archive : A B C D E F G H I J K L M N O P Q R S T U V W X Y Z sdtk comp
Cover Art Ekstasis
Wake Up And Dream
[CyberOctave]
Rating: 5.1

Of all the ways to make a living playing music, working as a studio musician is the least romantic. You get paid by the hour or the project, like any other contract employee. You do what's requested in the least possible time to maximize productivity. You contribute not ideas but technique, translating the thoughts of songwriters and producers through your fingers to your instrument. It's an important job, but one with little glory. It's not surprising, then, that session players often yearn to express themselves through their own music. Nicky Skopelitis, a renowned guitarist noted for his work with Bill Laswell, has been given that chance.

Wake Up And Dream is Skopelitis' second full- length, produced under the Ekstasis moniker. Laswell produces and contributes some bass, legendary Can drummer Jaki Leibezeit mans the trap kit, and Zakir Hussain and Badal Roy (the latter played with Miles Davis during his '70s fusion heyday) beat the tablas. Together, they go for a trancy, somewhat ambient sound, with the exotic pulse of the tabla often drowning out the more Western groove of Leibezeit as Skopelitis adds all manner of guitar texture on top. It's slow, drawn- out and lush, and with Laswell at the controls, the sound is expectedly great.

The problem, though, is that those of us who lived through the '80s remember this kind of stuff as "new age." There's no getting around it, this is music to get a massage to, and it wouldn't seem at all out of place on a Windham Hill sampler. So while it's soothing, rich and relaxing, there's little in the way of contrast to pull you in, and the variety common to many of the instrumental indie rock bands that occasionally cover this territory is sorely missed.

There is some interesting stuff going on here and there, and the musicianship is certainly first rate. But the uniformly strong playing further serves to make Wake Up And Dream feel like an album by musicians for musicians. For example, take Pat Metheny. (Please.) I mean, have you ever known anyone into Metheny who didn't play guitar themselves?

I guess, in the end, it was Rakim who said it best: "Don't sweat the technique."

-Mark Richard-San

TODAY'S REVIEWS

DAILY NEWS

RATING KEY
10.0: Indispensable, classic
9.5-9.9: Spectacular
9.0-9.4: Amazing
8.5-8.9: Exceptional; will likely rank among writer's top ten albums of the year
8.0-8.4: Very good
7.5-7.9: Above average; enjoyable
7.0-7.4: Not brilliant, but nice enough
6.0-6.9: Has its moments, but isn't strong
5.0-5.9: Mediocre; not good, but not awful
4.0-4.9: Just below average; bad outweighs good by just a little bit
3.0-3.9: Definitely below average, but a few redeeming qualities
2.0-2.9: Heard worse, but still pretty bad
1.0-1.9: Awful; not a single pleasant track
0.0-0.9: Breaks new ground for terrible
OTHER RECENT REVIEWS

All material is copyright
2001, Pitchforkmedia.com.