The Residents
Wormwood: Curious Stories From The Bible
[East Side Digital]
Rating: 4.2
Over the course of their long "career" in "music," arty "rabble- rousers" the
Residents have not exactly been everyone's idea of a party band. Eschewing
the chordal concepts of pop music, their albums tend to be multi- layered pomo
banshee (that's "leftie pinko" for you American Spectator readers) tracts
about the body politic.
This time around, they tackle that barrel of cheap laughs, the Holy Bible.
The purpose here is to bring the wacky, dirty, steamy side of the Good
Book to the fore with the intent of showing off its inherent sauciness.
Jacob, Lot, Jephthah, the Gildeadite-- they're all here, ready to entertain
and enlighten. With helpful liner notes explaining the background behind
the lyrics, characters emerge, reinterpreted in late '90s pathos to sing of
their plight. On "Judas Saves," everyone's favorite bad guy sings of his
duty to kill Jesus in order to save humanity. Dinah sings of her bitterness
about being the widow of a prince who wanted everybody cirmcumsised of
"Dinah and the Unclean Skin." A severed finger marks the downfall of King
Belshazzar on "God's Magic Finger."
Which is enough to get a Southern Baptist all fired up. But can you
dance to it? Musically speaking, Wormwood plays out like the soundtrack
to some demented musical, replete with dorky keyboards, overly well- mannered
singing and general musical bombast; in its own strange way, it fits the
creepy mood of the album. In that sense, the Residents have not sold out
their concept to the choral urges of pop.
Modernizing the Bible is not a new concept. Authors (I suggest Timothy
Findley's "Not Wanted on the Voyage"), visual artists, painters and two-bit
video artists have explored the concept of retelling Biblical stories with a
modern (and oftentimes kinky) view of the dramatic possibilities. But as
well- researched as Wormwood is, the Residents have failed to show why
a pop album would do any better.
-Samir Khan
"God's Magic Finger"
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