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Wednesday, December 12th, 2001

Sonic Youth Co-Hosts Concert/Reading
Kim Gordon expected to nastify nursery rhymes, call it "avant-garde," while Andrew Dice Clay weeps homelessly outside venue

Ben Johnson reports:
One of the nice things about being an indie rock fan is that you can be relatively certain that the bands you like also have pretty decent taste in reading material. I mean, there's gotta be a member of Tool that's just frighteningly into Ayn Rand, and I'm sure that on her way from publicist to hairdresser, someone in Destiny's Child is curled up with the latest copy of O. By way of contrast, David Berman knows more about contemporary poetry than some English professors, Kathleen Hanna has probably learned more about feminism than Jane Fonda ever forgot, and Pavement was long known for their Scrabble abilities. Hell, I'm sure even Bob Pollard reads cool stuff when he's sober.

Tonight, Sonic Youth will display their well-roundedness (and help a worthy charity to boot) when they co-host a concert/reading at the Bowery Ballroom in New York with The Paris Review, easily one of the most important literary journals in the world. All proceeds from the show will benefit Asociacion Tepeyac, a not-for-profit organization that helps Latino immigrants in the city, and which lately has been working to aid families of low-wage workers who lost their lives in the September 11th attacks. Other performers include Stephin Merritt, Pamela Laws, and writers Rick Moody (The Ice Storm), Mary Gaitskill, and Michael Cunningham (who won the Pulitzer Prize for The Hours).

In other Sonic Youth news, the band reports on their website that they're back and working in their studio. No word on what the new stuff sounds like-- well, okay, Thurston Moore does call it "classic, but not khaki-classic," but we're not going to venture a guess as to what the hell that means. Working titles include "Disconnection Notice," "The Empty Page," and four songs called "Untitled." Maybe they oughta pump those fancy-pants writer types for some creative input.

.: Pitchfork Review: Sonic Youth: NYC Ghosts & Flowers
.: Sonic Youth: http://www.sonicyouth.com
.: The Paris Review: http://www.parisreview.com


Elliott Smith, Spoon on 2xCD Benefit Comp
Above homeless joke suddenly in really bad taste

Brandon Dameshek reports:
On the heels of their successful and beneficial first release, WishingTree Records is set to issue The Amos House Collection, Vol. II early next year. The compilation will be a 2xCD set featuring new and previously unreleased material from an awfully talented bunch of big-wigs with enough collected indie cred to make chain wallets cool again. They include: The Gentle Waves (Isobel Campbell of Belle & Sebastian), Elliott Smith, Bright Eyes, Spoon, Wheat, Barcelona, Ida, the Malarkies, Aden, True Love Always, Skating Club, James William Hindle, Azure Ray, Jr. Corduroy, Kleenex Girl Wonder, Delphine, Emily Sparks, Misc, K, Son Ambulance, Drew O'Doherty, Wolfie, Silver Scooter, Elf Power, rebuilthangartheory, Clairvoyants, Dressy Bessy, and the Aislers Set.

Proceeds from The 'Collection will benefit the Amos House, a Providence, Rhode Island-based non-profit charity organization which lends direct support to people in need by offering tools for achieving greater life-stability and self-reliance. Every year, the good people at the Amos House serve 150,000 meals, shelter more than 400 homeless people, and deliver critical services to thousands of Rhode Islanders in crisis. Damn! Good music for a good cause. And did we mention the good music?

.: Wishing Tree Records: http://www.wishingtreerecords.com
.: Amos House: http://www.amoshouse.com


Early Day Miners, Unwed Sailor Do Split CD
Hopeless search for unused bandnames forces hipsters to resort to Mad Libs

Catherine Lewis reports:
Stateless, a collaboration among Early Day Miners, Unwed Sailor, and Chris Bennett, will be released on the Great Vitamin Mystery on January 22nd, 2002. This project was put together one weekend in the spring of 2001, with the members of Unwed Sailor and Early Day Miners composing music as a soundtrack to Super 8 footage shot by photographer Bennett from his travels around the U.S. and Europe. His films will be available for viewing on the enhanced CD.

The debut album from Indiana's Early Day Miners, Placer Found, reflects the culture and terrain of the American Southwest and features-- among others-- Daniel Burton and Rory Leitch of Ativin. Yes, that Ativin. Unwed Sailor is the instrumental project of Pedro the Lion bassist Jonathan Ford.

.: Early Day Miners: http://www.earlydayminers.com
.: Unwed Sailor: http://www.unwedsailor.net
.: The Great Vitamin Mystery: http://www.thegreatvitaminmystery.com


Beatles Covered by Sarah McLachlan, Wallflowers
Sean Penn spares us ironic cover of "Lady Madonna"

Matt Wavrin reports:
Eddie Vedder, Ben Folds, Paul Westerberg, Nick Cave, the Stereophonics, Grandaddy, Aimee Mann and Michael Penn are just a few of the artists who will either butcher or slaughter Beatles songs for the soundtrack of the new Sean Penn film I Am Sam, due out January 8th. The film centers around Penn's character Sam, a mentally unstable Beatles obsessive. The Beatles' songs are naturally the centerpiece to the film, so it was necessary to get an eclectic bunch together to do injustice to their songs for the film. It was cheaper this way. Tracklist:

Sarah McLachlan: "Blackbird"
Aimee Mann and Michael Penn: "Two of Us"
Wallflowers: "I'm Looking Through You"
Rufus Wainwright and Sean Lennon: "Across the Universe"
Ben Harper: "Strawberry Fields Forever"
Eddie Vedder: "You've Got to Hide Your Love Away"
Black Crowes: "Lucy in the Sky With Diamonds"
Ben Folds: "Golden Slumbers"
Paul Westerberg: "Nowhere Man"
Nick Cave: "Let It Be"
Stereophonics: "Don't Let Me Down"
Heather Nova: "We Can Work It Out"
Vines: "I'm Only Sleeping"
Howie Day: "Help!"
Grandaddy: "Revolution"
Chocolate Genius: "Julia"

.: I Am Sam: http://www.iamsammovie.com

TODAY'S REVIEWS

DAILY NEWS

RATING KEY
10.0: Indispensable, classic
9.5-9.9: Spectacular
9.0-9.4: Amazing
8.5-8.9: Exceptional; will likely rank among writer's top ten albums of the year
8.0-8.4: Very good
7.5-7.9: Above average; enjoyable
7.0-7.4: Not brilliant, but nice enough
6.0-6.9: Has its moments, but isn't strong
5.0-5.9: Mediocre; not good, but not awful
4.0-4.9: Just below average; bad outweighs good by just a little bit
3.0-3.9: Definitely below average, but a few redeeming qualities
2.0-2.9: Heard worse, but still pretty bad
1.0-1.9: Awful; not a single pleasant track
0.0-0.9: Breaks new ground for terrible
OTHER RECENT REVIEWS

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2001, Pitchforkmedia.com.