Catherine Wheel
Adam and Eve
[Mercury]
Rating: 4.5
On Adam and Eve, Catherine Wheel have gone soft. Their tolerable penchant
for faux-metal has given way to mousy acoustic balladry. Something that
always made Catherine Wheel bearable was the contrast between their light
metal sound and Rob Dickinson's breathy voice. Now his vocals
simply overwhelm music that's drenched in slowly strummed guitars and
meandering keyboards.
Dressing up this slower tempo with vague, silly lyrics only makes things
worse. Awful prose like, "If Superman and Sonic Youth are fairy tales/ It's
time to face the truth/ You'll throw your life away/ A woman dressed as Baby
Jane" can be found throughout Adam and Eve. It makes it difficult to
allow this band the seriousness it so anxiously wants.
In their sound and lyrics, Catherine Wheel have always walked the fine line
between British romantic, majestic gloom and pomposity. On Adam and Eve,
the band trips on their overzealousness and the whole effort sinks
under creeping insincerity. Whether it's another tragic love poem
("Goodbye") or superfluous pop ("Delicious" and "Satellite"), this record is
instantly forgettable. And when Dickinson croons like an old lounge singer
on the last track, "And they'd feel good/ And I'd feel good/ We'd all feel
good/ That would be so good," it's downright boring.
-James Coyle