Jurassic 5
Power in Numbers
[Interscope; 2002]
Rating: 7.1
Many dismiss Jurassic 5 as suburban hip-hoppers who merely exploit the
ever-fashionable old-school vibe. And it's true: their style does
borrow heavily from the genre's pioneers. But one thing I've always
admired about the group is that, despite their success in the mainstream,
they've continued to adhere to underground values. Their audience may
drive SUV's and worry about SAT's, but J5 themselves came together at the
Good Life, a true-skool cafe that, for years, served as the epicenter of
LA hip-hop. Naturally, their pedigree doesn't excuse their recent falloff,
but it at least lends them more authenticity than a lot of other underground
groups.
But let's get to what you came here wondering about: whether Power in
Numbers returns Jurassic 5 to that dope-as-fuck old-school revival style
they came with on their debut EP, or if it's a too-comfortable retread of
the ready-for-M2 formulas that turned Quality Control from what
could have been one of tightest joints of 2000 into a homogenized backpacker
retreat.
After a brief intro produced by Cut Chemist, the album kicks off proper with
"Freedom". Although Nu Mark's downtempo production is more than adequate,
the album would have benefited from a stronger introduction that bumped a
little harder. As it so happens, we don't really get anything to grab hold
of until the fourth track, "Break", which also, not so coincidentally, marks
Cut Chemist's first real track.
While the J5 emcees rarely have anything interesting to say, their flows-- and
particularly Charlie 2na's-- sound nice on a strictly phonetical tip, a similar
dynamic to those of the old-school emcees they're clearly trying to parody.
This works a lot better when a worthwhile producer's lacing the track with a
fat, uptempo beat that's able to steal the focus away from the lyrics; it's
when the slower tracks come up, and we're actually made to listen to what
the emcees are saying and not just how they're saying it, that we run
into trouble.
After another brief interlude produced by Cut Chemist, a pair of old-school
legends, Percy P and Big Daddy Kane, step up to the mic on the very nice "A
Day at the Races". The bassline is absolutely smokin', and Cut Chemist
lifts a tight sample from the legendary David Axelrod. Big Daddy Kane steals
the lyrical spotlight as he declares that he's still "Gucci dressin'" and
warns that "you out of your league like Jordan in baseball". It should also
be noted that, sandwiched between Kane and Percy P, Charlie 2na steps up his
game and remarkably holds his own. It's no secret that Charlie's the lyrical
glue that holds Jurassic together, but he really shows improvement on this album.
Unfortunately, "What's Golden", the album's first single, finds J5 returning
to dangerously familiar territory. For the chorus, the emcees sing, "We're
not ballin' or shot callin'/ We take it back to the day of yes y'allin'." The
first time J5 expressed their desire to "take it back", it was dope. But
they've covered this ground so many times now that I'm wondering now if they've
got an obsessive disorder that forces them to repeat these sentiments ad
nauseam.
This formulaically old-school approach is both J5's greatest asset and worst
liability. Those of you who love this trait, and aren't turned off by the
group's non-threatening demeanor and positive pose, will probably dig Power
in Numbers. But if you prefer your hip-hop with a little more kick, you
might want to dig deeper into the still-vibrant LA hip-hop scene. Numbers
isn't breaking any new ground, but it does rehash the golden age of hip-hop quite
nicely.
-Sam Chennault, October 14th, 2002