Songs: Ohia
The Lioness
[Secretly Canadian]
Rating: 7.6
Until last year, it never occurred to me to name an annual top make-out
song. Whether this was due to a lack of appropriate music or a lack of
appropriate kissers in my life I don't care to speculate, the point being
that in 1999 things finally came together for me. The song was Songs:
Ohia's "Captain Badass," and despite its decidedly unromantic title, the
pairing of Jason Molina's solemn vocals with guest Edith Frost's sultry
ones was strangely affecting. Molina managed the challenging task of
penning heartfelt, desperation-tinged lyrics with a dignity rarely
witnessed in modern indie rock.
Now, don't get me wrong. I'm not an emo fan, and Songs: Ohia are not an
emo band. Jason Molina may be more sincere than most, but he's more a
musical peer of Will Oldham and Manishevitz than the Gloria Record.
Songs: Ohia records are composed of melancholy acoustic ballads fusing
folk and country, and while Molina doesn't shy away from writing about
love, his aren't songs that could be subtitled, "How I Felt When the
Second Girlfriend in a Row Left Me for a Member of Hot Water Music."
Aided this time around by members of Arab Strap and Appendix Out, Molina
has crafted a more subtle and consistent record. "Tigress," "Coxcomb Red"
and the album's title track each come close to achieving the status I've
granted to "Captain Badass." And it may be that the only thing preventing
me from fully embracing these songs is the stereotype of the predatory
woman that runs theme-like throughout them.
At any rate, Molina's songwriting here is much stronger than on last
year's Axxess and Ace, but he's abandoned some of the guests who
helped make the album so affecting when he opted to record in Scotland,
rather than the U.S. Edith Frost's absence is felt most notably, since
her vocals added a compelling counterpoint to Molina's somber delivery.
Appendix Out are, on the whole, probably better suited to the Songs: Ohia
style, but some of the freshness and novelty of the live Axxess
sessions, recorded with collaborators Michael Krassner and David Pavkovic
of Boxhead Ensemble are lost, making The Lioness a decidedly more
resigned and less passionate affair.
So despite hot lyrics like, "And I wanted that heat so bad/ I could taste
the fire on your breath," Songs: Ohia will not claim the dubious honor of
my make-out artist of the year twice in a row. It's nothing personal; 2000
just hasn't found me requiring that tinge of desperation.
-Meg Zamula