Kraftwelt
Retroish
[Cleopatra]
Rating: 4.0
Naming your group in tribute of your musical heroes is typically an
activity reserved for cover bands, not a collective trying to forge its
own identity. I'm almost inclined to think that Kraftwelt chose their
moniker to confuse a buying public curious about the Germanic roots of
'80s electro hip- hop. I can just hear the in- store conversations: "What
are they called? Uhh.. Kraft... something. Oh yeah, here we are." Then
Kraftwelt make a little bank and the confused consumer, hearing the
expected cold, inhuman beats but none of the structural genius of the
techno pioneers, wonders what all the fuss is about.
Retroish consists of eleven overlong, sequenced pieces which sound
as if they were all composed on the 808 drum machine and the 303 synth.
Nothing wrong with using vintage equipment, of course, but it's usually a
good idea to try and wring something new from it, and these songs are as
predictable as the fall television schedule. Each instrumental is made up
of the same components: a weak 4/4 bass thud, a pinched, Casio- sounding
high hat, something akin to a mellow snare, and two sequenced, lock- step
melody lines. Each song begins with one of these elements, and the rest
fall in one by one. Eventually, the full piece repeats itself for a few
bars before the various parts drop away for a bit and then everything
comes together again in the end. Dynamic range is zilch. The pace never
varies. And the formula is applied invariably to eleven songs that
average about six minutes apiece. It gets old.
There's nothing offensive about it, mind you, and generally, the melodies
are pleasant enough with a modicum of catchiness. But Kraftwelt is something
like Mouse On Mars completely bereft of any of interesting textures, curious
sounds, or sophisticated rhythm structures. That is to say, they're rather
boring.
-Mark Richard-San