Bush
Deconstructed
[Trauma/Interscope]
Rating: 5.4
In this, the world of target marketing and focus groups, one doesn't have to look
very far to explain how a disc full of techno remixes of Bush tracks got into
your local record store. Surely a combination of two of today's hottest
commodities (electronic credibility and Gavin's soulful visage) would mix like
peanut butter and chocolate, making even Reeses green with envy at the resultant
sales figures. However, one small detail has been overlooked, and I endeavor to
discuss this very detail with you now, ahem.
Okay now. I ask you, is the average Bush fan a rave-goer? And conversely, could
one possibly imagine one of those cryptic young Americans in big pants secretly
hiding a passionate love for Bush's pseudo- grunge? I tell you this now: the
answer is no. I cannot deny that there are those who can honestly testify to
liking both the thunderclap pound of heavy techno and the scrubbed rebellion of
those persistent pop- rockers Bush. But I doubt even they particularly want
to hear these remixes. There are no big names here, either, unless you
count Tricky (whose contribution has been culled from The Crow: City of Angels
soundtrack, anyway).
In any case, it goes like this: the disc begins with a few tracks
setting up pretty standard breakbeat dance interpretations with big Bush
presence. Vocal loops, guitars, even lyrics leak into the first few tracks,
undoubtedly a nod to their rocker fans who still distrust the mysterious
tek-no genre. Then, as if magically, the presence of the band slides deep into the
background of what are pretty much standard techno offerings, a little bit of
drum-n-bass here, a peek at house there. Nothing magical, just respectable dance.
And I can only imagine where the Bush is in some of the tracks, which is not
necessarily bad thing. But let's have a reality check now: do you really want to
get your techno in the form of a bunch of remixed Bush trax? Drop your money on
something better, like Mo-Jave or Urbal Beats. You Bush fans will probably
want to steer clear too, unless paying full-CD price for what are probably three or
four likable tracks is what you want to spend your hard- earned dollar on. It's not
that it sucks, but it falls quietly and without fight into the "forgettable and
disposable" file.
-James P. Wisdom