The Fall
I Am Kurious Oranj
[Beggars Banquet]
Rating: 7.6
Certainly the only ballet soundtrack in my record collection, Kurious Oranj
was The Fall's musical accompaniment to a ballet by Englishman Michael Clark
(a choreographer who had his lid flipped by Hex Enduction Hour) and his
dance troupe. This was Mark Smith's second venture into the theatrical world
in as many years (in 1986, a play based on Bend Sinister's "Hey! Luciani"
opened to even fewer baffled viewers than IAKO), but I won't burden you
with the details of what ultimately sounds like an awfully silly way to
spend an evening out.
Although I don't spend a great deal of time playing this LP these days,
it's certainly got its fair share of high points. Yes, we're midway
through the Brix period, and some tracks are awfully insubstantial and
cloaked with production gauze, but this may actually be a better record
than Frenz Experiment -- 'New Big Prinz' and 'Wrong Place, Right Time'
are more pummeling than nearly any Brix-era material, 'Dog is Life/Jerusalem'
has an excellent ranting introduction to a track which could have been
left off of Bend Sinister, and Brixie
herself gets her showcase on "Overture from 'I Am Curious Oranj," a stab at AOR
pop-metal. Plus, you surely wouldn't want to miss The Fall's first ever brush
with reggae on the title track. The Beggars Banquet reissue is kind enough to throw
on some B-sides which didn't make it on the American release first time
around, so why not make this part of your Fall library - if Live at the
Witch Trials, Dragnet and Perverted by Language are the foundation of
this house, Oranj is certainly solid enough to serve as the back porch.
-Bruce Tiffee