The Fall
Seminal Live
[Beggars Banquet]
Rating: 7.5
A much-hated album among the cognoscenti when it was released -- and I
suspect most Fall faithful still don't care for it -- this one's got the
inescapable whiff of "contractual obligaaay-shun." (Five new, studio
tracks and a pile of live, rather poorly-recorded, 90% Brix-era
material.) I myself was never rubbed the wrong way by this platter upon
first release, however, and time has been particularly kind to the studio
material, which is as sloppy and corrosive as just about anything The
Fall have done. You've got the near-mandatory inept cover ("Pinball
Machine" -- even sloppier than "Ol' White Train" on Light User Syndrome),
a "straightforward rocker" ("Dead Beat Descendant"), two outstanding
weirdo tracks which stand up to any Beggars-era Fall I can name
("H.O.W." and "Squid Law") and the much-maligned "Mollusc in Tyrol," their
most "unlistenable" (in a good way, mind you) track since Room to Live's
"Papal Visit." Mark manipulates tapes in his living room
and puts the results on wax.
The live material itself is fairly
disposable. It's good for half-a-listen, at best, but the studio tracks would
have made a stellar EP... I'll take these five cuts over the entire
Extricate LP, for what it's worth.
-Bruce Tiffee