Jim O'Rourke
Eureka
[Drag City]
Rating: 5.3
I got aboard the Jim O'Rourke bandwagon with the release of the last Gastr
Del Sol record, 1998's Camoufleur, a beautiful album boasting O'Rourke's
amazing, mundane production. Since then, I've been digging his other work with
that band, his 1997 release, Bad Timing, and the Sonic Youth and Jim
O'Rourke EP. So, let's be honest. You and I both know this guy can do
anything with sound-- anything. His production work on Sam Prekop's recent
solo outing proves it. So why, then, is Eureka such an awful
disappointment?
Eureka kicks off on a bad note, and manages to stay there for the
majority of this album, despite a couple of diamonds in the 'ol rough.
"Prelude to 110 or 220/ Women of the World" is without a doubt one of
the most nauseatingly repetitive songs on the face of this green Earth.
"Through the Night Softly" is the ending- credits- of- "Saturday Night
Live" song G.E. Smith never wrote. The album's moogy title cut makes
a nice companion on a lonely summer night, but towards the five minute
mark (the full song lasts just over nine minutes), it starts to drag a
bit. And the cover of Burt Bacharach's "Something Big," while probably
one of the better versions of this song available, has proven too quirky
for repeated listens.
Don't get me wrong. The record definitely has its moments. "Ghost Ship
in a Storm" is a prime O'Rourke cut, meaty, juicy and cooked to delicious
perfection. "Movie On the Way Down" becomes a gorgeous arrangement of sonic
love, but only after more than three minutes of wanky experimentalism.
"Please Patronize Our Sponsors" is a harmonious instrumental piece that'd
make an excellent soundtrack for a day at the Lincoln Park Zoo. And the
album's closer, "Happy Holidays," leaves you with a feeling not unlike the
one I'm sure the Teletubbies experience in the "orgasm from the windmill"
segment of every show.
In the end, the thing that brings the album down is that its instrumental
pieces seem to lack the same direction as the ones on previous Gastr Del Sol
records, and that there are just so many of them. If those tracks were cut
down to a decent length and balanced against the vocal pieces, this album might
actually sound terrific. But the way it stands, Eureka's a bit on the
boring side.
-Ryan Schreiber