Einstürzende Neubauten
Ende Neu
[Nothing/Interscope]
Rating: 4.6
Ende Neu, the "latest" album from German noise industrialist pioneers,
Einstürzende Neubauten, is a prime example of how a record company can
strive to get an extra buck out of you. The album is a collection of
recordings made from 1994 to 1996, during which F.M. Einheit, one of the
band's founding members, decided to split with the band after more than a
decade and a half tenure. The album was originally released on Mute
records out of Europe, but Trent Reznor's US-based Nothing Records has
picked it up and marketed the album as a new release without changing
the copyright date. Incidentally, a widely- distributed album of remix
versions from the album has been available domestically for more than a
year.
Neubauten has traditionally been considered a noisy, and mechanically- and
mathematically- structured band responsible for music that was both
poetic in presentation and artistic in simple expression. The band is
credited for having invented most of the instruments used on many of
their albums, as well as performances that border on demolition
demonstrations, managing to get them banned in cities that were
unsuspecting of the theatrical intensity. The notion of not being a
contemporary "band" in terms of writing guitar/ bass/ drums songs and
playing them identically at every performance is something that had
always seemed key to the Neubauten philosophy. This is why songs like
"Stella Maris," which features a full orchestra string section, seems
like a radical departure and is largely what led to Einheit's
resignation.
In fact, most of the album takes a tone that is uncharacteristically
mellow for a Neubaten album, which is largely sung in English. The
"bonus" track on the disc could almost be called the Neubaten cabaret
song, and many others are surprisingly just as laid back.
Please, don't let this suggest that the music is uninspired. The disc's
insert is helpful enough to contain detailed liner notes for each of
the songs, and the lengthy "Nnnaaammm" scores an automatic recognition
of brilliance for being the one of the few industrial tracks in a 9/4 time
signature. However, the album is in no way a natural progression of the
talents that had made up the band. And while a different edge of their
creativity is exposed, well... you probably wouldn't like it if Nine
Inch Nails made a brilliant country album, either.
The liner notes translate Ende Neu as meaning "Ending New," and
discuss the concept of a band that has often survived its own demise.
However, an electronic translation device changed Ende Neu into
second ending, which is probably a more apt title for a final album
re-released by a brilliant band losing its roots.
-Skaht Hansen