Avalanches
Since I Left You
[XL]
Rating: 9.5
Contrary to the beliefs of many middle-American supermarket-goers, not all
samples are free. Just ask Vanilla Ice. When he "sampled" the bassline
from Queen and David Bowie's "Under Pressure," he was faced with a
multi-million dollar lawsuit, rather than a complementary napkin and
toothpick. Sure, nobody bats an eye when copyright law takes some money out
of the shiny, rhinestone-encrusted pockets of Rob Van Winkle or Puff Daddy,
but as soon as lawsuits trip up avant-hoodlums like John Oswald of
Plunderphonics fame, the concept of thievery-as-art becomes a hot topic, and
the line between sampling and stealing becomes fiercely contended.
Given the fact that Since I Left You, the debut album from Aussie party
animals the Avalanches, contains over 900 individual samples, it's pretty
incredible that this thing got released in the first place. The fact that
they sample everything from long-forgotten R&B; records to golf instructionals
to Madonna's "Holiday" makes it even more impressive. But what really makes
this album brilliant is not as much the volume or quality of the samples used
as the way that they're employed. The Avalanches have managed to build a
totally unique context for all these sounds, while still allowing each to
retain its own distinct flavor. As a result, Since I Left You sounds
like nothing else.
Much of the beauty of the opening title song and its accompanying track,
"Stay Another Season," lies in the way that the Avalanches turn obvious sonic
mismatches into something all their own. It's not too common that you'll
hear a sample of a horse, a rastafarian singer, and an invitation to a Club
Med disco all in the same song, but somehow it makes perfect sense under the
masterful direction of the Avalanches.
Indeed, many of the most interesting moments on Since I Left You come
with these mismatches. "A Different Feeling" sets horn blasts from 1974 against
video game sounds from 1988-- the kind of bizarre pairing of classic soul with
futuristic sounds that constitutes a substantial part of Avalanches magic.
"Radio," which is slated for release as the band's next Australian single,
centers around a mantra-like vocal sample, a thick disco bassline, and bits
and pieces of filtered guitars and synthesizers.
Throughout Since I Left You, sampled vocals are used almost like
percussion. But rather than utilizing the frenetic, intricate rhythms seen in
most contemporary rap, the Avalanches repeat small vocal samples over and over
again, melding them into their rump-rocking grooves. And while many of these
songs rely heavily on the repetition of beats and samples, no single part of
the record is allowed to stagnate. Something is always being mixed up-- a
sample transposed up or down a few steps, a beat chopped up into little pieces
and seamlessly restructured, an unexpected vocal sample popping up out of
nowhere before being swallowed up by the massive sound the Avalanches have
concocted.
Another key element of Since I Left You is the keen sense of humor the
Avalanches display throughout. And "Frontier Psychiatrist," one of two singles
already released from the album, is simply one of the funniest songs I've heard
in ages. Relying on a heavy, Ninja Tune-style beat for backing, "Frontier
Psychiatrist" busts out samples from 37 spoken word recordings, resulting in
an oddball, hilarious pastiche of phrases like, "You're a nut! You're crazy in
the coconut!" And some brilliant scratching on a sample of a parrot.
Though it contains many distinct songs and moods, Since I Left You is
a remarkably coherent record on all fronts. Aside from the fact that the
Avalanches achieve a certain uniform "sound" on this album, subtler elements
come into play as well. Songs blend seamlessly into one another. Samples
reappear from song to song. And the album's final cut, "Extra Kings," with
its breezy flute and psychedelic swells of sound, puts a brilliant twist on
the album's title track, fading out with that same chipmunky voice lamenting,
"I've tried but I just can't get you/ Ever since the day I left you."
In releasing Since I Left You, the Avalanches have essentially brought
hundreds of slabs of inanimate vinyl to life. Though it was no doubt
meticulously constructed, this is an album brimming with spontaneity, joy,
sadness, humor, reflection, and general human-ness. With its high fun factor
and subtle traces of deeper emotion, Since I Left You is the perfect
record for the party, and for the period of regret and recovery after the
party.
-Matt LeMay