Ui
Lifelike
[Southern]
Rating: 7.6
With two bass players, a drummer, no singing, a sampler and enough keyboards
to make Prince squeal in jealous rage, Ui reeks of the dreaded "post-rock"
aesthetic that causes music reviewers to make special note of it. True to
form, Lifelike effortlessly blends live endorsement-calibre musicianship
with dense studio tomfoolery to summon a sound you would have heard before
if this was a world less sullied by shit.
Which is to say that, for the most part, this album was quite good. The first
piece, "Drive Until He Sleeps," layers keyboards, clever drums and
firm- handshake- making bass playing in with impressive effect. "Spilling"
features sampled horns hovering over two dueling bassists. "Molloy March"
opens with a swarm- of- bees- shitfreak buzz before bursting into a funky
outlay of drums and... bass. It's easy to focus on the talents of skilled
chuggers Sasha Frere-Jones and Wilbo Wright, but Ui also demonstrates an
appreciation for the texture of sound which is always pleasing when you're
sitting there, on your couch, in your skivvies, eating that celery you like
so much.
Consistency is Ui's only obstacle. "News to Go Farther" takes the... bass
thing to Primus-level anti-funk. The closer "Exehunt" attempts old-school
Gastr Del Sol-ish minimalism and isn't entirely successful at pulling it
off. For the most part, though, Lifelike is worth its faults. If Ui were
to refrain from musical frottage, one gets the feeling they would not have
been able to reproduce their best work.
Or something like that.
-Samir Khan