The Fall
Levitate
[Artful]
Rating: 8.6
While 1997 has not been the best of years for Manchester's finest, what
with serious doubts about Mark E. Smith's health (recent pictures of Smith
are more than a little frightening), a slew of genuinely unnecessary compilations
on the Receiver label and unforgivably sub-par reissues of Live at the
Witch Trials and In a Hole (two cornerstones of The Fall's discography,
mastered right off of crackly and skippy vinyl), their umpteenth studio
effort shows that The Fall are fit and working again. 1996's Light User
Syndrome was perhaps the best Fall yet this decade, and by this time next
month, I might consider Levitate an even stronger release.
Mark has said that rock and roll is all about mistreating instruments to
get feelings across, and that has held true throughout their twenty year
history -- even when electronics come to the fore of Fall music, it's been
done with unbelievably cheap and primitive equipment. When the band attempts
something which might be considered halfway "dance" or, uh, "electronica,"
(on this record, "10 Houses of Eve" and the quite warped "4 1/2 Inch"),
you won't be mistaking it for Aphex Twin. As per usual, there's a healthy
level of experimentation ("Ol' Gang," "Hurricane Edward"), and newish
members Julia Nagel on keyboards and guitarist Tommy
Crooks are doing surprisingly well -- last year's Phoenix Festival set is the
greatest, most ferocious live Fall I've heard since the early '80s.
What seems to stand out most about Levitate are the two moody
tracks "Jap Kid" and "I Come and Stand at Your Door." The former is a
downbeat Swell Maps-ish, piano-led instrumental, while the latter covers a
forgotten '60s protest song; both have the effect of making a Fall diehard
such as myself think that perhaps Mark is taking a long look at himself
and pondering just how many years he's got left. On FallNet (the e-mail
list for Fall fanatics), there have been reports of tears shed over "I
Come and Stand...," which I can almost believe.
Initial pressings of Levitate include a second disk, particularly notable
for the first official release of the fine early '80s track "Pilsner
Trail," previously only available on the bootleg Backdrop rarities CD,
so shop around - supplies may be dwindling. Grab it like a rabbit, as
they say...
-Bruce Tiffee