Kula Shaker
Peasants, Pigs and Astronauts
[Columbia]
Rating: 5.1
About four months ago, I reviewed the new Kula Shaker album. In case you
didn't know, American labels don't like to put British albums on the shelf
until the entire U.S. fanbase becomes totally pissed off and just buys the
import. Then, the American release doesn't do as well as projected and the
band gets dropped and moves to another U.S. label, where the honchos decide
to shelve the band's next album because the last album didn't move a
billion units. Repeat.
At any rate, Kula Shaker's sophomore album has finally been released in
America, a country that should appreciate the band's music more. Over the
span of these last four months, I've repeatedly gone back to Peasants,
Pigs and Astronauts and found my enjoyment of the album steadily
growing. Here are some possible explainations for my change in opinion:
I first reviewed the album while waiting to depart on a flight to
Italy. For obvious reasons, I was pretty excited. In my state of hyper-
anxiousness, the smallest flaw in Kula Shaker's music brought out my
bubbling impatience.
In the four months that have passed, few really great albums have been
released. In fact, we've been flooded with piles of shockingly mediocre
music. This is the "Sliding Curve" postulate.
If any genre has irritated me to no end in recent years, it's been
retro pop. The extreme glut of '60s- style bubblegum is terribly
uncreative. With every Elf Power CD that comes out, poorly retreading '60s
pop maneuvers, Kula Shaker sounds just a little bit better. For one thing,
Kula Shaker can actually play their instruments. And having the benefit of
Pink Floyd producer Bob Ezrin's years of experience doesn't hurt, either.
This is the "Sliding Curve, subarticle 1a: The Elephant Six postulate.
It grows on you.
I've stopped being a pretentious prick. (Remember, these are just
hypotheses.)
I always root for the underdog.
Guilty Pleasure '99.
I work with an aging fellow who trades Allman Brothers bootlegs and
dreams (or is that "has flashbacks") of Pink Floyd concerts. For many
people, Kula Shaker is the last great hippie arena band of the Millennium.
These people need their new music, too.
For whatever reason, this album gets some occasional spins at home. I just
don't own any old- school rock albums. We all get a hankerin' for that
stuff sometimes. It might seem unfair or hypocritical to some for me to
re-review an album. But honestly, there are countless times when we
critics wish we could go back and rethink our reviews after letting the
album really sink in. You know Alternative Press is going to wake up four
months from now and ask, "Why the hell did we give the new Cranberries and
Smash Mouth records 4 out of 5?" That's just the way music criticism
works. So, there, Crispian, I've apologized. Can you write some better
lyrics now?
And now, the old review:
Oh, so it wasn't an act? I suppose we have George Harrison and
illicit pharmaceuticals to blame for all this. Way back in 1964, the
Beatles threw some sitar on "Norwegian Wood" after George Harrison
"dicovered" the indigenous music of India, a culture ancient and
exploited by the Beatles' homeland. But at least that song was about
trying to shag some bird in her parents house, originally titled
"Normally She Would." Then the Beatles fiddled some more with tablas
and sitar on Revolver. Honky hippies have been fiddling with
Indian rhythms and instruments ever since.
Kula Shaker remind us they're still around with their new album,
Peasants, Pigs and Astronauts. As one can tell by the Jethro
Tull-ishness of the title, this is a laughably bombastic album of '70s
proportions. My promo copy was bare, but I'll bet good money that the
cover sports a quasi- psychedelic image reminiscent of bad Uriah Heep
artwork. Remember, this is the band whose last EP featured a knight
riding a motorcycle for its cover art.
Sure, the band's not all bad-- they are, after all, capable of
producing one good single per year. "Tattva" and "Hush" were fun, and
here, "Sound of Drums" seems like the sole keeper. It's the most direct
pop song on the record, complete with a Ray Manzarek-ish organ hook. But
only someone Madonna- deep into riding the trend of insipid mimicing of
Eastern Culture would find any pleasure in an entire LP of this neo-Hindu
arena wank.
On top of all this, the album sports some of the most predictible lyrics
since Ace Frehley's "Ozone." You've got the standard fare-- love, peace,
unity, heaven, flowers, oceans, and assorted Krishna mantras are in verbal
surplus. But Kula Shaker are at their most ridiculous on "Mystical Machine
Gun" when they force us to believe that the whole thing must be a joke.
Sadly, it doesn't appear to be. Not even blacklights and thick hotboxing
could raise interest in these guys' psychedelic rehash. I mean, even when
the band attempts to strip down to a simple acoustic ballad, it comes across
as pure Kansas.
Peasants, Pigs and Astronauts, seemingly marketed at men with bald
spots and ponytails who work in head shops, offers the artistic equivalent
of velvet unicorn paintings. I suspect that our man Crispian Mills,
the main Kula mover and shaker, will be passing out pamphlets and
beating on a tambourine in the LAX baggage claim in the near future.
-Brent DiCrescenzo