El Dopa
United In States Of Narcolepsy
[Conscience]
Rating: 3.2
If it weren't for the absolutely brilliant beginning and ending tracks
on this album, aptly title "Prologue" and "Epilogue" respectively, there
would be few positive things to say about United in States of Narcolepsy,
the latest effort from west coast rockers El Dopa. Indeed, the first
track plays at a jumpy, quirky keyboard nightmare theme that shows of
some of the talents we'd expect from a lead vocalist that had once worked
designing Kurzweil keyboards. However, 56 seconds later, the sound
mutates, the guitar comes in heavy, and we're stuck listening to another
grunge clone that should realize that all their potential fans are locked
up in rehab.
The album embraces all we've come to expect from a mid-'80s metal band--
satirical punches at corporate Amerikkka, criticism of Christianity, and
heavy backing guitar that gets in a pissing contest with the vocalist
for who can be the loudest at any given point. Take all this and wrap
it up with, to their credit, innovative samples and backing keyboard
tracks (which are a welcome addition to a music that, stylistically, had
been played out long before Def Leppard went on their latest reunion
tour). The biggest disappointment is that the innovative parts are
quickly drowned out by the masturbatory guitar, leaving the listener teased.
"From Here To Reality" is perhaps one example of an exception to the
rule. Starting off with a mellow, spooky keyboard, the song kicks in
a groove a la good George Clinton before kicking in the requisite guitar,
which, thankfully, is restrained enough that it doesn't overpower the material. The
next track, "Said And Done," returns to the awful invented formula of creating
an interesting premise by opening the song with samples long enough to get
the casual listener intrigued and then jumping directly into metal.
Perhaps the title of "Too Much Testosterone" is exactly the phrase
needed to describe this effort, which seems to actually boast the
Parental Advisory sticker found centered on the front cover. Indeed,
all the tracks have enough usage of the "seven dirty words" to keep them
clear off of most radio stations (although the band is apparently
popular on metal stations on the west coast). Nevermind that Krishna
Venkatesh, the dread- headed Hindu lead vocalist once spent a season in a
band opening for Nine Inch Nails-- if you're looking for that nostalgic
metal sound, you'll find better quality pulling out those old Megadeth
tapes from that archive of embarrassing albums you've purchased.
-Skaht Hansen