Machine Drum
Now You Know
[Merck]
Rating: 9.0
A few years ago, while conducting routine experiments in their studio
laboratory, German beat chemists Chris de Luca and Michael Fakesch (known
together as Funkstörung) unwittingly stumbled across one of modern music's
most addictive recipes. The exchange, for those who weren't there to witness
it in person, went something like this:
Chris: Yo, Mikey, peep this shit I just wrote.
Michael: Good gravy! This is like nothing I've ever heard!
Chris: Yeah, dawg. We got some hip-hop influence up in this house. Now
critics won't accuse us of being cheap Autechre imitators.
Michael: They'll accuse people of imitating us instead. Splendid!
Chris: Heil!
I would be remiss to credit these two, as so many critics have, with
single-handedly pioneering the IDM/hip-hop fusion scene, but they certainly
played a large part in popularizing it. Along with lesser-known artists like
Push Button Objects and rap acts from Mush, Def Jux and Anticon who have
bridged the same gap from the opposite side, Fakesch and De Luca have helped
steer intelligent electronica down new avenues.
Funkstörung's music sounded fresh, but it left something to be desired. They
helped hollow out a new arena in sound, but their musical shortcomings left
other laptop jockeys with room to improve the formula. Over the last two or
three years, a gold rush has ensued, of artists trying to do exactly that:
Ninja Tune borrowed a cue and established its own hip-hop subsidiary, Big
Dada; Push Button Objects' Edgar Farinas founded his aptly appointed Chocolate
Industries imprint; Warp turned its attention to artists like Anti-Pop
Consortium and Prefuse 73; and one day, Cex just up and started rapping in
his underpants at live shows.
With so many contenders competing for the spotlight, it's easy to overlook
the smaller players. But Machine Drum, a dark horse on Miami's tiny Merck
label, is where I'd place my chips. Now You Know is perhaps the most
promising and accomplished album born yet from the marriage of IDM and
hip-hop, and it comes from an artist with only one other song to his name, a
gem called "Izzy Rael" from Merck's Squadron compilation last year.
Now You Know, Machine Drum's debut LP, delivers on the promise issued
by that single. This album is 70 minutes of street-smart, book-smart,
beat-smart genius that melds caffeinated 8-bit dancefloor rhythms with sordid
ghetto melodies and a shadowy sense of urban nostalgia. These could be theme
songs for graffiti parks, street poets and New York subway stations--
chronicles of the culture that have risen from the rot of America's
industrial dream.
"Wishbone Be Broken" sets the pace early on, dissecting a Company Flow rap
joint and scattering its remains across a canvas of somber lo-fi harmonies.
Effects abound, but they're woven in with such subtlety that they never call
attention from the fuzzy basslines and synthetic melancholy of the tinny
keyboards. "Hihowareyoudoingimfine" mines more of the same material. The
canned beats, sour strings and bubbly chimes sound like they're being played
on antique gramophones in varying stages of disrepair; the scratching comes
through fiercely clear, with absolute immediacy.
Now You Know takes a detour to the dancefloor with "Reel Cleer," a
syncopated stop-and-start melee of broken beats, truncated string samples
and more cut-up vocal tricks. But the euphoric urban lullaby "Jewlea"
easily steals the show, layering crystalline string punches over subdued
beats and sleepy basslines, repackaging the refrain again and again into
different stereo permutations, then slowly retreating out of earshot. This
song sparkles with the same streetwise sublimity as DJ Shadow's "Midnight in
a Perfect World" or Sixtoo's "Germ." The album could not have asked for
better closure.
If you parse through Now You Know with enough scrutiny, you're certain
to find flaws (as with any album); the stylistic scope of this disc is
somewhat limited, and certainly not on par with the versatility of veteran
electronic artists like Ken Ishii or Mouse on Mars. But what it lacks in
variety it compensates for in simple compositional virtuosity. Machine Drum
explore a relatively fresh musical formula and end up with some of the most
memorable moments in the (admittedly brief) history of the genre. As one of
the first wholly satisfying hip-hop styled IDM records, I hope Now You
Know becomes the standard to which the next wave of imitators aspires.
-Malcolm Seymour III