American Analog Set
Through the 90's: Singles and Unreleased
[Emperor Jones]
Rating: 6.7
For me, the most impressive trick a band can pull off is to create a unique,
instantly identifiable sound with the most basic of musical tools. What the
American Analog Set has accomplished to date has been a neat trick of sonic
alchemy; with a bare minimum of sonic gimmicks-- calmly plucked guitar, mildly
buzzy keyboard, muffled drums, hushed vocals-- they concoct a warm, pure
sound whose closest relative may be Yo La Tengo in their less noisy moments.
Like YLT, the American Analog Set knows how to let a song slowly unfold
itself without testing the patience of its listeners, moving through each
measure of their music with quiet, sure-footed confidence.
The band's simpler/gentler ethos is in full effect on Through the 90's,
an obligatory housecleaning of b-sides, unreleased alternate versions, and
live tracks that always pops up when a band switches labels. (Having spent
several years on Emperor Jones, the band will be releasing their upcoming
full-length on Tiger Style.) It's a testament to the American Analog Set's
songwriting consistency that Through the 90's could easily pass as a
proper album; however, where the band's previous releases have been
exquisitely crafted so that the tracks flow effortlessly together, the
primary virtue of this one is its subtle variety. Old tracks contrast just
enough with newer ones so that their differences can be appreciated without
the transitions between them being too jarring.
Among the more interesting artifacts is "High Fidelity vs. Guy Fidelity,"
one of the first songs the guys ever wrote; it bears a strong resemblance to
Mogwai's more recent work of deliberate, clean guitars set against washes of
keyboard noise. Amusingly, an ad jingle the band wrote for their collective
favorite soft drink, Dr. Pepper, is also included; according to the brief,
wry liner notes, the jingle was rejected, so the band developed it into the
full-length "The Wait," which appeared on their 1999 album, The Golden
Band. There's also a chilled-out remix of "Don't Wake Me," which casts
the band in a favorable Darla Records-esque light, all soft-touch breakbeats
and plinky electronics.
The latter half of the album is a little less exciting. Alternate versions
of album tracks such as "Magnificent Seventies" from 1997's From Our
Living Room to Yours and "It's All About Us" from The Golden
Band, aren't alternate enough to be made too distinctive from their
originals. The pair of extended live tracks that close the album show the
Set to be a smooth live act, but there's something unsettling about hearing
their music played through a filter of ambient crowd noise. The American
Analog Set isn't a band to experience collectively; they make the kind of
music you want to hear in your own head, and while the presence of the crowd
never overwhelms the band, it's still an unwelcome intrusion into that little
musical world you create for yourself.
Despite the fact that it seems a little excessive for a band who's only
released three albums to put out an odds-and-sods collection, Through the
90's, like every American Analog Set release to date, is a soothing,
rewarding listen. It's not only a recommended purchase for longtime fans,
but for newcomers as well, as its grab-bag nature captures many different
nuances of the band's sound, both past and present.
-Nick Mirov