Cherry Orchard
The Start of Our Affair
[March]
Rating: 1.5
For a couple of years now I've been enjoying lounge- derived pop by
Stereolab, the Sea and Cake, the Aluminum Group and other bands that owe
a lot to the reviled AM radio of my '70s youth. During this time, I've
cultivated an appreciation of precision recording techniques, tasteful
instrumentation, and sophisticated song structures. I've questioned how,
all those years ago, I could have missed the brilliant arrangements of
Dionne Warwick's Bacharach- produced, pre- "Solid Gold" hits. I've even
grooved to the xylophone. In short, I've become a pantywaist. But now,
those days of swimming in the lukewarm sea of inanity are over, and I
have the Cherry Orchard to thank for pushing me over the edge.
See, The Start of Our Affair should serve as a 150- decibel wake-
up call that the '70s AM radio vibe is hopelessly played- out. Because
as a record, it's both technically accomplished and artistically hollow
to the core. What these songs reveal, with their stylish acoustic guitar
mapping out the changes, the breezy horn arrangements, and the subtle
layering of strings, is that this kind of technical exercise is just
that: a series of motions and signifiers that hearken back to some
fuzzy memory of pop music without having a thing to say, original or
otherwise. The bland, sexless cover photograph of Jason Smith and Sara
Onyett (aka the Cherry Orchard) tells us all we need to know: Smith
is draped up in vintage indie- dweeb vines, clutching a vinyl record
tightly to his chest. Alas, collecting records is one thing, and making
them is another.
On song after frivolous song, Smith's fey voice sounds vaguely like
Lloyd Cole as he warbles corny lyrics like, "Wake up, wake up/ It's
that summer feeling of love" (from "That Summer Feeling") and, "Too
many roads I've walked down/ Too many dreams clouded my mind/ Too
many stars I've reached for" (from "Listening to Nancy"). With his
lazy diction and trite subject matter, Smith can't even seem to convince
himself that he cares about what he's doing. Bouncing around behind him
are trombones, saccharine "bah bah bah" harmonies and violins. And, yes,
xylophones. Man, it's time to check out that Lookout! sampler.
-Mark Richard-San