Natalie Merchant
Ophelia
[Elektra]
Rating: 4.1
If the CD packaging (which presents her as seven women in different walks of life)
and the title track are any indication, Natalie Merchant thinks her of new release,
Ophelia, as the album of everywoman. And if Merchant's view of the life of
everywoman is correct, we're all in trouble.
Blessed with a voice nearly as haunting as Linda Thompson's, Merchant ultimately
lacks Thompson's range of emotional expression. While Thompson convincingly sang
of both human frailty and celebration, Merchant seems only to see life's underside,
making a career out of wrapping one of rock's finest voices around somber, yet
sticky sweet melodies.
At her best, Merchant is able to offset her often- preachy lyrics with charmingly
understated production. Sadly, this album lacks the warmth of her best work,
flaunting musical overstatement that matches the artist's bloated sense of self-
importance. Merchant is still a master of melody, but trite string arrangements and
excessive background vocals drown the dreary skeletons of songs, leaving
Ophelia a volume of half- realized, plodding ballads.
"My Skin" and the Scottish folk dirge "When They Ring The Golden Bells" are quietly
endearing and Daniel Lanois' guitar work on "Thick As Thieves" is enough to rouse a
sleepy listener, but the rest of Ophelia does its best to rectify that
situation.
Ophelia is dedicated to beat poet Allen Ginsberg, but it's far from a fitting
tribute. Merchant ought to do herself a favor and revisit the work of her hipster
friend. Like Merchant's songs, Ginsberg's poems are narrated by the voice of the
voiceless and littered with thoughts, emotions and characters generally ignored or
avoided by society. However, Merchant's songs and characters sorely lack the pride,
vision and sense of urgency infused throughout Ginsberg's work and, as a result,
come off as sorry complaints rather than biting social commentary.
-Neil Lieberman