Ekstasis
Wake Up And Dream
[CyberOctave]
Rating: 5.1
Of all the ways to make a living playing music, working as a studio musician
is the least romantic. You get paid by the hour or the project, like any
other contract employee. You do what's requested in the least possible time
to maximize productivity. You contribute not ideas but technique,
translating the thoughts of songwriters and producers through your fingers
to your instrument. It's an important job, but one with little glory. It's
not surprising, then, that session players often yearn to express themselves
through their own music. Nicky Skopelitis, a renowned guitarist noted for
his work with Bill Laswell, has been given that chance.
Wake Up And Dream is Skopelitis' second full- length, produced under the
Ekstasis moniker. Laswell produces and contributes some bass, legendary Can
drummer Jaki Leibezeit mans the trap kit, and Zakir Hussain and Badal Roy (the
latter played with Miles Davis during his '70s fusion heyday) beat the tablas.
Together, they go for a trancy, somewhat ambient sound, with the exotic pulse
of the tabla often drowning out the more Western groove of Leibezeit as Skopelitis
adds all manner of guitar texture on top. It's slow, drawn- out and lush, and with
Laswell at the controls, the sound is expectedly great.
The problem, though, is that those of us who lived through the '80s remember
this kind of stuff as "new age." There's no getting around it, this is music
to get a massage to, and it wouldn't seem at all out of place on a Windham
Hill sampler. So while it's soothing, rich and relaxing, there's little in
the way of contrast to pull you in, and the variety common to many of the
instrumental indie rock bands that occasionally cover this territory is
sorely missed.
There is some interesting stuff going on here and there, and the
musicianship is certainly first rate. But the uniformly strong playing
further serves to make Wake Up And Dream feel like an album by
musicians for musicians. For example, take Pat Metheny. (Please.) I mean,
have you ever known anyone into Metheny who didn't play guitar themselves?
I guess, in the end, it was Rakim who said it best: "Don't sweat the technique."
-Mark Richard-San