Servotron
Entertainment Program For Humans (Second Variety)
[Lookout!]
Rating: 6.5
Watch out, it's the Rock-n-Roll Revenge of the Sci-fi Geeks! Sci-fi
surfers Man... or Astroman? claim to be billion- selling gigastars of the
future, whose have been stranded on Earth after their spaceship crashed
in Alabama; Supernova, a trio that sounds like a kiddie version of the Sex
Pistols, hail from the recently obliterated planet Cynot-3. Former members
from both bands play in Servotron, whose particular conceit is as a band
of robots calling for the annihilation of all humans and domination of the
android race. Something tells me that it's only a matter of time before
there will be a band for every crackpot idea cooked up in the low- budget
science- fiction flicks of the '40s and '50s.
Entertainment Program For Humans (Second Variety), Servotron's
second full- length album, is full of surf- flavored Devo- pop complete with
kitschy electro- bleeps and robot- flavored vocals. Musically, they manage to
wring some cool moments out of their cheap instruments-- "Indeterminate
Reconstruction" and "Phonetic Lecture" have a bright futuristic sheen with
a touch of Tangerine Dream, and "Embryo Electro" and "Tri-Star Wheel
Groove" have that infectious new- wave twitchiness I haven't heard since
Brainiac and early Talking Heads. So it's a shame that Entertainment
Program For Humans (Second Variety) is only half an hour long.
As for the whole robot schtick, Servotron has the potential to wear thin
after a while. They only have one joke, after all, but they're committed
to stretching it as far as it will go-- and oddly enough, they come out
sounding like a cyber- Public Enemy, arrogantly proclaiming the natural
superiority of robots, dissing Uncle Toms who kotow to humans, and
bandying about lyrics like "you say equal opportunity/ yet you have a
class society" and "civil rights for the uncivilized." Alongside the easy
topical humor of "Deep Blue, Congratulations," songs like "I Sing! The
Body Cybernetic" come dangerously close to making an important statement
about humanity's master- slave relationship with its mechanical creations.
Or probably not, but hey, I'm a music critic, I'm supposed to over- analyze
things.
-Nick Mirov