Unit 6: Late Middle Ages / Architecture
Bernard of Clairvaux on Unnecessary Decoration, 1125
From Bernard of Clairvaux. Apologia to Abbot William. As reproduced in The Works of Bernard of Clairvaux. Cistercian Fathers Series IA, trans. Michael Casey OCSO (Kalamazoo, MI: Cistercian Publications, 1970), 63-66.
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28. . . . I shall say nothing about the soaring heights and extravagant lengths and unnecessary widths of the churches, nothing about their expensive decorations and their novel images, which catch the attention of those who go in to pray, and dry up their devotion. To me they seem like something out of the Old Testament; but let them be, since it is all to the glory of God. However, as one monk to another, may I ask the question which a heathen poet put to his fellows. “Tell me, O priests,” he said, “why is there gold in the holy place?”1 I shall put the question slightly differently, I am more interested in the sense of the text than in its precise words. “Tell me, O poor men,” this is my question, “tell me, O poor men--if you are really poor men--why is there gold in the holy place?” It is not the same for monks and bishops. Bishops have a duty toward both wise and foolish. They have to make use of material ornamentation to rouse devotion in a carnal people, incapable of spiritual things. But we no longer belong to such people. For the sake of Christ we have abandoned all the world holds valuable and attractive. All that is beautiful in sight and sound and scent we have left behind, all that is pleasant to taste and touch. To win Christ we have reckoned bodily enjoyments as dung.2 Therefore, I ask you, can it be our own devotion we are trying to excite with such display, or is the purpose of it to win the admiration of fools and the offerings of simple folk? Living among gentiles, as we do, it seems that we now follow their example, and do service to their idols.3

Let me speak plainly. Cupidity, which is a form of idolatry,4 is the cause of all this. It is for no useful purpose that we do it, but to attract gifts. You want to know how? Listen to the marvels of it all. It is possible to spend money in such a way that it increases; it is an investment which grows, and pouring it out only brings in more. The very sight of such sumptuous and exquisite baubles is sufficient to inspire men to make offerings, though not to say their prayers. In this way, riches attract riches, and money produces more money. For some unknown reason, the richer a place appears, the more freely do offerings pour in. Gold-cased relics catch the gaze and open the purses. If you show someone a beautiful picture of a saint, he comes to the conclusion that the saint is as holy as the picture is brightly colored. When people rush up to kiss them, they are asked to donate. Beauty they admire, but they do no reverence to holiness. This is the reason that churches are decked out, not merely with a jewelled crown, but with a huge jewelled wheel, where circles of lamps compete in radiance with precious stones. Instead of candle-sticks we see tree-like structures, made of much metal and with exquisite workmanship, where candles and gems sparkle equally. Do you think such appurtenances are meant to stir penitents to compunction, or rather to make sight-seers agog? Oh vanity of vanities, whose vanity is rivalled only by its insanity!5 The walls of the church are aglow, but the poor of the church go hungry. The stones of the church are covered with gold, while its children are left naked. The food of the poor is taken to feed the eyes of the rich, and amusement is provided for the curious, while the needy have not even the necessities of life.

What sort of respect is shown for the saints by placing their images on the floor to be trampled underfoot? People spit on the angels, and the saints’ faces are pummelled by the feet of passers-by. Even though its sacred character counts for little, at least the painting itself should be spared. Why adorn what is to be so sullied? Why paint what is to be trodden on? What good are beautiful pictures when they are all discolored with dirt? Finally, what meaning do such things have for monks, who are supposed to be poor men and spiritual? It is, of course, possible to reply to the Poet’s question in the words of the Prophet: “Lord, I have loved the beauty of your house, and the place where your glory dwells.”6 Very well, we may tolerate such things in the church itself, since they do harm only to greedy and shallow people, not to those who are simple and god-fearing.

29. What excuse can there be for these ridiculous monstrosities in the cloisters where monks do their reading, extraordinary things at once beautiful and ugly? Here we find filthy monkeys and fierce lions, fearful centaurs, harpies, and striped tigers, soldiers at war, and hunters blowing their horns. Here is one head with many bodies, there is one body with many heads. Over there is a beast with a serpent for its tail, a fish with an animal’s head, and a creature that is horse in front and goat behind, and a second beast with horns and the rear of a horse. All round there is such an amazing variety of shapes that one could easily prefer to take one’s reading from the walls instead of from a book. One could spend the whole day gazing fascinated at these things, one by one, instead of meditating on the law of God. Good Lord, even if the foolishness of it all occasion no shame, at least one might balk at the expense.

1 Perseus, Satires 2.69.

2 Philippians 3.8.

3 Cf. Psalms 106.35f.

4 Cf. Ephesians 5.5.

5 Cf. Ecclesiastes 1.2.

6 Psalms 26.8.

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