Yo La Tengo
I Can Hear the Heart Beating as One
[Matador]
Rating: 9.7
The greatest band in the universe is back with their ninth studio release
called I Can Hear the Heart Beating as One. What a terrible
title! I'm not sure why I hate it so much, but maybe it's because a surly
guy like me can't wholly embrace anything without some kind of
complaint.
Anyhow, this album is pretty goddamn blissful. I'll run down a few
reasons why:
- New Directions! You have to love any band that's been together for
over ten years and still take their sonic inventions to new levels. For
the first time, Yo La Tengo tackles bossa nova pop ("Center of Gravity"),
flirts with the electronic revolution (the first single, "Autumn
Sweater"), imitates a Can vs. Kraftwerk throwdown (the improvised "Spec
Bebop"), and, most importantly, lets bass player James McNew take over on
lead vocals ("Stockholm Syndrome").
- Covers! It's no secret that YLT loves to do covers, but who would
have thought we'd be getting a VU-ish take on the Beach Boys' "Little
Honda"? Not I. There's also a cover of "My Little Corner of the
World," done by two guys with the last names Hilliard and Pockriss. (A
tip of the hat to Ryan Schreiber for not giving me a freakin' press
kit.)
- Excellent Songs! Only an asshole couldn't love songs like the power
poppy "Sugarcube," the melted country tune "The Lie and How We Told
It," the bleary-eyed ballad "Damage," and Georgia's wafting, haunted
"Shadows."
- Yo La Tengo is still the greatest band in the universe! Enough
said.
-
Jason Josephes