer is awful.

Photo By Steve Ramos
Caveman's Valentine actresses (L-R) Aunjanue Ellis and Tamara Tunie

THE HAPPENING: Whatever Mick Wants. A CNN announcement of Rolling Stoner Mick Jagger's appearance guaranteed crowds to the Jan. 22 screening of the World War II drama Enigma. As one of Enigma's producers, Jagger wants to support the film. A 30-minute delay over Jagger's arrival only heightened the frenzy further. Too bad Jagger couldn't help the film itself, a morose tale about a team of London code breakers trying to unravel the Nazi Enigma code.

QUOTE OF THE DAY: "We were at this party and they were giving away these gooey, gobbledy-gook kind of toys as party favors. I think you throw them on the wall and they stick. I don't know what film they were meant to promote." -- Actress Tamara Tunie of Caveman's Valentine, explaining the allure of festival schwag..

Look for the next update of Steve's Sundance Diary Thursday

 

Sundance Diary 01-19-2001

Sundance Diary 01-22-2001

Sundance Diary 01-23-2001

Sundance Diary 01-24-2001

Sundance Diary 01-25-2001


Sundance Diary 01-26-2001

Sundance Diary 01-29-2001



E-mail Steve Ramos


Previously in Film

Poetic Justice
    By Steve Ramos (January 11, 2001)

Talkin' At You
    By T.T. Clinkscales (January 11, 2001)

It's a Wrap
    By Rodger Pille and Steve Ramos (January 4, 2001)

    more...


Other articles by Steve Ramos

Couch Potato (January 11, 2001)
ARTS BEAT (January 11, 2001)
Arts Beat (January 11, 2001)
    more...

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Almost a Leading Man
After a career playing outcasts, Philip Seymour Hoffman earns a leading-man role with State and Main

The Robert Redford Project
Breakout films await at Sundance Film Festival 2001

Enter the Dragon
Crouching Tiger, Hidden Dragon rekindles director Ang Lee's boyhood heart

Opening Films

Continuing Film

Couch Potato
Unseen in Cincinnati

 



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