Violent Green
Hangovers In The Ancient World
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Rating: 4.0
She was beautiful. At the very least she was pretty. She
floated across the dancefloor like a chunk of dry ice. An air hockey
puck smacked around between plastic paddles. I was staring, sucking the
alcohol out of an ice cube from my sixth Whiplash (a house specialty
mixing one part vodka to two parts Mango Madness Snapple). The drinks
had filed away my fear of rejection, and I sauntered up to her.
"Hi how are you blah blah blah my name is Brent blah blah blah."
She never stopped swirling. She swirled and swished her hair around.
Her mouth opened. I sucked and sucked harder until the cube dissolved.
She spoke.
She emitted Minnie Mouse from Mississippi. Or was her squeal more
along the lines of Fran Dresher after a decade of Marlboros and a hit
of helium? "Hoy-uh! Mah nayme is Dahnesty."
"Um, hi, Dynasty. My name is Brent." Again, I'd forgotten to take off my
silk Pitchfork windbreaker and Dynasty immediately recognized me. She
invited me back to her place. The six Whiplashes and her batting
eyelashes beguiled my better judgment. The lower parts of my id decided
that we just wouldn't talk that much.
At her place, she dimmed the lights and put on some music. She claimed
it was her favorite band, Violent Green, and confessed that the music
turned her into a minx. I made some stupid joke about how "Violent
Green is made out of people!" but she didn't get it. She rubbed my
chest. The first echoed chord wafted from the speakers.
"This ain't too bad," I said.
"You just wait until I get warmed up."
"No, I meant the music."
Violent Green mixed minimalist trip-hop and ethereal indie rock with
a gothic aftertaste. Then the singer croaked in. Her pipes were an
intersection of Goat Boy, a dying whooping crane, pubescent boys
singing in the shower, and Peter Murphy. Or was her squeal more like
an offspring of Courtney Love and Saved By The Bell's Screech? Call her
Gillette Biafra. Never before had a voice so completely ruined music
for me. I wasn't even in the mood to make out. But I had to focus.
By the second track, the music was boring me as well. Subtle
string loops and repetitious drum lines farted forth. Lo-fi aesthetics
milked each sound of any impact. Muted soundscapes failed to grab my
attention. The songs varied as little as a pack of teens in an Old
Navy.
What's laid down by Violent Green is a skeleton of trip-hop.
However, where other bands may put some meat and smooth skin on those
bones, Violent Green's skeleton is the rotting remain of better bodies
that have come before. The songs were like sketches and demos that were
left undeveloped in Portishead's attic. Their attemped fusion of 4AD and
Bristol, England fell flat. So did my libido. Whatever attraction I
had for Dynasty seemed as far away as the quasi-industrial machinery
chimes under Violent Green's gothic gas. Boring music and creaky voices
sober me up like a cold shower and jail.
"Listen Dynasty, this ain't happening. I'm out."
"Aw. Buh pleeease, Bryant!" Just then a toddler dripping snot stumbled
in the room. "Maw? Is that ya'll?"
I grabbed my windbreaker and jetted.
-Brent DiCrescenzo