Road Rage
Nothin' to Declare
[Bomb Factory/Radical]
Rating: 3.1
Boy, there just aren't many new and interesting ways to say "fuck you"
nowadays, y'know? And Road Rage's, Nothin' to Declare can stand as
proof: these guys are basically more boring old fuddy- duddies unable to
manifest the deceptively simple kiss-off of "fuck you" into something
transcendent-- something at least halfway compelling. To be sure, it's a
lot easier for a pissed- off punk band to slip into unintentional comedic
mode with all that unfocused hissyfit anger. In punk's past, insult
connoisseurs like Darby Crash, Jello Biafra, Lee Ving, Iggy Pop, and John
Lydon explored and expanded the range of expressive possibilities that
"fuck you" offers. Sound like bullshit? Well, maybe it is. Sorry to say,
though, Road Rage lead singer Mad Dog's empty "fuck you's," "fuck it's,"
"bolloxes," and "Oi! Oi!'s" just won't cut the mustard anymore.
It's all kind of sad, really. Take Mad Dog, for instance. He's probably
like 45, and been at this thankless shit for a quarter century now.
Yeah, he still reluctantly answers to that old punk alias, although his
former Christian name, Bob St. John Smythe, seems somehow more appropriate
these days. Most of his friends from '77 are probably incapacitated, married
and working boring day jobs, or dead. His vocabulary's down to a few
monosyllabic words, a few scatological terms, and maybe some grunts here
and there. He just wants to kick a little more ass and gob on a few more
fuckin' rotters before he croaks. Mad Dog's trusty axeman, affectionately
known as Gaz, is most certainly pushin' 40, has yet to weed out the spandex
from his long unlaundered wardrobe, and still hasn't weaned himself off Judas
Priest's British Steel. The life of a superannuated punk just ain't
all shits and giggles, see?
You've heard a thousand punk bands like this and, lucky you, you'll
probably hear a thousand more. Road Rage would have you believe they're
tasteless, rotten and just don't give a fuck. But the joke's on them:
they're too thick to come off as truly tasteless; and too conventionally-
minded to make us puke in disgust. They're not even witty or imaginative
enough to come off as inadvertent Sex Pistols parodies-- the reluctant
Rutles of punk, if you please.
Heck, these decrepit windbags are still intimidated by the ambiguous
sexuality they observe on the telly. And yeah, they especially curse those
durn "gay monkey bastards" in "What Gender." There doesn't even appear to
be anything calculated or deliberate about this sort of naïve anti-PC
mouthing off. They seem honestly threatened by androgynes and nancy boys.
"Fuck Off House" is about the frivolous antics of the idle rich being
naughty in their large pastoral estates. "DDP" is their Nancy Reagan
anti- drug opus. And surprise! Married life doesn't appeal to 'em either,
as evidenced by "Matrimony." Yeah, to hell with the missus, boys! Lucky
our right hands haven't been completely stymied by arthritis yet! "Smarmy
Martin" is about an irresponsible, sexually- liberated swinger named Martin,
who'll be "coming around your place/ And coming in your face/ Old Martin what
a cool geezer/ NOT!" Some sensa yuma, eh?
So, we know the sensitive fellows in Road Rage don't care much for sexual
deviancy, marriage, or skirt chasing. Things get worse, though. "When We
Were the Boys," is self- referential, nostalgic male- bonding music at
its worst. It's a tune that does, in fact, make a declaration: hey, we
certainly are not over the hill punks on the verge of death! And Mad
Pup's affected snarl on "Last One Off" is pure Pistols pilfering. Then, of
course, there's guitarist Gaz and his completely uninformed '70s time-
capsule guitar work. Nothing more to say about him.
If you think about it, the chaps in Road Rage have a lot in common with
your average high school football coach. You could even say they're kind of
moralistic and conservative. These are the sort of English goons that get
sloshed at soccer games and bust each other's skulls with bricks-- just for
sport, y'know? Think of the grimy working stiffs in "The Full Monty" if
they'd formed a hard rock band instead of a male burlesque ensemble. In
short, Road Rage has nothing constructive nor destructive to add to the
long- overflowed punk melting pot. Oh, and they also enjoy ending songs with
that cliched burping and lugie- hacking verite. Just where do these fookin'
wankers get off, anyway? Bluuuurrrp!!
-Michael Sandlin