Punk rock. Pop rock. Pop-punk. Punk-pop. Post-punk. Emo. Emo-core. Post-emo. What the hell's the difference? These genre classifications, some of which may or may not officially exist, are commonly used to categorize a type of music that invariably relies on the standard- issue guitar/bass/drums setup with the occasional keyboard flourish. But whatever you want to label it, Bluebird's High Atmosphere EP still qualifies as a competent, above-average entry in the indie rock canon.

High Atmosphere's first four tracks are practically interchangeable, both in sound and purpose. They rock and they do it hard. The hooks are present in abundance. Maniacal drumming, check. The lyrics-- assuming they mattered-- are perfectly serviceable and, we suppose, reinforce their self-imposed directive to deliver ear-blistering rock. Of course, as any indie connoisseur well knows, you're only as good as your hooks. And, in that regard, High Atmosphere also fills the prescription. Perhaps the only extraordinary aspect of these first four songs is the throbbing bass, which is featured much more prominently than on most other indie offerings.

Interestingly enough, Bluebird is most enthralling when they deviate from formula. Unfortunately, you have to wait until the last track of the EP to hear the departure, as if the gearshift were merely an afterthought. "Get In Before You Go Out" sounds like Mogwai minus the layers of charred feedback. Somehow, even without the aid of that band's caterwauling static, Bluebird manages to create a similar level of palpable tension. Few bands are capable of sustaining such a sensation, but Bluebird does it admirably, which stands a testament to their talent as a band. Hopefully, their forthcoming full-length will see them wholeheartedly pursue this direction.

-Beatty & Garrett